Ah, so, are you then suggesting that perhaps Pro-Tools 11 might be an 
accessible desaster for us; or, that accessibility will in fact very much 
improve.  If and when Sound Forge does come out for the Mac, I just might be 
willing to give the demo a go.  That should let me know pretty much right off 
about accessibility.  If accessible, it then depends on the price of Forge 
verses Pro-Tools.  


Sincerely,
The Constantly Barefooted Ray!!!

Now a very proud and happy Mac user!!!

Skype name:
barefootedray

On Jun 28, 2012, at 2:46 PM, Christopher-Mark Gilland wrote:

> I agree ProTools is definitely industry standard, and is what i use every 
> single day in my work flow, so before anyone says it's not accessible really 
> much, allow me to completely disagree and ask if you've read the 
> documentation, as if you have, you'll find there are key mappings for 
> literally almost everything.
>  
> We dont' have access to the midi event editer, and a few other plugins, and 
> with the new version 10.2, now that they've switched from RTAS over to A A X, 
> Avid has pretty well made the stocked plugins impossible to deal with, and 
> from what I"m told, in PT 11, RTAS is totally going to be a thing a the past. 
>  My guess is this is gonna piss off may artists like myself to no end, as 
> some of the older legacy plugins will become unusable.  I've heard nothing 
> about forward coming accessibility one way or another, good or bad, so I 
> can't speak what Avid is doing to fix things, if anything.  I personally am 
> staying back on 10.0, as for one, I don't see that 10.2 really offers me 
> anything in my work flow that I couldn't get from 10.0.  10.0 aparently is 
> the last version to come with the RTAS formatted plugins.  NOw, obviously, 
> there are some plugins that don't work at all even with RTAS.  A good stocked 
> example of this is the Structure sounds.  Having said this, there is a fair 
> amount as well in Xpand2 that we're missing.  For instance, we don't have 
> access to all 6 channels of the plugin.  Basically, if we did, we essentially 
> could use 1 instance of the plugin, instead of 6 different instances, on 6 
> different track inserts, and could route multiple patches through that one 
> instance, say on channel 1, we may have piano, 2 we may have say, strings, 3 
> maybe rhythm guitar, 4 base guitar, 5 lead guitar, and finally 6, drums.  
> Basically a sighted person could literally patch all that through one 
> instance, then allow that to be put either on an instrument track, or the 
> output of a midi track.  heck, you could even route it through a send, and 
> then receive it on an auxiliary input track through a bus.  There's a million 
> and one different ways a doing it.  Point is, because we only have access 
> with Voiceover to the first of those 6 channels, we literally have to set 
> muliple instances per? patch.  You can imagine how much resources this can 
> hog.
>  
> My suggestion to anyone who wants to try P T instead of, or as well as this 
> new SoundForge ordeal is to find a DVD copy of ProTools 10.0.  I might even 
> be willing to put it on my web site and provide a link, as it's not like that 
> would be illegal.  You'd still have to have your own license on an ILok in 
> order for it to open and launch once installed.  So, really without an assett 
> on an  external USB ILok, you're gonna get absolutely nowhere with just the 
> 10.0 DVD.  Beside, I already asked Avid, and they said that wasn't illegal, 
> and that was perfectly fine, so's long as I don't provide a physical way to 
> break the copy rpotection  scheme, which I have absolutely no intention what 
> so ever to do.
>  
> If someone on list though just needs the DVD, I can get you 10.0 standard, or 
> 9.0 MPowered.  I got both.  Just know you'll need to have an M Audio 
> interface/control surface either or/both for MPowered 9 to work.
>  
> Just let me know if you all need the DVD's.  Again, you're on your own as far 
> as getting an ILok with the license, but I don't midn at least! providing the 
> two DVD's seeing taht Avid no longer has either of them on their web site 
> being now the only one they have up there is 10.2.
>  
> Main thing I'm saying in all this is due to the industry standard and due to 
> the fact PT has come so far in accessibility, I probably will just stick with 
> it for my audio/editting needs.  Once you get the hang of it, ProTools really 
> is not that difficult to use nor edit with.  It does take a little getting 
> used to, but once you do, it works very very well.
>  
> Chris.
>  
> ----- Original Message -----
> From: Ray Foret Jr
> To: macvisionaries@googlegroups.com
> Sent: Thursday, June 28, 2012 11:55 AM
> Subject: Re: Sony's Sound Forge Audio Editing Software Coming to Mac?
> 
> Just took a look.  The video is crap for us though.
> 
> IF this is true, very interesting.  I imagine there are some of us who will 
> give the demo a good go as soon as possible.  Back in my windows days, Sound 
> Forge was the editor of which I made most use.  Sure will be interesting to 
> see how this stacks up against Pro-Tools.
> 
> OF course, we all know that Pro-Tools is the audio industry standard; still, 
> not everyone can spring for $6.99.  Just imagine this.  Sound Forge used with 
> RX 2 plugins!!  Now, that's a combination I could realy really go for!!
> 
> 
> Sincerely,
> The Constantly Barefooted Ray!!!
> 
> Now a very proud and happy Mac user!!!
> 
> Skype name:
> barefootedray
> 
> On Jun 28, 2012, at 10:44 AM, David Hole wrote:
> 
>> Hi folks.
>> 
>> Have you seen this? 
>> http://www.macrumors.com/2012/06/28/sonys-sound-forge-audio-editing-software-coming-to-mac/
>> 
>> I hope for:
>> * Great accessibility with VoiceOver
>> * Buying it from the App Store
>> If this two is fullfilled, I'll hunt it ASAP :-)
>> 
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