Hi Kevin, > This allows for two possible interpretations of the same symbol, which is why > it is preferable to specify the chord (C7) and the suspension (sus or sus4) > separately: putting the `sus' in between `C' and `7' makes it unclear whether > it applies to the seventh or to the fourth. […] > I have to disagree with this: there are plenty of situations where adding a > seventh does indeed change the chord's function. > Of course, getting any of the notes wrong is regrettable, which is why > unambiguity (i.e. C7sus4 IMO) is so desirable.
+1 Best, Kieren. _______________________ Kieren MacMillan, composer www: <http://www.kierenmacmillan.info> email: i...@kierenmacmillan.info _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
