Yes, absolutely.

I had suggested that earlier in the thread but then the idea came up that
transposition somehow implies a change of key. It most certainly does not.

And "displacement" is wholly wrong to my ears. Graphical noteheads can
displace (to the left or right in the interval of a second). But not
pitches. Pitches moving around is "transposition" in English, whether
tonally or atonally or whatever.

"Octave transposition" would have to be the English term here.





On Wed, Feb 27, 2008 at 11:32 AM, Damian leGassick <[EMAIL PROTECTED]>
wrote:

> agreed, octave transposition is what i call it - the notation *is*transposed
> d
>
>
> On 27 Feb 2008, at 16:37, Anh Hai Trinh wrote:
>
> On Wed, 27 Feb 2008 10:04:35 -0500, Kieren MacMillan <
> [EMAIL PROTECTED]> wrote:
>
> Hi Eyolf,
>
>
> Or one might turn the argument around and say that the melody is indeed
>
> trans-posed -- placed somewhere else, whereas the negative associations
>
> of dis- is that it's ended up in the wrong place...
>
>
> Interesting point...
>
>
> Really, what we're talking about is a NOTATIONAL SHORTHAND: the notes in
> question aren't actually TRANSPOSED or DISPLACED, just like notes in a
> "treble_8" clef are neither TRANSPOSED nor DISPLACED: they are simply
> NOTATED using a different (shorthand) method.
>
>
>
> I think you are mistaken here, a concert A written in any clef would sound
> with f = 440Hz, whereas a written concert A with a 8va bracket would sound
> with f = 880Hz. Anything sounding at a different interval than what is
> notated is called transposition in orchestration books. I believe the
> correct term, if there need be one, would be "octave transposition".
>
> --AT
>
>
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-- 
Trevor Bača
[EMAIL PROTECTED]
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