I agree with what you are saying about the minor chord with the added major 7th. It's a I minor with added major 7th. as oppsed to the II minor 7th.
To me the CmM7 is clear, but I think it might be better to write Cm #7 or Cm (#7) if you are going to use the "#" If the #7 is printed in superscript, it would probably be okay. -----Original Message----- >From: "Rick Hansen (aka RickH)" <[EMAIL PROTECTED]> >Sent: Aug 8, 2006 1:01 PM >To: lilypond-user@gnu.org >Subject: Re: triangle chord notation > > >No, the #7 notation is only valid for chords based on the melodic minor >scale. In the USA we would typically call this for example CmM7 in Europe >they may call it Cm#7 in both cases the note stack is the same <c ef g b>. >Speaking it, it's called "the minor major seventh chord", check out the song >"When You Wish Upon A Star" for an example. > >Of course #7 makes no sense at all on major chords, because #7 is the root! > > >-- >View this message in context: >http://www.nabble.com/triangle-chord-notation-tf2042072.html#a5712889 >Sent from the Gnu - Lilypond - User forum at Nabble.com. > > > >_______________________________________________ >lilypond-user mailing list >lilypond-user@gnu.org >http://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
