Thank you Valentin
Le dim. 9 juil. 2023 à 09:26, Valentin Petzel <valen...@petzel.at> a écrit :
> Hello Pierre,
>
> I think this should rather be
>
> { <\tweak duration-log #2 g \tweak duration-log #2 e' e''>2^. }
>
> Alternatively one can simply do
>
> \new Voice << g4 e' e''2^. >>
>
> (the \new Voice is necessary as there has been no music before this, so
> there
> does not exist a voice, and Lilypond will then create one Voice for each
> parallel music).
>
> Cheers,
> Valentin
>
> Am Sonntag, 9. Juli 2023, 07:07:53 CEST schrieb Pierre Perol-Schneider:
> > Hi Jun,
> > I'd do:
> >
> > { <g e' \tweak duration-log #1 e''>^. }
> >
> > For some reason I couldn't find the dedicated documentation.
> > Cheers,
> > Pierre
> >
> > Le dim. 9 juil. 2023 à 06:54, Jun Tamura <j.tam...@me.com> a écrit :
> > > Hello!
> > >
> > > Is there a recommended practice to engrave a triple-stop for the
> violin as
> > > in the attached example - notes with different durations in a single
> > > triple-stop? The example is from the 1st violin part, bar 24, 1st
> > > movement,
> > > piano concerto no. 3 by Beethoven. This quite often appears in music
> for
> > > string instruments. I’ve looked through LSR but cannot find a good
> > > example.
> > > Your kind advice is appreciated.
> > >
> > > Jun
>
>
