Thank you Valentin Le dim. 9 juil. 2023 à 09:26, Valentin Petzel <valen...@petzel.at> a écrit :
> Hello Pierre, > > I think this should rather be > > { <\tweak duration-log #2 g \tweak duration-log #2 e' e''>2^. } > > Alternatively one can simply do > > \new Voice << g4 e' e''2^. >> > > (the \new Voice is necessary as there has been no music before this, so > there > does not exist a voice, and Lilypond will then create one Voice for each > parallel music). > > Cheers, > Valentin > > Am Sonntag, 9. Juli 2023, 07:07:53 CEST schrieb Pierre Perol-Schneider: > > Hi Jun, > > I'd do: > > > > { <g e' \tweak duration-log #1 e''>^. } > > > > For some reason I couldn't find the dedicated documentation. > > Cheers, > > Pierre > > > > Le dim. 9 juil. 2023 à 06:54, Jun Tamura <j.tam...@me.com> a écrit : > > > Hello! > > > > > > Is there a recommended practice to engrave a triple-stop for the > violin as > > > in the attached example - notes with different durations in a single > > > triple-stop? The example is from the 1st violin part, bar 24, 1st > > > movement, > > > piano concerto no. 3 by Beethoven. This quite often appears in music > for > > > string instruments. I’ve looked through LSR but cannot find a good > > > example. > > > Your kind advice is appreciated. > > > > > > Jun > >