Hello Pierre, I think this should rather be
{ <\tweak duration-log #2 g \tweak duration-log #2 e' e''>2^. }
Alternatively one can simply do
\new Voice << g4 e' e''2^. >>
(the \new Voice is necessary as there has been no music before this, so there
does not exist a voice, and Lilypond will then create one Voice for each
parallel music).
Cheers,
Valentin
Am Sonntag, 9. Juli 2023, 07:07:53 CEST schrieb Pierre Perol-Schneider:
> Hi Jun,
> I'd do:
>
> { <g e' \tweak duration-log #1 e''>^. }
>
> For some reason I couldn't find the dedicated documentation.
> Cheers,
> Pierre
>
> Le dim. 9 juil. 2023 à 06:54, Jun Tamura <j.tam...@me.com> a écrit :
> > Hello!
> >
> > Is there a recommended practice to engrave a triple-stop for the violin as
> > in the attached example - notes with different durations in a single
> > triple-stop? The example is from the 1st violin part, bar 24, 1st
> > movement,
> > piano concerto no. 3 by Beethoven. This quite often appears in music for
> > string instruments. I’ve looked through LSR but cannot find a good
> > example.
> > Your kind advice is appreciated.
> >
> > Jun
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