Am Do., 1. Nov. 2018 um 16:24 Uhr schrieb Kieren MacMillan
<kieren_macmil...@sympatico.ca>:
>
> Hi Werner,
>
> > +1. I've *never* seen an ambitus except at the very beginning of a piece.
>
> I often use an ambitus in front- or end-matter, to give vocal ranges separate
> from the score itself. Of course, "front-matter" can be interpreted as "the
> very beginning of a piece", but I think of it as entirely separate from the
> piece — and end-matter is definitely not "the very beginning of a piece".
>
> Not trying to battle semantics — just giving a use case, and putting forward
> my concern that any changes to the Ambitus engraver shouldn’t eliminate the
> possibility of using it somewhere other than the "traditional place" (i.e.,
> immediately to the left of the first measure of a vocal staff).
I'd second Werner.
Though, it's already possible to do:
{
\new Voice = "intro"
{ R1*4 \break }
\new Voice
\with { \consists "Ambitus_engraver" }
\relative c' {
\override AmbitusNoteHead.break-visibility = ##(#f #f #t)
\override AmbitusLine.break-visibility = ##(#f #f #t)
c4 d e f g a b c |
\break
b2 c |
d1
}
}
alas not very convenient.
Cheers,
Harm
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