Salut Torsten, OK, now everything is clear, it’s precisely on jazz chords I’m working.
Thanks! JM > Le 29 avr. 2018 à 19:50, Torsten Hämmerle <torsten.haemme...@web.de> a écrit : > > Jacques Menu Muzhic wrote >> Do I get it right that this is key-independent too for the diminished >> fifth of E flat? > > Salut Jacques, > > Yes, a diminished E flat chord will always be a diminished E flat chord, > consisting of the notes E flat + G + B doubleflat. no matter what key you're > in. > And it's quite important to use the correct notation, because the harmonic > content is much more obvious then. > I just recently learned about the nice German didactic word > "Schneemann-Akkord" (snowman chord), describing a triad in root position: > Three note heads piled up like a snowman. ;) > If you apply any enharmonic change, the visually easy-to-grasp triad form > will be lost. The (jazz) principle of building chords by stacking thirds is > relying on, well, the thirds and the system would be broken by shoving in a > second (B-A is a second). > > An exception may be orchestral parts (as mentioned by Lukas). > On the one hand, many (non-professional) players of monophonic instruments > often prefer an easy-to-read line avoiding "unnecessary" double accidentals > and do not care very much about the harmonic role they play in the overall > sound. > On the other hand, it is desirable to write down the notes as they are > intended... > > All the best, > Torsten > > > > > -- > Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
