On 8 November 2017 at 22:42, Francisco Vila <paconet....@gmail.com> wrote:
> On 08/11/17 01:52, Flaming Hakama by Elaine wrote:
> >
> > Why? That would only make sense if you used the same variables in
> > different scores and wanted to transpose all of them
> >
> >
> >
> > I answered the question that was asked.
> > And it makes sense: to transpose music, you use the \transpose function.
>
> This is true, but I think what Simon says is that it is better to leave
> the music definitions in concert pitch and transpose the choir staff
> only, which is a single << >> music expression.
>
>
To clarify, replace line 29 of 01-clemens-a7-0-score.ly so that it it
changes from:
\score {
<<
\new ChoirStaff = choirStaff \with {
to:
\score {
\transpose f af <<
\new ChoirStaff = choirStaff \with {
If you want single parts (probably not), you would do a similar thing in
the respective parts files.
Don't write \transpose f as <<
as I did, because in English notes that makes A sharp major (four sharps
and three double sharps ;-) )
One of the first things I did in Lilypond was try to transpose a
renaissance choral piece, and I remember that it's not necessarily trivial
or easy, especially for a Lilypond beginner. It took a while for me to get
my head round the file structure of this piece. I prefer to put it all in
fewer files, though sometimes my file structure is just as weird.
Vaughan
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