Am 25.08.2016 um 21:12 schrieb Pastor Neubauer:
I am not using score blocks. I never really trained in on Lilypond, just sort
of started finding what worked so I am going line by line using addlyrics. I
know I have had some difficulties that could be worked out if I used more
“formal” methods.
There are no explicit \score blocks but every \relative creates a score
implicitely in this case.
You should have only one score per piece, not one score per line;
LilyPond does good line breaking for you (and if you’re not satisfied
you can help by using \break, \noBreak or setting the system-count, i.
e. the total number of systems LilyPond should print, in the \paper block).
Attached you find the whole piece in one score. I put everything in one
\relative and two \addlyrics blocks. Also, for better code readability,
I put a line break after every measure and deleted all the unnecessary
things like extra \bar commands or unused settings in the \layout block.
Also I replaced \laissezVibrer and \repeatTie by ~, added a r2 to
measure 12, and changed r1 (whole measure rest) to R1 (this makes it
centered).
\version "2.18.2"
#(set-global-staff-size 17.82)
\paper {
#(set-paper-size "letter")
}
\layout {
indent = #10
left-margin = #20
line-width = #185
}
\header {
title = "Cornerstone"
copyright = \markup \center-column {
"Words and music by Lenny LeBlanc |Paul Baloche"
\line { \char ##x00A9 "1999 Integrityâs Hosanna! Music | LenSongs Publishing." }
"Used by permission. CCLI License # 11090669"
}
}
\relative c' {
\key c \major
\compressFullBarRests
\override MultiMeasureRest.expand-limit = #2
\set beamExceptions = #'() % this saves a lot of manual beams in this example
\set Score.alternativeNumberingStyle = #'numbers
R1*6
\repeat volta 2 {
r8 c8 e8 g8 g4 r8 c,8
d8 e8 e4 r2
r8 f8 f8 a8 a4 r8 e8
e8 d8 d4~ d8 r8 r4
r8 c8 e8 g8 g4 r8 c,8
d8 e8 e4 r2
r8 f8 f8 e8 d8. e16 d4~
}
\alternative {
{
d16 c8 c16~ c2.
R1
}
{ d16\repeatTie c8 c16~ c2 r4 }
}
r2 e4 d4
c4 r4 f4 e4
d4 r4 e4 d4
c4. c16 c16 f4~f16 e8 d16~
d4 r4 e4 g4
c,4 r4 f4 e4
d4 r4 e4 d4
c2. r4
R1
r8 c8 e8 g8 g4 r8 c,8
d8 e8 e4 r2
r8 f8 f8 a8 a4 r8 e8
e8 d8 d4~ d8 r8 r4
r8 c8 e8 g8 g4 r8 c,8
d8 e8 e4 r2
r8 f8 f8 e8 d8. e16 d4~
d16 c8 c16~ c2.
\bar "||"
r8 f'8 f8 e8 d8. e16 d4~
d16 c8 c16~ c2.
r2 e4 d4
\repeat volta 3 {
c4 r4 f4 e4
d4 r4 e4 d4
c4. c16 c16 f4~ f16 e8 d16~
d4 r4 e4 g4
c,4 r4 f4 e4
}
\alternative {
{
d4 r4 e4 d4
c2. r4
r2 e4 d8( c8)
e8( d32 c32 c16~ c4) r2
r2 e4 d4
f4.( e8~ e4. d8~
d8) r8 r4 e4 d4
}
{
d4 r4 e4 d4
c2 r2
r2 e4 d4
}
{
d4 r4 e4 d4
c2. r4
R1*3^\markup { \tiny \italic { to verse 3 } }
}
}
}
\addlyrics {
\set stanza = "1." My hope is built on noth -- ing less, than Je -- susâ blood and
right -- eous -- ness I dare not trust the sweet -- est frame,
bu whol -- ly trust in Je -- susâ Name. - susâ Name.
Christ a -- lone. Corn -- er -- stone. Weak made strong in the Sav -- iorâs love.
Through the storm, He is Lord. Lord of all.
\set stanza = "2." When dark -- ness seems to hide His face, I rest on His un -- chang -- ing grace.
In ev -- âry high and storm -- y gale, my an -- chor holds with -- in the veil.
My an -- chor holds with -- in the veil. Christ a -- lone. Corn -- er-
stone. Weak made strong in the Sav -- iorâs love. Through the storm, He is Lord. Lord of all. He is Lord. __ Lord of all. __ Christ a- Lord. Lord of all. Christ a- Lord. Lord of all.
}
\addlyrics {
\repeat unfold 58 _ % skip 58 syllables
\set stanza = #"3." When He shall come with trump -- et sound, oh may I then in Him be found.
Dressed in His righ -- eous -- ness a -- lone. Fault -- less to stand be -- fore the throne.
}
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