Steve,
On Sat, Nov 21, 2015 at 10:29 AM, Urs Liska [via Lilypond] <
ml-node+s1069038n183906...@n5.nabble.com> wrote:
>
>
> Am 21.11.2015 um 18:18 schrieb Steve Lacy:
>
> Any thoughts on avoiding these clashes without having to manually tweak
> all the slurs?
>
>
> Yes, writing semantically correct notes, like this:
>
> c''2 \( ( b'4 ) c''4 \)
>
> I can't think of an instrument or musical style where your input makes
> sense.
>
> If that note should really be tied (i.e. a held note) then you'd need two
> separate voices, like
>
> {
> \new Staff <<
> {
> \voiceOne
> c''2. ~ c''4
> }
> \new Voice {
> \voiceTwo
> c''2 ( b'4 )
> }
> >>
> }
>
>
+1!
I've played songs on the piano that have this feel, but I agree that
something like this should most likely done with multiple voices (and
LilyPond handles it much better anyway).
If this *is* necessary, do you really have *that many* instances where a
manual direction tweak is prohibitive, like the following:
\score{
{
\set tieWaitForNote = ##t
c''2 _( ~ b'4 ) c''4
c''2 ~ b'4 _( c''4 )
}
\layout{}
}
If so, I'd definitely go with separate voices.
Best,
Abraham
manual-slur-direction-with-delayed-tie.png (5K)
<http://lilypond.1069038.n5.nabble.com/attachment/183908/0/manual-slur-direction-with-delayed-tie.png>
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