I may have mis-understood Malte about entering the parts in concert pitch. If your intent was that they are entered in instrument pitches, then cool - but unfortunately your example doesn't work anyway. Trumpet part prints as DDDD instead of CCCC, clarinet prints as ADAA instead of GCGG, and the alto sax part prints as GAGG instead of DGDD.
On Sun, Aug 2, 2015 at 4:29 PM, user3871075 <user3871...@gmail.com> wrote: > My apologies to Malte for (apparently) ignoring his suggestion. His email > didn't come through to my inbox and it didn't occur to me to even check > online. > > Malte - I understand that only doing transposition at the score level > would work. However, I'm entering some music from printed instrument parts > so I'd much prefer to enter them "as is" instead of have to transpose in my > head. Usually this isn't a problem, but the piece I'm working on has these > quoted sections, and based on the lilypond documentation I thought this was > the preferred way to go. Since in this case I don't really need the > trumpet part (other than to quote into the clarinet part), I can just put > the trumpet notes directly into the clarinet part and dispense altogether > with quoteDuring. But it's an interesting question exactly how to get this > to work in the more general case. > > Regarding your off-topic questions/suggestions. My snippit originally > used whole notes, and when I decided quarter notes would be better I forgot > to remove the incorrect bar checks. As far as correct octave marks, thanks > for the suggestion. I've solved that in other cases if the octavation > turns out wrong by transposing the whole thing up (or down) an octave. And > I'll keep in mind that the '#' and "" are optional for \quoteDuring. I > typically just copy/paste examples from the documentation. > > Thanks! >
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