Am 02.08.2015 um 06:05 schrieb user3871075:
Anyway, my use-case is I have a trumpet part that I want to quote into the
clarinet part. Then I want to transpose the clarinet part to alto sax.
Per suggestions in the lilypond documentation I have all of my raw music
transposed into C so that it's easier to combine and then I transpose it to
the correct per-instrument notes in the score.
Hi,
I would suggest to never touch the transposition outside of the score.
Then use \transpose to transpose each instrument’s own music and
\transposition to adjust the quoted music:
%%%%%%%%
\version "2.18.2"
trumpetNotes = \relative c'' {
c4 c c c
}
\addQuote "trumpet" \trumpetNotes
clarinetNotes = \relative c'' {
g4
\quoteDuring #"trumpet" { s }
g g |
}
altoSaxNotes = \clarinetNotes
<<
\new Staff \with {
instrumentName = "trumpet"
} \transpose bes c' {
\transposition bes
\trumpetNotes
}
\new Staff \with {
instrumentName = "clarinet"
} \transpose bes c' {
\transposition bes
\clarinetNotes
}
\new Staff \with {
instrumentName = "alto sax"
} \transpose ees c' {
\transposition ees
\altoSaxNotes
}
>>
%%%%%%%%
Three off-topic comments:
1. You used bar checks where no bar line should be. Are you sure you’ve
understood them correctly?
2. Trumpets transpose a second down, not a seventh up; alto saxophones
transpose a sixth down, not a third up. You need to make sure you have
correct octave marks when using \transpose and \transposition (the
latter always is relative to c').
3. You can leave out the # (and even the "" if it’s no problem for your
syntax hilighting) in \quoteDuring #"trumpet" at least in version 2.19;
but I think that this is already possible in 2.18 and perhaps earlier
versions.
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