On Mon, 31 Mar 2003, Simon G. P. Bailey wrote:
>
> i've never seen this construct before. what i have seen is double segnos
> and codas:
Still one question to clarify wthether I comprehended ...
>
> notes1 segno-segno notes2 segno notes3 coda-coda notes4 coda notes5
> "D.S. al codaI"
> codaI: notesA "D.S.S. al codaII"
> codaII: notesB \bar "|."
>
... this right:
Is the sequence:
notes1 segno notes2 fine notes3 dal segno al coda coda notes4
is the same as
notes1 notes2 notes3 notes2 notes4
>
> The coda symbol itself in the music is always typeset with the symbol,
> the corresponding section of music is often marked with the text "coda"
> and the symbol, or just the text (the music itself is normally separated
> from the original piece and indented).
... OK, I think , I'll concentrate on symbols and abbrivations ...
>
> there are many different ways of typesetting D.[C|S]. al [Fine|Coda].
> the easiest way is to just grab your favourite one and stick with it.
>
... yes, I think I have to limit the possibilties. Especially LilyPond
permits adjustment by post-edition.
>
> hope this helps, regards,
Thank you for the quick answer.
--
J.Anders, Chemnitz, GERMANY ([EMAIL PROTECTED])
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