> [...], I suggest to move down both the sharp and natural sign a bit
> so that its horizontally oriented elements are nearer to the
> baseline.
I can also imagine that the bulb of the flat sign is a bit larger
horizontally to get a similar optical weight as the letter before.
It would be interesting to see trailing accidentals if combined with
digits from a figured bass. Maybe we should have a third, different
looking set of accidentals?
BTW, I've also seen a double sharp within a figured bass in one of
Bach's flute sonatas: BWV 1035, first movement, bar 12.
Werner
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