>>>>> "Nicolas" == Nicolas Sceaux <nicolas.sce...@gmail.com> writes:
Nicolas> Several years ago, I used a midi keyboard to enter the notes: one
hand
Nicolas> on the midi keyboard, and one hand on the computer keyboard, to set
Nicolas> durations, because I'm a lame keyboard player. But it turned out
that
Nicolas> (in my case) that method was not quicker (or practical) than full
computer
Nicolas> keyboard entry.
I do use that method still. I find it's not a lot quicker, but is a
bit less error prone, for my purposes. When I do "relative" entry
from the computer keyboard, I make a lot of octavation errors.
But I agree with David that it needs better intelligence about
enharmonic notes -- if I weren't doing Renaissance music, which has a
lot higher percentage of "white notes" than later styles, I might well
decide that fixing the enharmonics was taking as much time as I was
saving on the octavation errors.
Another thing I'd really like added to this input method is a way to
hear the MIDI notes.
--
Laura (mailto:lcon...@laymusic.org)
(617) 661-8097 233 Broadway, Cambridge, MA 02139
http://www.laymusic.org/ http://www.serpentpublications.org
Copyright law has abandoned its reason for being: to encourage
learning and the creation of new works. Instead, its principal
functions now are to preserve existing failed business models, to
suppress new business models and technologies, and to obtain, if
possible, enormous windfall profits from activity that not only causes
no harm, but which is beneficial to copyright owners.
William Patry, in his farewell post on "The Patry Copyright Blog".
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