CVSROOT: /cvsroot/lilypond
Module name: lilypond
Branch:
Changes by: Graham Percival <[EMAIL PROTECTED]> 05/05/23 19:29:14
Modified files:
. : ChangeLog
Documentation/user: advanced-notation.itely
instrument-notation.itely
Log message:
Editing.
CVSWeb URLs:
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/ChangeLog.diff?tr1=1.3649&tr2=1.3650&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/advanced-notation.itely.diff?tr1=1.26&tr2=1.27&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/instrument-notation.itely.diff?tr1=1.31&tr2=1.32&r1=text&r2=text
Patches:
Index: lilypond/ChangeLog
diff -u lilypond/ChangeLog:1.3649 lilypond/ChangeLog:1.3650
--- lilypond/ChangeLog:1.3649 Mon May 23 19:18:58 2005
+++ lilypond/ChangeLog Mon May 23 19:29:14 2005
@@ -1,3 +1,13 @@
+2005-05-23 Graham Percival <[EMAIL PROTECTED]>
+
+ * ly/property.ly: Update tieDotted to have the same form as slurDotted.
+
+ * Documentation/user/lilypond.tely: change Unified index to
+ LilyPond index.
+
+ * Documentation/user/advanced-notation.itely,
+ instrument-notation.itely: editing.
+
2005-05-23 Jan Nieuwenhuizen <[EMAIL PROTECTED]>
* lily/main.cc (setup_paths)[__MINGW32__]: Normalize LILYPONDPREFIX.
Index: lilypond/Documentation/user/advanced-notation.itely
diff -u lilypond/Documentation/user/advanced-notation.itely:1.26
lilypond/Documentation/user/advanced-notation.itely:1.27
--- lilypond/Documentation/user/advanced-notation.itely:1.26 Mon May 23
19:18:58 2005
+++ lilypond/Documentation/user/advanced-notation.itely Mon May 23 19:29:14 2005
@@ -1315,10 +1315,12 @@
* Polymetric notation::
* Clusters::
* Special fermatas::
+* Special noteheads::
* Feathered beams::
* Improvisation::
@end menu
+
@node Polymetric notation
@subsection Polymetric notation
@@ -1527,6 +1529,34 @@
See @ref{Articulations} for general instructions how to apply scripts
such as fermatas to notes.
+
[EMAIL PROTECTED] Special noteheads
[EMAIL PROTECTED] Special noteheads
+
+Different noteheads are used by various instruments for various
+meanings -- crosses are used for ``parlato'' with vocalists, stopped
+notes on guitar; diamonds are used for harmonics on string instruments,
+etc. There is a shorthand (@code{\harmonic}) for diamond shapes; the
+other notehead styles are produced by tweaking the property
+
[EMAIL PROTECTED],relative=1,fragment,verbatim,quote]
+c4 d
+\override NoteHead #'style = #'cross
+e f
+\revert NoteHead #'style
+e d <c f\harmonic> <d a'\harmonic>
[EMAIL PROTECTED] lilypond
+
[EMAIL PROTECTED]
+To see all notehead styles, please see
[EMAIL PROTECTED]/@/regression,note@/-head@/-style@/.ly}.
+
+
[EMAIL PROTECTED]
+
+Program reference: @internalsref{NoteHead}.
+
+
@node Feathered beams
@subsection Feathered beams
@@ -1534,7 +1564,7 @@
forcing two beams to overlap. Here is an example,
@c don't change relative setting witout changing positions!
[EMAIL PROTECTED],relative=1,fragment,verbatim]
[EMAIL PROTECTED],relative=1,fragment,verbatim,quote]
\new Staff <<
\new Voice
{
Index: lilypond/Documentation/user/instrument-notation.itely
diff -u lilypond/Documentation/user/instrument-notation.itely:1.31
lilypond/Documentation/user/instrument-notation.itely:1.32
--- lilypond/Documentation/user/instrument-notation.itely:1.31 Sat May 21
09:43:37 2005
+++ lilypond/Documentation/user/instrument-notation.itely Mon May 23
19:29:14 2005
@@ -1218,6 +1218,48 @@
}
@end lilypond
+You can display alternate (or divisi) lyrics by naming voice
+contexts and attaching lyrics to those specific contexts.
+
[EMAIL PROTECTED],raggedright,quote]
+\score{ <<
+ \context Voice = "melody" {
+ \relative c' {
+ c4
+ <<
+ { \voiceOne c8 e }
+ \context Voice = splitpart { \voiceTwo c4 }
+ >>
+ \oneVoice c4 c | c
+ }
+ }
+ \new Lyrics \lyricsto "melody" { we shall not o- ver- come }
+ \new Lyrics \lyricsto "splitpart" { will }
+>> }
[EMAIL PROTECTED] lilypond
+
+
+You can use this trick to display different lyrics for a repeated
+section.
+
[EMAIL PROTECTED],raggedright,quote]
+\score{ <<
+ \context Voice = melody \relative c' {
+ c2 e | g e | c1 |
+ \context Voice = verse \repeat volta 2 {c4 d e f | g1 | }
+ a2 b | c1}
+ \lyricsto melody \context Lyrics = mainlyrics \lyricmode {
+ do mi sol mi do
+ la si do }
+ \lyricsto verse \context Lyrics = mainlyrics \lyricmode {
+ do re mi fa sol }
+ \lyricsto verse \context Lyrics = repeatlyrics \lyricmode {
+ dodo rere mimi fafa solsol }
+>>
+}
[EMAIL PROTECTED] lilypond
+
+
@seealso
Program reference: @internalsref{LyricText}, @internalsref{VocalName}.
@@ -1316,6 +1358,7 @@
There is no collision handling in the case of multiple per-voice
ambitus.
+
@node Other vocal issues
@subsection Other vocal issues
@@ -1329,59 +1372,9 @@
examples, and that might get them more involved in the docs. -gp
@end ignore
-You can display alternate (or divisi) lyrics by naming voice
-contexts and attaching lyrics to those specific contexts.
-
[EMAIL PROTECTED],raggedright,quote]
-\score{ <<
- \context Voice = "melody" {
- \relative c' {
- c4
- <<
- { \voiceOne c8 e }
- \context Voice = splitpart { \voiceTwo c4 }
- >>
- \oneVoice c4 c | c
- }
- }
- \new Lyrics \lyricsto "melody" { we shall not o- ver- come }
- \new Lyrics \lyricsto "splitpart" { shall }
->> }
[EMAIL PROTECTED] lilypond
-
-
-You can use this trick to display different lyrics for a repeated
-section.
-
[EMAIL PROTECTED],raggedright,quote]
-\score{ <<
- \context Voice = melody \relative c' {
- c2 e | g e | c1 |
- \context Voice = verse \repeat volta 2 {c4 d e f | g1 | }
- a2 b | c1}
- \lyricsto melody \context Lyrics = mainlyrics \lyricmode {
- do mi sol mi do
- la si do }
- \lyricsto verse \context Lyrics = mainlyrics \lyricmode {
- do re mi fa sol }
- \lyricsto verse \context Lyrics = repeatlyrics \lyricmode {
- dodo rere mimi fafa solsol }
->>
-}
[EMAIL PROTECTED] lilypond
-
-
-To notate ``parlato'' (spoken without pitch but still with
-rhythm) sections,
-
[EMAIL PROTECTED],verbatim,quote,fragment,relative=2]
-c4 d
-\override NoteHead #'style = #'cross
-e f
-\revert NoteHead #'style
-e d
[EMAIL PROTECTED] lilypond
-
+``Parlato'' is spoken without pitch but still with rhythm; it is
+notated by cross noteheads. This is demonstrated in
[EMAIL PROTECTED] noteheads}.
@node Rhythmic music
@@ -1854,6 +1847,13 @@
@end lilypond
+Stopped (X) note heads are used in guitar music to signal a place where the
+guitarist must play a certain note or chord, with its fingers just
+touching the strings instead of fully pressing them. This gives the sound a
+percussive noise-like sound that still maintains part of the original
+pitch. It is notated with cross noteheads; this is
+demonstrated in @ref{Special noteheads}.
+
@node Ancient notation
@section Ancient notation
@@ -3897,25 +3897,4 @@
@node Stopped notes (guitar)
@subsection Stopped notes (guitar)
-Stopped (X) note heads are used in guitar music to signal a place where the
-guitarist must play a certain note or chord, with its fingers just
-touching the strings instead of fully pressing them. This gives the sound a
-percussive noise-like sound that still maintains part of the original pitch.
-
-Finger stopped technique is extremely important for rhythm and rock-heavy
-metal guitarists; the former often uses barré based stopped chords to
-intermix harmony with rythm, the latters use finger stopping to mute power
-chords, or charge them with more expression in close-tied power chord stums.
-
-It is also used (even if rarely) in classic guitar music, generally in the
-melodic line, to provide some rithmic pattern right in the melody.
-
[EMAIL PROTECTED],verbatim,quote,fragment,relative=2]
-c4 d
-\override NoteHead #'style = #'cross
-e f
-\revert NoteHead #'style
-e d
[EMAIL PROTECTED] lilypond
-
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