CVSROOT:        /cvsroot/lilypond
Module name:    lilypond
Branch:         
Changes by:     Graham Percival <[EMAIL PROTECTED]>     05/05/03 08:49:23

Modified files:
        .              : ChangeLog 
        Documentation/user: advanced-notation.itely 
                            instrument-notation.itely 
                            changing-defaults.itely 

Log message:
        Some minor changes and moving Text stuff into Advaned notation.

CVSWeb URLs:
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/ChangeLog.diff?tr1=1.3530&tr2=1.3531&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/advanced-notation.itely.diff?tr1=1.15&tr2=1.16&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/instrument-notation.itely.diff?tr1=1.22&tr2=1.23&r1=text&r2=text
http://savannah.gnu.org/cgi-bin/viewcvs/lilypond/lilypond/Documentation/user/changing-defaults.itely.diff?tr1=1.127&tr2=1.128&r1=text&r2=text

Patches:
Index: lilypond/ChangeLog
diff -u lilypond/ChangeLog:1.3530 lilypond/ChangeLog:1.3531
--- lilypond/ChangeLog:1.3530   Tue May  3 08:02:00 2005
+++ lilypond/ChangeLog  Tue May  3 08:49:20 2005
@@ -7,6 +7,12 @@
        advanced-notation.itely, instrument-notation.itely: minor
        fixes.
 
+       * ly/property-init.ly: add textSpanner{Up,Down,Neutral}.
+
+       * Documentation/user/advanced-notation.itely,
+       changing-defaults.itely: consolidate Text stuff in
+       advanced notation.
+
 2005-05-03  Han-Wen Nienhuys  <[EMAIL PROTECTED]>
 
        * scm/framework-ps.scm (write-preamble): extract CFF from OTF
Index: lilypond/Documentation/user/advanced-notation.itely
diff -u lilypond/Documentation/user/advanced-notation.itely:1.15 
lilypond/Documentation/user/advanced-notation.itely:1.16
--- lilypond/Documentation/user/advanced-notation.itely:1.15    Tue May  3 
08:02:01 2005
+++ lilypond/Documentation/user/advanced-notation.itely Tue May  3 08:49:22 2005
@@ -12,6 +12,7 @@
 This chapter deals with rarely-used and advanced notation.
 
 @menu
+* Text::                        
 * Even more than notes::        
 * Preparing parts::             
 * Orchestral music::            
@@ -21,17 +22,21 @@
 @end menu
 
 
[EMAIL PROTECTED]  really bad section name.  :(
[EMAIL PROTECTED] Even more than notes
[EMAIL PROTECTED] Even more than notes
[EMAIL PROTECTED] Text
[EMAIL PROTECTED] Text
+
+This section explains how to include text (with various formatting) in
+your scores.
 
 @menu
 * Text scripts::                
 * Text spanners::               
-* Transpose::                   
-* Ottava brackets::             
-* Multi measure rests::         
-* Time administration::         
+* Text markup::                 
+* Text encoding::               
+* Nested scores::               
+* Overview of text markup commands::  
+* New dynamic marks::           
+* Other text markup issues::    
 @end menu
 
 
@@ -91,11 +96,19 @@
 
 @lilypond[quote,raggedright,fragment,relative=1,verbatim]
 c1
-\override TextSpanner #'direction = #-1
+\textSpannerDown
 \override TextSpanner #'edge-text = #'("rall " . "")
 c2\startTextSpan b c\stopTextSpan a
 @end lilypond
 
[EMAIL PROTECTED]
+
[EMAIL PROTECTED]
[EMAIL PROTECTED],
[EMAIL PROTECTED]
[EMAIL PROTECTED],
[EMAIL PROTECTED]
[EMAIL PROTECTED]
 
 @seealso
 
@@ -105,6 +118,220 @@
 Examples: @inputfileref{input/@/regression,text@/-spanner@/.ly}.
 
 
[EMAIL PROTECTED] Text markup
[EMAIL PROTECTED] Text markup
[EMAIL PROTECTED] text markup
[EMAIL PROTECTED] markup text
+
[EMAIL PROTECTED] typeset text
+
+The internal mechanism to typeset texts is accessed with the keyword
[EMAIL PROTECTED]  Within markup mode, you can enter texts similar to
+lyrics.  They are simply entered, while commands use the backslash @code{\}.
[EMAIL PROTECTED] markup
+
[EMAIL PROTECTED],verbatim,fragment,relative=1]
+c1^\markup { hello }
+c1_\markup { hi there }
+c1^\markup { hi \bold there, is \italic anyone home? }
[EMAIL PROTECTED] lilypond
+
[EMAIL PROTECTED] font switching
+
+The markup in the example demonstrates font switching commands.  The
+command @code{\bold} and @code{\italic} apply to the first following 
+word only; enclose a set of texts with braces to apply a command
+to more words:
[EMAIL PROTECTED]
+\markup @{ \bold @{ hi there @} @}
[EMAIL PROTECTED] example
+
[EMAIL PROTECTED]
+For clarity, you can also do this for single arguments, e.g.,
+
[EMAIL PROTECTED]
+\markup @{ is \italic @{ anyone @} home @}
[EMAIL PROTECTED] example
+
[EMAIL PROTECTED] font size, texts
+
+
+In markup mode you can compose expressions, similar to mathematical
+expressions, XML documents, and music expressions.  You can stack
+expressions grouped vertically with the command @code{\column}.
+Similarly, @code{\center-align} aligns texts by their center lines:
+
[EMAIL PROTECTED],verbatim,fragment,relative=1]
+c1^\markup { \column { a bbbb \line { c d } } }
+c1^\markup { \center-align { a bbbb c } }
+c1^\markup { \line { a b c } }
[EMAIL PROTECTED] lilypond
+
+
+Markups can be stored in variables and these variables
+may be attached to notes, like
[EMAIL PROTECTED]
+allegro = \markup @{ \bold \large @{ Allegro @} @}
+ @{ a^\allegro b c d @}
[EMAIL PROTECTED] example
+
+
+Some objects have alignment procedures of their own, which cancel out
+any effects of alignments applied to their markup arguments as a
+whole.  For example, the @internalsref{RehearsalMark} is horizontally
+centered, so using @code{\mark \markup @{ \left-align .. @}} has no
+effect.
+
+
[EMAIL PROTECTED]
+
+Init files: @file{scm/@/new@/-markup@/.scm}.
+
+
[EMAIL PROTECTED]
+
+Kerning or generation of ligatures is only done when the @TeX{}
+backend is used.  In this case, LilyPond does not account for them so
+texts will be spaced slightly too wide.
+
+Syntax errors for markup mode are confusing.
+
+
[EMAIL PROTECTED] Text encoding
[EMAIL PROTECTED] Text encoding
+
+LilyPond uses the Pango library to format multi-lingual texts, and
+does not perform any input-encoding conversions.  This means that any
+text, be it title, lyric text, or musical instruction containing
+non-ASCII characters, must be utf-8.  Easiest to enter such texts is
+by using a Unicode-aware editor, and save using utf-8 encoding.  Most
+popular modern editors have utf-8 support, for example, vim, Emacs,
+jEdit, and GEdit do.
+
+Depending on the fonts installed, the following fragment shows Hebrew
+and Cyrillic lyrics,
+
[EMAIL PROTECTED] Cyrillic
[EMAIL PROTECTED] Hebrew
[EMAIL PROTECTED] ASCII, non
+
[EMAIL PROTECTED]
+
+
+The @TeX{} backend does not handle encoding specially at all.  Strings
+in the input are put in the output as-is.  Extents of text items in the
[EMAIL PROTECTED] backend, are determined by reading a file created via the
[EMAIL PROTECTED] backend,
+
[EMAIL PROTECTED]
+lilypond -b texstr input/les-nereides.ly
+latex les-nereides.texstr
[EMAIL PROTECTED] example
+
+The last command produces @file{les-nereides.textmetrics}, which is
+read when you execute
+
[EMAIL PROTECTED]
+lilypond -b tex input/les-nereides.ly
[EMAIL PROTECTED] example
+
+Both @file{les-nereides.texstr} and @file{les-nereides.tex} need
+suitable LaTeX wrappers to load appropriate [EMAIL PROTECTED] packages for
+interpreting non-ASCII strings.
+
[EMAIL PROTECTED]
+
[EMAIL PROTECTED]/regression,utf-8.ly}
+
+
[EMAIL PROTECTED] Nested scores
[EMAIL PROTECTED] Nested scores
+
+It is possible to nest music inside markups, by adding a @code{\score}
+block to a markup expression.  Such a score must contain a @code{\layout}
+block.
+
[EMAIL PROTECTED],verbatim,raggedright]
+\relative {
+  c4 d^\markup {
+    \score {
+      \relative { c4 d e f }
+      \layout { }
+    }
+  }
+  e f
+}
[EMAIL PROTECTED] lilypond
+ 
+
+
[EMAIL PROTECTED] Overview of text markup commands
[EMAIL PROTECTED] Overview of text markup commands
+
+The following commands can all be used inside @code{\markup @{ @}}.
+
[EMAIL PROTECTED] markup-commands.tely
+
+
[EMAIL PROTECTED] New dynamic marks
[EMAIL PROTECTED] New dynamic marks
+
+It is possible to print new dynamic marks or text that should be aligned
+with dynamics.  Use @code{make-dynamic-script} to create these marks.
+
[EMAIL PROTECTED] make-dynamic-script
+
[EMAIL PROTECTED],verbatim,raggedright]
+sfzp = #(make-dynamic-script "sfzp")
+\relative c' {
+  c4 c c\sfzp c
+}
[EMAIL PROTECTED] lilypond
+
[EMAIL PROTECTED] Dynamics, editorial
[EMAIL PROTECTED] Dynamics, parenthesis
+
+It is also possible to print dynamics in round parenthesis or square
+brackets.  These are often used for adding editorial dynamics.
+
[EMAIL PROTECTED],verbatim,raggedright]
+\version "2.4.2"
+rndf = \markup{ \center-align {\line { \bold{\italic (}
+  \dynamic f \bold{\italic )} }} }
+boxf = \markup{ \bracket { \dynamic f } }
+{ c'1_\rndf c'1_\boxf }
[EMAIL PROTECTED] lilypond
+
+
[EMAIL PROTECTED] Other text markup issues
[EMAIL PROTECTED] Other text markup issues
+
+To use a normal font within a title, you must define it manually
+
[EMAIL PROTECTED]
+#(def-markup-command (normal-font layout props arg) (markup?)
+  "Switch to normal text font"
+  (interpret-markup layout (cons '((font-series . 'medium) (font-shape . 
'upright)) props) arg))
+
[EMAIL PROTECTED]
+  title = [EMAIL PROTECTED] ABCD \normal-font ABCD @}
[EMAIL PROTECTED]
[EMAIL PROTECTED] example
+
+
[EMAIL PROTECTED]  really bad section name.  :(
[EMAIL PROTECTED] Even more than notes
[EMAIL PROTECTED] Even more than notes
+
[EMAIL PROTECTED]
+* Transpose::                   
+* Ottava brackets::             
+* Multi measure rests::         
+* Time administration::         
[EMAIL PROTECTED] menu
+
+
+
 @node Transpose
 @subsection Transpose
 @cindex Transpose
Index: lilypond/Documentation/user/changing-defaults.itely
diff -u lilypond/Documentation/user/changing-defaults.itely:1.127 
lilypond/Documentation/user/changing-defaults.itely:1.128
--- lilypond/Documentation/user/changing-defaults.itely:1.127   Mon May  2 
09:20:22 2005
+++ lilypond/Documentation/user/changing-defaults.itely Tue May  3 08:49:23 2005
@@ -61,7 +61,6 @@
 * Interpretation contexts::     
 * The \override command::       
 * Fonts::                       
-* Text markup::                 
 @end menu
 
  
@@ -1475,230 +1474,4 @@
 
 
 
[EMAIL PROTECTED] Text markup
[EMAIL PROTECTED] Text markup
[EMAIL PROTECTED] text markup
[EMAIL PROTECTED] markup text
-
-
[EMAIL PROTECTED] typeset text
-
-The internal mechanism to typeset texts is accessed with the keyword
[EMAIL PROTECTED]  Within markup mode, you can enter texts similar to
-lyrics.  They are simply entered, while commands use the backslash @code{\}.
[EMAIL PROTECTED] markup
-
[EMAIL PROTECTED],verbatim,fragment,relative=1]
-c1^\markup { hello }
-c1_\markup { hi there }
-c1^\markup { hi \bold there, is \italic anyone home? }
[EMAIL PROTECTED] lilypond
-
[EMAIL PROTECTED] font switching
-
-The markup in the example demonstrates font switching commands.  The
-command @code{\bold} and @code{\italic} apply to the first following 
-word only; enclose a set of texts with braces to apply a command
-to more words:
[EMAIL PROTECTED]
-\markup @{ \bold @{ hi there @} @}
[EMAIL PROTECTED] example
-
[EMAIL PROTECTED]
-For clarity, you can also do this for single arguments, e.g.,
-
[EMAIL PROTECTED]
-\markup @{ is \italic @{ anyone @} home @}
[EMAIL PROTECTED] example
-
[EMAIL PROTECTED] font size, texts
-
-
-In markup mode you can compose expressions, similar to mathematical
-expressions, XML documents, and music expressions.  You can stack
-expressions grouped vertically with the command @code{\column}.
-Similarly, @code{\center-align} aligns texts by their center lines:
-
[EMAIL PROTECTED],verbatim,fragment,relative=1]
-c1^\markup { \column { a bbbb \line { c d } } }
-c1^\markup { \center-align { a bbbb c } }
-c1^\markup { \line { a b c } }
[EMAIL PROTECTED] lilypond
-
-
-Markups can be stored in variables and these variables
-may be attached to notes, like
[EMAIL PROTECTED]
-allegro = \markup @{ \bold \large @{ Allegro @} @}
- @{ a^\allegro b c d @}
[EMAIL PROTECTED] example
-
-
-Some objects have alignment procedures of their own, which cancel out
-any effects of alignments applied to their markup arguments as a
-whole.  For example, the @internalsref{RehearsalMark} is horizontally
-centered, so using @code{\mark \markup @{ \left-align .. @}} has no
-effect.
-
-Similarly, for moving whole texts over notes with
[EMAIL PROTECTED], use the following trick:
[EMAIL PROTECTED],verbatim]
-{
-  c'^\markup { \raise #0.5 not-raised }
-  c'^\markup { "" \raise #0.5 raised }
-}
[EMAIL PROTECTED] lilypond
-
-On the second note, the text @code{raised} is moved relative to the
-empty string @code{""} which is not visible.  Alternatively, complete
-objects can be moved with layout properties such as @code{padding} and
[EMAIL PROTECTED]
-
-
-
-
[EMAIL PROTECTED]
-
-Init files: @file{scm/@/new@/-markup@/.scm}.
-
-
[EMAIL PROTECTED]
-
-Kerning or generation of ligatures is only done when the @TeX{}
-backend is used.  In this case, LilyPond does not account for them so
-texts will be spaced slightly too wide.
-
-Syntax errors for markup mode are confusing.
-
-
[EMAIL PROTECTED]
-* Text encoding::               
-* Nested scores::               
-* Overview of text markup commands::  
-* New dynamic marks::           
-* Other text markup issues::    
[EMAIL PROTECTED] menu
-
[EMAIL PROTECTED] Text encoding
[EMAIL PROTECTED] Text encoding
-
-LilyPond uses the Pango library to format multi-lingual texts, and
-does not perform any input-encoding conversions.  This means that any
-text, be it title, lyric text, or musical instruction containing
-non-ASCII characters, must be utf-8.  Easiest to enter such texts is
-by using a Unicode-aware editor, and save using utf-8 encoding.  Most
-popular modern editors have utf-8 support, for example, vim, Emacs,
-jEdit, and GEdit do.
-
-Depending on the fonts installed, the following fragment shows Hebrew
-and Cyrillic lyrics,
-
[EMAIL PROTECTED] Cyrillic
[EMAIL PROTECTED] Hebrew
[EMAIL PROTECTED] ASCII, non
-
[EMAIL PROTECTED]
-
-
-The @TeX{} backend does not handle encoding specially at all.  Strings
-in the input are put in the output as-is.  Extents of text items in the
[EMAIL PROTECTED] backend, are determined by reading a file created via the
[EMAIL PROTECTED] backend,
-
[EMAIL PROTECTED]
-lilypond -b texstr input/les-nereides.ly
-latex les-nereides.texstr
[EMAIL PROTECTED] example
-
-The last command produces @file{les-nereides.textmetrics}, which is
-read when you execute
-
[EMAIL PROTECTED]
-lilypond -b tex input/les-nereides.ly
[EMAIL PROTECTED] example
-
-Both @file{les-nereides.texstr} and @file{les-nereides.tex} need
-suitable LaTeX wrappers to load appropriate [EMAIL PROTECTED] packages for
-interpreting non-ASCII strings.
-
[EMAIL PROTECTED]
-
[EMAIL PROTECTED]/regression,utf-8.ly}
-
-
[EMAIL PROTECTED] Nested scores
[EMAIL PROTECTED] Nested scores
-
-It is possible to nest music inside markups, by adding a @code{\score}
-block to a markup expression.  Such a score must contain a @code{\layout}
-block.
-
[EMAIL PROTECTED],verbatim,raggedright]
-\relative {
-  c4 d^\markup {
-    \score {
-      \relative { c4 d e f }
-      \layout { }
-    }
-  }
-  e f
-}
[EMAIL PROTECTED] lilypond
- 
-
-
[EMAIL PROTECTED] Overview of text markup commands
[EMAIL PROTECTED] Overview of text markup commands
-
-The following commands can all be used inside @code{\markup @{ @}}.
-
[EMAIL PROTECTED] markup-commands.tely
-
-
[EMAIL PROTECTED] New dynamic marks
[EMAIL PROTECTED] New dynamic marks
-
-It is possible to print new dynamic marks or text that should be aligned
-with dynamics.  Use @code{make-dynamic-script} to create these marks.
-
[EMAIL PROTECTED] make-dynamic-script
-
[EMAIL PROTECTED],verbatim,raggedright]
-sfzp = #(make-dynamic-script "sfzp")
-\relative c' {
-  c4 c c\sfzp c
-}
[EMAIL PROTECTED] lilypond
-
[EMAIL PROTECTED] Dynamics, editorial
[EMAIL PROTECTED] Dynamics, parenthesis
-
-It is also possible to print dynamics in round parenthesis or square
-brackets.  These are often used for adding editorial dynamics.
-
[EMAIL PROTECTED],verbatim,raggedright]
-\version "2.4.2"
-rndf = \markup{ \center-align {\line { \bold{\italic (}
-  \dynamic f \bold{\italic )} }} }
-boxf = \markup{ \bracket { \dynamic f } }
-{ c'1_\rndf c'1_\boxf }
[EMAIL PROTECTED] lilypond
-
-
[EMAIL PROTECTED] Other text markup issues
[EMAIL PROTECTED] Other text markup issues
-
-To use a normal font within a title, you must define it manually
-
[EMAIL PROTECTED]
-#(def-markup-command (normal-font layout props arg) (markup?)
-  "Switch to normal text font"
-  (interpret-markup layout (cons '((font-series . 'medium) (font-shape . 
'upright)) props) arg))
-
[EMAIL PROTECTED]
-  title = [EMAIL PROTECTED] ABCD \normal-font ABCD @}
[EMAIL PROTECTED]
[EMAIL PROTECTED] example
-
-
 
Index: lilypond/Documentation/user/instrument-notation.itely
diff -u lilypond/Documentation/user/instrument-notation.itely:1.22 
lilypond/Documentation/user/instrument-notation.itely:1.23
--- lilypond/Documentation/user/instrument-notation.itely:1.22  Tue May  3 
08:02:01 2005
+++ lilypond/Documentation/user/instrument-notation.itely       Tue May  3 
08:49:23 2005
@@ -1317,7 +1317,7 @@
 ambitus.
 
 @node Other vocal issues
[EMAIL PROTECTED] Other vocal issue
[EMAIL PROTECTED] Other vocal issues
 
 @ignore
 yeah, I'm giving up somewhat by stuffing a bunch of things in
@@ -1838,6 +1838,11 @@
 Examples: @inputfileref{input/@/test,fret@/-diagram@/.ly}
 
 
[EMAIL PROTECTED] Other guitar issues
[EMAIL PROTECTED] Other guitar issues
+
+FIXME: insert guitar fret number example here.
+
 
 @node Ancient notation
 @section Ancient notation


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