On Saturday, February 15, 2014 10:40:17 PM UTC-5, stathisp wrote:
>
> On 16 February 2014 01:41, Craig Weinberg <[email protected]<javascript:>> 
> wrote: 
> > To extend your metaphor, in my view, since the characters in a drama can 
> > build an LCD screen as part of the show, but an LCD screen can't build a 
> > show as part of its function, it makes more sense that the drama is 
> > fundamental and that from an absolute perspective, it is the pixels 
> which 
> > are the epiphenomenal show. The reason why it is reversed for us locally 
> is 
> > that our show is nested several times within other shows which are both 
> > larger and smaller in scope and slower and faster in frequency. The most 
> > 'other' of these shows is the one which appears most mechanical, as it 
> > includes the fastest, slowest, largest, and smallest experiences 
> relative to 
> > our own - the polar opposite of our own native scope, which is by 
> definition 
> > middle-range from our perspective. 
>
> As per my answer to David, the movie has meaning only to a conscious 
> entity. If a computer is a conscious entity it will create meaning for 
> itself, as humans do. You don't think a computer could do this but 
> that's just prejudice. 
>

It's not prejudice, it's clarity. It's not that I think that a computer 
could not create meaning, it's that I understand why computation is 
meaningless by definition.
 

>
>
> -- 
> Stathis Papaioannou 
>

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