On Mon, Dec 20, 2010 at 4:04 PM, James Lowe <james.l...@datacore.com
<mailto:james.l...@datacore.com>> wrote:
Joel,
On 20/12/2010 17:37, Joel Leclerc wrote:
> Somehow, when I add some time signatures, it just continues on
one line.
> I can only see a little of the music.
> I am sorry for the long code.
>
> \version "2.12.3"
> \relative c' {
> \clef bass
> \time 2/4<c,,, c,>2
> \time 4/4 c'32 c32 c32 c32 c32 c32 c32 c32 c32 c32 c32
> c32 c32 c32 c32 c32 c32 c32 c32 c32
> c32 c32 c32 c32 c16( c2)
> \time 4/4<c, c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8 \time 4/4<c c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8 \time 4/4<c c,>2<bes bes,> \time 9/8<c c,>1<g g,>8 \time
> 4/4
> <c c,>2<bes bes,> \time 9/8<c c,>1<g g,>8 \time 4/4
> <c c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8 \time 4/4
> <c c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8
> \time 4/4<c, c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8 \time 4/4<c c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8 \time 4/4<c c,>2<bes bes,> \time 9/8<c c,>1<g g,>8 \time
> 4/4
> <c c,>2<bes bes,> \time 9/8<c c,>1<g g,>8 \time 4/4
> <c c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8 \time 4/4
> <c c,>2<bes bes,> \time 9/8<aes aes,>1
> <g g,>8
> }
>
> Screenshot attached.
>
> I have been spending hours trying to fix this with no luck.
> Could someone please look over this?
> Thanks!
Barchecks are the solution here because you would have been told
immediately that the second 'group' of notes do not fit into a proper
amount of measures.
This will cause the long lines.
I have tried to tidy up your music, perhaps the cutting and pasting lost
the formatting when you sent the email?
Anyway I have also add the \numericTimeSignature switch in case that was
also what you would like - it changes the 'C' to 4/4.
Your actual problem is the first line of 4/4. I'm not sure exactly what
rhythm you were trying to achieve so you either had too many 'c32' notes
or you didn't have enough c16 notes or a combination of the two.
This will compile properly and I have added the bar checks to be sure.
\relative c' {
\clef bass
\numericTimeSignature
\time 2/4 <c,,, c,>2 |
% This next line below is the problem.
% I've simplified writing out 'c32' 24 times
\time 4/4 \repeat unfold 24 { c32 } c16 c c c ( c2) r2 |
\time 4/4 <c, c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <c c,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <c c,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
\time 4/4 <c, c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <c c,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <c c,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
\time 4/4 <c c,>2 <bes bes,> |
\time 9/8 <aes aes,>1 <g g,>8 |
}
I hope this gives you some clues so you can tweak it to your correct
rhythm.
James
