Trigger warning: sensible suggestions, I know those can be upsetting

Might a friendly email to the museum have helped, just explaining the issue
and suggesting a solution?

On 28 Jul 2017 14:32, "Fæ" <[email protected]> wrote:

> Thanks for the feedback. Just to be clear, this absolutely is a
> classic example of copyfraud. To say "I see no evidence of copyfraud
> by the BM" is precisely correct, however this is still copyfraud. It's
> an example that is very handy for Wikimedia Commons to use to
> illustrate its own policies with regard to deletions and allowed
> photographs where there are false claims of copyright being made.
> Certainly I would be extremely concerned if the Wikimedia Foundation
> were in any way funding events or projects in partnership with a GLAM
> institution that continues to propagate copyfraud, rather than taking
> positive action to stamp it out.
>
> We can see by simply looking at the photographs that copyfraud is
> being committed by the Tullie House Museum, as they give members of
> the public tickets for the exhibition, and are fully responsible for
> the exhibition itself. I agree it is not clear yet whether the British
> Museum have specifically required the Tullie House Museum to use this
> particular sign and text. That would be a great question to get
> answered.
>
> I find it highly unlikely that the THM have used a notice that was not
> agreed with the BM, in just the same way as the text of the related
> labels and posters would be agreed. Despite the same exhibition having
> many other artefacts from different museums across Europe and several
> objects on loan from personal collections, I could not see any other
> signs of this type against anything other than objects on loan from
> the BM.
>
> Thanks,
> Fae
>
> On 28 July 2017 at 14:14, Michael Maggs <[email protected]> wrote:
> > While the text on the labels is obviously wrong, I see no evidence of
> > copyfraud by the  BM.
> >
> > The labels are most likely placed by the Tullie House Museum in a
> (confused)
> > effort to comply with a contractual term of the loan, under which the
> > receiving museum must not allow photography.
> >
> > Such terms are pretty common where works are sent out on loan, sometimes
> to
> > protect delicate artworks from flash. Here of course there is no need for
> > such protection.
> >
> > A quiet word with
> > Tullie House Museum would seem the best way forward, first to see whether
> > they are indeed required by the BM to prohibit photography, and second to
> > explain that any such restriction has nothing to do with copyright and
> > should not be expressed as such.  Enquiry and education, not shaming.
> >
> > Michael
> >
> > On 28 Jul 2017, at 13:11, Richard Nevell <[email protected].
> uk>
> > wrote:
> >
> > Attempting to embarrass the British Museum is misguided and certainly
> would
> > not build bridges for future collaboration.
> >
> > On 28 Jul 2017 13:03, "Fæ" <[email protected]> wrote:
> >>
> >> The Tullie House Museum in Carlisle has a number of objects on loan
> >> from the British Museum,[3] and it appears that it is only those
> >> objects that have any restrictions on photography. I took photographs
> >> of two of these (without any flash), as the restrictions are
> >> shockingly obvious cases of copyfraud, and not for any reason that
> >> might protect the works from damage.[1][2] It seems incomprehensible
> >> as to why the British Museum would ever want to make copyright claims
> >> over ~2,000 year old works especially considering they are not a
> >> money-making commercial enterprise, but a National institute and
> >> charity, with a stated objective[4] that "the collection should be put
> >> to public use and be freely accessible".
> >>
> >> Does anyone have any ideas for action, or contacts in the Museum, that
> >> might result in a change of how loans from the BM are controlled? I'm
> >> wondering if the most effective way forward is to make some social
> >> media fuss, to ensure the Trustees of the museum pay attention. The
> >> reputational risk the apparent ignorance over copyright by the BM
> >> loans management team seems something that would be easy to correct,
> >> so changes to policy are overdue. My own experience of polite private
> >> letters to a Museum's lawyer demonstrates that you may as well save
> >> hours of volunteer time by filing these in the bin, compared to the
> >> sometimes highly effective use of a few pointed tweets written in a
> >> few minutes and shared publicly and widely across social media.
> >>
> >> Those of us Wikimedians who work closely with GLAMs tend to shy away
> >> from any controversy, wanting the organizations to move towards
> >> sharing our open knowledge goals for positive reasons. I'm happy to
> >> try those types of collegiate ways of partnering, however drawing a
> >> few lines in the sand by highlighting embarrassing case studies, might
> >> mean we make timely progress while activist dinosaurs like me are
> >> still alive to see it happen.
> >>
> >> Links
> >> 1.
> >> https://commons.wikimedia.org/wiki/File:British_Museum_2nd_
> century_bronze_jug,_with_copyfraud_notice.jpg
> >> 2.
> >> https://commons.wikimedia.org/wiki/File:British_Museum_
> Fortuna_statue,_with_copyfraud_notice.jpg
> >> 3. Tullie House, Roman Frontier exhibition:
> >>
> >> http://web.archive.org/web/20161030151228/www.
> tulliehouse.co.uk/galleries-collections/galleries/roman-frontier-gallery
> >> 4. British Museum "about us":
> >>
> >> http://web.archive.org/web/20170714042800/www.
> britishmuseum.org/about_us/management/about_us.aspx
> >> 5. Commons village pump discussion:
> >>
> >> https://commons.wikimedia.org/wiki/Commons:Village_pump#
> British_Museum_and_blatant_copyfraud
> >>
> >> Contacts
> >> * https://twitter.com/britishmuseum
> >> * https://twitter.com/TullieHouse
> >>
> >> Thanks,
> >> Fae
> >> --
> >> [email protected] https://commons.wikimedia.org/wiki/User:Fae
> >>
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>
> --
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>
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