I’ve watched the first two episodes. The writing is above average, the
acting less so.

Critics are remarking about the ability of the actors to do what they do in
a single cut, as if such feats weren’t routine in a few thousand years of
live theater. People still marvel at SNL being live, even though that’s how
most TV was done for a couple of decades in the so-called golden age.

I’ll keep watching for the story, but the visual gimmick isn’t adding
anything. The technology allowing them to do it has come a long way since
“Russian Ark”, which is impressive, but it isn’t needed, and as PGage
wondered about using alternate takes, I think the acting might be better if
the actors were able to offer a few versions of scenes instead of being
locked into one take in this format.

Kevin M. (RPCV)


On Sat, Mar 22, 2025 at 6:39 PM PGage <pga...@gmail.com> wrote:

> It’s just stunning. The single take episodes in one way are a bit of a
> distraction, as it is hard not to be taken out of it wondering how they did
> it. But mostly it deepens the storytelling, and it is almost like watching
> 4 one hour plays. I wonder what it would have been like to use takes where
> there were a few flubs? And I too was totally obsessed with how they got
> all those background teenagers to hit their marks.
>
> Most of the actors are superb, and I agree Owen Cooper is amazing (I read
> he was not a professional actor), but, maybe because I am a father, I was
> most deeply effected by Stephen Graham (also co-creator and co-writer).
> Graham is always attention getting in his previous work, but I never
> dreamed he was capable of this depth of subtlety and complexity.
>
> This is the kind of show that if you don’t have a Netflix subscription you
> should get one for a single month just to watch this (and then maybe a
> couple of seasons of “Is it Cake”).
>
> Sent from Gmail Mobile
>
>
> On Tue, 18 Mar 2025 at 3:45 AM Adam Bowie <a...@adambowie.co.uk> wrote:
>
>> I've now seen this miniseries, and it's truly exceptional. Magnificent
>> acting from everyone, especially the young kid, Owen Cooper, who's making
>> his screen debut as the subject of the whole series. The second episode set
>> in a school is a technical tour de force with hundreds of school kids as
>> extras being moved around classrooms and playgrounds, and it examines some
>> very relevant aspects of society. The third is the simplest of the four
>> episodes, yet is easily the most powerful, essentially being a remarkable
>> two-hander.
>>
>> Highly recommended.
>>
>> There's also a bit more floating around about how this series was
>> actually made. As I mentioned, each episode really was done in a single
>> shot. And yes, they attached the camera to a drone at the end of episode
>> two to get the flight over to the car park. Netflix has posted a video
>> showing how it was achieved:
>> https://x.com/NetflixUK/status/1901617851192033326
>>
>> Each episode was first carefully rehearsed in short segments until they'd
>> put together the full hour. Then they had multiple attempts at filming the
>> whole episode. I believe the idea was they have five filming days for the
>> episode with one take in the morning and a second in the afternoon. But in
>> reality, fluffs and mess-ups meant more than 10 takes for many episodes.
>> According to Netflix the takes used were:
>>
>> Ep 1 - Take 2 - shot on shoot day 1 of 5
>> Ep 2 - Take 13 - shot on shoot day 5 of 5
>> Ep 3 - Take 11 - shot on shoot day 5 of 5
>> Ep 4 - Take 16 - shot on shoot day 5 of 5
>>
>>
>>
>> Adam
>>
>>
>>
>> On Sat, Mar 15, 2025 at 11:23 AM Doug Eastick <east...@eastick.ca> wrote:
>>
>>> Fascinating.
>>>
>>> Well near the end of episode two there must be a camera handoff from a
>>> steadicam support to a drone or chopper for a high altitude flyover
>>> transition from one plot area to another plot area.
>>>
>>>
>>>
>>> /Doug
>>> east...@mcd.on.ca
>>>
>>> On Sat, Mar 15, 2025, 02:35 Adam Bowie <a...@adambowie.co.uk> wrote:
>>>
>>>> The episodes are indeed all "one-ers" as they call them. Each episode
>>>> was rehearsed for two weeks before they shot it in a single take. I don't
>>>> believe any trickery was used to hide edits.
>>>>
>>>> The director has worked before with actor/creator Stephen Graham, in
>>>> this style on the movie Boiling Point, set behind the scenes at a
>>>> restaurant. That too was a single take. (The spin-off TV series did not use
>>>> the same technique).
>>>>
>>>> That all said, I've still to watch Adolescence, although
>>>> writer/co-creator Jack Thorne has an incredible resume, including
>>>> everything from Toxic Town on Netflix to the Harry Potter stage show.
>>>>
>>>>
>>>> Adam
>>>>
>>>> On Sat, Mar 15, 2025, 01:36 Doug Eastick <east...@eastick.ca> wrote:
>>>>
>>>>> British cop show about an adolescent murder. I'm only two episodes in.
>>>>>
>>>>> Interesting characters and mystery. Also kinda nice to see a different
>>>>> justice system rather than referring to Miranda or amendments :).
>>>>>
>>>>> The cinematography seems to use one long steady continuous steadicam
>>>>> shot for a whole episode.    I'm starting, I think, to see where they make
>>>>> either cuts (panning walls, passersby ) or digital fades).  Either way,
>>>>> still fascinating to watch.
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> /Doug
>>>>> east...@mcd.on.ca
>>>>>
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