When I had started this thread, I had watched 2 of the 4 eps.    We just
finished 3 and 4.    OMG 3 and 4 are so intense and emotional.

Give those actors BAFTAs, SAGs, Emmys, whatever they qualify for.

Holy moly what a series.


/Doug
east...@mcd.on.ca

On Tue, Mar 18, 2025, 06:45 Adam Bowie <a...@adambowie.co.uk> wrote:

> I've now seen this miniseries, and it's truly exceptional. Magnificent
> acting from everyone, especially the young kid, Owen Cooper, who's making
> his screen debut as the subject of the whole series. The second episode set
> in a school is a technical tour de force with hundreds of school kids as
> extras being moved around classrooms and playgrounds, and it examines some
> very relevant aspects of society. The third is the simplest of the four
> episodes, yet is easily the most powerful, essentially being a remarkable
> two-hander.
>
> Highly recommended.
>
> There's also a bit more floating around about how this series was actually
> made. As I mentioned, each episode really was done in a single shot. And
> yes, they attached the camera to a drone at the end of episode two to get
> the flight over to the car park. Netflix has posted a video showing how it
> was achieved: https://x.com/NetflixUK/status/1901617851192033326
>
> Each episode was first carefully rehearsed in short segments until they'd
> put together the full hour. Then they had multiple attempts at filming the
> whole episode. I believe the idea was they have five filming days for the
> episode with one take in the morning and a second in the afternoon. But in
> reality, fluffs and mess-ups meant more than 10 takes for many episodes.
> According to Netflix the takes used were:
>
> Ep 1 - Take 2 - shot on shoot day 1 of 5
> Ep 2 - Take 13 - shot on shoot day 5 of 5
> Ep 3 - Take 11 - shot on shoot day 5 of 5
> Ep 4 - Take 16 - shot on shoot day 5 of 5
>
>
>
> Adam
>
>
>
> On Sat, Mar 15, 2025 at 11:23 AM Doug Eastick <east...@eastick.ca> wrote:
>
>> Fascinating.
>>
>> Well near the end of episode two there must be a camera handoff from a
>> steadicam support to a drone or chopper for a high altitude flyover
>> transition from one plot area to another plot area.
>>
>>
>>
>> /Doug
>> east...@mcd.on.ca
>>
>> On Sat, Mar 15, 2025, 02:35 Adam Bowie <a...@adambowie.co.uk> wrote:
>>
>>> The episodes are indeed all "one-ers" as they call them. Each episode
>>> was rehearsed for two weeks before they shot it in a single take. I don't
>>> believe any trickery was used to hide edits.
>>>
>>> The director has worked before with actor/creator Stephen Graham, in
>>> this style on the movie Boiling Point, set behind the scenes at a
>>> restaurant. That too was a single take. (The spin-off TV series did not use
>>> the same technique).
>>>
>>> That all said, I've still to watch Adolescence, although
>>> writer/co-creator Jack Thorne has an incredible resume, including
>>> everything from Toxic Town on Netflix to the Harry Potter stage show.
>>>
>>>
>>> Adam
>>>
>>> On Sat, Mar 15, 2025, 01:36 Doug Eastick <east...@eastick.ca> wrote:
>>>
>>>> British cop show about an adolescent murder. I'm only two episodes in.
>>>>
>>>> Interesting characters and mystery. Also kinda nice to see a different
>>>> justice system rather than referring to Miranda or amendments :).
>>>>
>>>> The cinematography seems to use one long steady continuous steadicam
>>>> shot for a whole episode.    I'm starting, I think, to see where they make
>>>> either cuts (panning walls, passersby ) or digital fades).  Either way,
>>>> still fascinating to watch.
>>>>
>>>>
>>>>
>>>>
>>>> /Doug
>>>> east...@mcd.on.ca
>>>>
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