Hi Anders
Most of my installations are outdoors and on a large scale (or sometimes
miniature scale) You can read a review of one here which covered 6 acres:

http://www.augustineleudar.com/wp-content/uploads/2016/07/legible.jpg

And you can see lots of other examples on my website. If you have any
specific queries feel free to PM me. The type of spatialisation you could
use really depends on the site, source material etc
Best
Gus

On Friday, 13 November 2020, <anders.vin...@bek.no> wrote:

> Some questions to all those experienced with outdoor 3d sound events.
>
> We're planning a series of outdoor events containing playback of 3d
> sound, Ambisonics coded or otherwise.
>
> Although my feeling tells me there shouldn't be any real difference from
> indoor events, I'd like to ask you: have you experienced any special or
> general issues, considerations etc. to be aware of vs. preparing and
> playing outdoor events?
>
> I'm mostly interested in the 'acoustic' part of things, like structure
> of speaker rig, solutions or approaches working well with special
> acoustics outdoors, perhaps considerations vs. mastering, what works
> well, not so well (because of the outdoors situation) etc.
>
> Various problems vs. choice of hardware, maintaining gear in outdoors
> conditions etc. - although ultimately important, and interesting as well
> - are probably easier to isolate and find solutions to.
>
> Pointers/links to outdoors concert series or installations - especially
> if they come with any comments, reflections, critics etc. - are of
> course interesting.
>
> Thanks!
>
> -anders
>
>
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-- 
Artist website: www.augustineleudar.com
Business website: www.magikdoor.net
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