Some questions to all those experienced with outdoor 3d sound events. We're planning a series of outdoor events containing playback of 3d sound, Ambisonics coded or otherwise.
Although my feeling tells me there shouldn't be any real difference from indoor events, I'd like to ask you: have you experienced any special or general issues, considerations etc. to be aware of vs. preparing and playing outdoor events? I'm mostly interested in the 'acoustic' part of things, like structure of speaker rig, solutions or approaches working well with special acoustics outdoors, perhaps considerations vs. mastering, what works well, not so well (because of the outdoors situation) etc. Various problems vs. choice of hardware, maintaining gear in outdoors conditions etc. - although ultimately important, and interesting as well - are probably easier to isolate and find solutions to. Pointers/links to outdoors concert series or installations - especially if they come with any comments, reflections, critics etc. - are of course interesting. Thanks! -anders _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
