Thanks Steven I´m considering a move to Reaper, but 15 years ago I did choose Logic as my DAW, second by Ableton Live (only remix stuff, and DJ like stuff and loop-making - no mixing) after fumbling around.And logic is (also) my composing tool. nevertheless i have the feeling, that Reaper will do the job. The key command thing is essential! and big issue for not jumping right away. I have done several “parrallel designs” in different sessions in logic and assembled them later (in logic) I cannot figure out how to get 16 ch busses working in Logic If you have any idea it would be helpfull I´m testing spatial Audio designer now - and maybe it can get past the bus structure. BR Søren Bendixen > Den 27. mar. 2018 kl. 20.14 skrev Steven Boardman <boardroomout...@gmail.com>: > > Hi Søren > > Here's My 2 pence. > > I have used Logic, live and protools for years, and dreaded the switch to > Reaper to take advantage of the 64ch buses. > In the end i didn't, i use them all. > If i am composing i generally use logic, transfer and mixing from film > edits, protools, and live performances, Ableton. > But i always go through Reaper to do most spatialisation. This is all done > via digital in and outs and network sync, midi and osc. It works very > well, and meant i did not have to change over 20 years of programming in a > short time. > Now i tend to do a lot more in Reaper, and and quite happy working solely > with it. It's a fantastic DAW made by a very responsive team. > The transition is greatly helped by the fact i have changed all similar > functions to the same key commands. No looking in a load of menus for > differently named items. > > I'm not fully convinced of the use of vbap just because of the sweet spot. > To me even 1st order Ambisonics sounds more immersive, even out of the > sweetspot. It doesn't suffer speakers pulling the phantom image to the > nearest source so obviously. > Ambisonics also seems to even out room response > , and is > tolerant of cheap speakers (if they are all the same). > This all should be a consideration. > So using both techniques may yield a more robust response. > > > Best > > Steven > > On 27 Mar 2018 17:13, "Søren Bendixen" <soerenbendi...@gmail.com> wrote: > > Hi Johannes > I’ve been demoing it for a few days!, so I know about it - but only > scratching the surface - and I actually forgot it on my testing list. > I liked it, and I´ll get back to MNTN soon, but now my concern is DAW - > stay in Logic Pro or go to Reaper > BR > Søren > > >> Den 27. mar. 2018 kl. 17.23 skrev Johannes Scherzer < > j.scher...@taucher-sound.com>: >> >> Hi Soeren, >> >> If you’re looking for a VBAP/DBAP tool, check out The Sound of the > Mountain. >> >> WWW.MNTN.ROCKS >> >> It’s super flexible with custom speaker setups, lightweight in terms of > required processing power, and we intentionally built it exactly for media > based scenography in museum exhibitions. >> >> Good luck! >> Johannes >> >> >>> On 27. Mar 2018, at 08:32, sursound-requ...@music.vt.edu wrote: >>> >>> Re: (a little )help needed for ambisonics museum project >>> (s?ren Bendixen) >> -------------- next part -------------- >> An HTML attachment was scrubbed... >> URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/9041d34e/attachment.html >> >> _______________________________________________ >> Sursound mailing list >> Sursound@music.vt.edu >> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > > Med venlig hilsen/Best regards > > Søren Bendixen > Composer/Sound Designer/Producer > > Winner of Monitor Industry Award 2016 for the exhibition “Gladiator”, At > Moesgaard Museum > > New album Music for exhibitions out 15 January 2017 > > > > > > Company: Søren Bendixen & Anette Krag > soerenbendi...@gmail.com > +45 60624394 > www.soerenbendixen.com > Facebook > Soundcloud > > > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/ae9524e1/attachment.html >> > > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: Musicforexhibitions_2x32cm.jpg > Type: image/jpeg > Size: 61248 bytes > Desc: not available > URL: < > https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/ae9524e1/attachment.jpg >> > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, > edit account or options, view archives and so on. > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/9d1a171d/attachment.html> > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit > account or options, view archives and so on.
Med venlig hilsen/Best regards Søren Bendixen Composer/Sound Designer/Producer Winner of Monitor Industry Award 2016 for the exhibition “Gladiator”, At Moesgaard Museum New album Music for exhibitions out 15 January 2017 Company: Søren Bendixen & Anette Krag soerenbendi...@gmail.com +45 60624394 www.soerenbendixen.com Facebook Soundcloud -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/62a082cc/attachment.html> -------------- next part -------------- A non-text attachment was scrubbed... Name: Musicforexhibitions_2x32cm.jpg Type: image/jpeg Size: 61248 bytes Desc: not available URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/62a082cc/attachment.jpg> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
