Hi,

The recorded files will likely be four mono files, or less likely, an interleaved four channel file.
The order of the files should be W, X, Y, Z.

ProTools, unless HD versions, only handle stereo files but can probably import them as four mono flies. Logic (in my experience) only has one multi-channel bus structure, which can be quad or various versions of Dolby 5.1 etc.

De-interleaver can split interleaved files or interleave mono files.

http://www.birmingham.ac.uk/facilities/ea-studios/research/mulch.aspx

You should be able to import the files into either. You may need to group channels together for editing even though it may all sound a bit strange.

You could possibly botch a sort of stereo decoder by treating X and Y as an MS signal, and add a bit of W to both X and Y.

It seems that most plug-in decoders have settings for fixed arrays. Good enough for editing on quad or 5.1 systems, but not for large arrays.

ProTools and Logic don't have good architectures for using ambisonics. Reaper is much better, though I haven't used it very seriously, and it can be a bit confusing initially.

If you are on Mac you could try my free 3DAS Ambisonic Decoder.

http://www.3d-audioscape.com/downloads.html

It is a stand alone decoder with a WXYZ input, and can address 8 speakers, regular arrays best. You can use Soundflower to get the output of any DAW into it, and it then outputs to your audio interface. Alternatively you can output the four channels to your audio interface and run the decoder on another machine with a bigger audio interface.

It was built with Max, and similar things I have made have run on various Mac OS versions, though it has not been used yet on El Capitan. It should be OK, but no guarantees.

It is only an 8-channel version as it was aimed at beginners with ambisonics. None of my software has huge numbers of users, so there hasn't been much feedback. Martyn Ware uses it a lot. More output channels are fairly straightforward to implement, though it is questionable whether first order ambisonics benefits from having more than eight speakers.

There are, of course, other decoders, none of which I've used in earnest.
Wigware

Harpex
harpex.net
Reputedly the best, processing first order ambisonic signals to something like higher orders.

BlueRipple
et al.

Good luck,

Dave Hunt



On 4 Sep 2016, at 17:00, sursound-requ...@music.vt.edu wrote:

From: Ross Adams <ross.adams...@gmail.com>
Date: 4 September 2016 14:08:44 BDT
To: sursound@music.vt.edu
Subject: [Sursound] b-format decoders


Hello,

I made some recordings on a soundfield st250 in b-format.

Please could you recommend a decoder i can use in pro-tools 10 or Logic x that will allow me to make the four stems into stereo files or a decoder that I can place on the master out so that I could edit the files whilst listing in stereo.

Also a decoder that would allow me to play back the stems as b- format files through a multi-speaker array within a live performance realm.

Thank you in advance.
Ross

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