Hi,

I’ve done some ambisonic recordings of ambience in very quiet environments 
using the SoundField SPS200 mic and a SoundDevice 788T recorder. The resulting 
recordings are A-format, and I use the SoundField SPS200 plugin to convert the 
A-format recordings to B-format. The resulting recordings have a bit of hiss 
that I suspect come from the recorder. The sound is very similar to recordings 
done using the 788T with no mic connected, and with the same recording levels 
as when doing the ambience recordings. I’d like to use Isotope RX4 to reduce 
the amount of hiss, and I’m wondering what would be best practise when dealing 
with 4-channel A- and B-format signals.

RX4 is not able to deal with multichannel files, so I’l have to split the 
4-channel recording into two stereo tracks, do noise cancellation on them, and 
then merge back into four channels again. However I can envisage three 
different approaches to this:

1) I treat the original A-format recordings, and afterwards I convert the 
processed files to B-format using the SPS200 plug.

2) I treat the converted B-format recordings.

3) I decode the B-format files to A-format using the BtoA decoder from 
Ambisonic Toolkit, remove noise, merge, and then reencode to B-format using the 
ATK AtoB encoder.

I’m sure the first option will be the best when considering noise reduction 
only, as it reduce hiss before the four channels gets mixed. At the same time 
I’m concerned that it might offset phase information between channels, and 
hence interfere with how the SPS200 plugin compensates for distance between the 
mic capsules. For the same reason I’m thinking that processing of the B-format 
signal might interfere with phase information between the four channels and 
hence distort the spatial information.

Do anyone else have any experience with this, and have a recommendation for 
what workflow leads to the best results?


Thanks,
Trond
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