> As you say, not surprising.
> As someone who came originally from a noncommercial
> field of research(pure mathematics), I have long
> noticed that a good deal of "research" in audio
> comes from people either re-discovering or simply
> seizing ideas of other people, often long established, and
> re-packaging them as their own.

Not disagreeing with the generality  . . .  but you did engender a
mirthless laugh : the classic case of being reticent about either
references or acknowledgements must be Einstein's initial relativity
papers   .  .  .   but perhaps with reason ;-(>

Michael

> No one much is interested in giving credit where it is due.
> All they want to do is to get in their with claims of
> things that they can sell as new. And sell is the operative
> word.
>
> This is all quite outrageous if viewed from the perspective
> of the scientific research world--where there is plenty
> of skullduggery but it is usually done more subtlely.
>
> Audio research has to be its own reward because one
> will certainly not get credit for it from others.
>
> Robert
>
> On Thu, 11 Jul 2013, Dave Malham wrote:
>
>> Really disappointed (but not too surprised) to that in the June AES in
>> an article about Spatial Audio, which says "Spatial audio can be
>> reprocessed for reproduction over different loudspeaker formats using
>> upmixing and downmixing. It can even be rendered binaurally for
>> headphones. We review the latest research in this field and consider
>> the potential pros and cons of the technology."  there is not one
>> mention of Ambisonics, despite the really significant increase in
>> publications in the last few years.
>>
>>    Dave
>>
>> --
>> --
>> As of 1st October 2012, I have retired from the University.
>>
>> These are my own views and may or may not be shared by the University
>>
>> Dave Malham
>> Honorary Fellow, Department of Music
>> The University of York
>> York YO10 5DD
>> UK
>>
>> 'Ambisonics - Component Imaging for Audio'
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