The trouble with the sort of materials used in condoms is that they
are inherently stretchy. Under any sort of pressure (more than a quite
small depth of water)  the material presses through any holes and
either (a) rips or be (b) comes into contact with the diaphragm which
is potentially almost as big a disaster. That's why the first DIY
hydrophone I linked to uses an electret capsule immersed in oil in a
canister. I have uses both condoms and cling film to waterproof
microphones but only really for splash proofing.  For those situations
you can measure the mic before wrapping and after so that compensation
can be made for the inevitable resonances. Probably not possible for
underwater systems without the the same problems of needing a
calibrated source and a lot of underwater space which, given the fact
that it probably won't be possible to use the assembly at any sort of
depth, is not going to be easy.

   Dave

PS The wackiest thing I ever sealed a microphone for (with cling film)
was to listen to worms under the ground for a biologist who was trying
to find a way to assess the number of worms in a given volume of soil
without crushing them up with the soil and extracting the (now dead)
biological material.

On 19 February 2013 17:48, Martin Leese <martin.le...@stanfordalumni.org> wrote:
> Fons Adriaensen wrote:
>
>> Don't know what Len will think of it, but putting a Tetramic
>> (or any such mic) in a plastic bag isn't likely to produce
>> anything usable. Basic problem is that the acoustic impedance
>> of water is around 3400 times higher than that of air, so the
>> water/air interface will reflect almost all energy. You need
>> a transducer that is more or less matched to the acoustic
>> impedance.
>
> I have read that the standard trick is to use a
> condom.  However, I puzzle whether this would
> work with a Tetramic.
>
> Regards,
> Martin
> --
> Martin J Leese
> E-mail: martin.leese  stanfordalumni.org
> Web: http://members.tripod.com/martin_leese/
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-- 
As of 1st October 2012, I have retired from the University, so this
disclaimer is redundant....


These are my own views and may or may not be shared by my employer

Dave Malham
Ex-Music Research Centre
Department of Music
The University of York
Heslington
York YO10 5DD
UK

'Ambisonics - Component Imaging for Audio'
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