i think it will work - have heard enough phantom sources in archaeological 
sites - but ideally your dome should be a hemisphere - that is when you will 
get precise reflected points.  umashankar

i have published my poems. read (or buy) at http://stores.lulu.com/umashankar
 > Date: Tue, 19 Feb 2013 11:50:04 +0000
> From: augustineleu...@gmail.com
> To: sursound@music.vt.edu
> Subject: Re: [Sursound] Any experience with dome acoustics?
> 
> You need LOTS of very closely aligned speakers and the software will take a
> while to install/learn, then rendering the  channels also takes time if you
> do it that way. The "holosonic" point source next to the ear is my holy
> grail - I havent got it yet -  but I am told IRcams system can do this. I
> have heard stories of weird phase effects next to the ear in other systems,
> and have got that working - but thats not quite the same. The truth is you
> could probably get something more spectacular going with quarter the amount
> of speakers and Vbap.
> 
> On 19 February 2013 11:39, Peter Lennox <p.len...@derby.ac.uk> wrote:
> 
> > Just a quick one:
> >
> > It seems to me that a dome could be interesting used as a kind of
> > wavefield synthesis device.
> >
> > Domes have the interesting property of focussing sound at a point that is
> > opposite the source, as it were. So you can create a 'holosonic' point
> > source right next to someone's ear
> >
> > Dr. Peter Lennox
> >
> > School of Technology,
> > Faculty of Arts, Design and Technology
> > University of Derby, UK
> > e: p.len...@derby.ac.uk
> > t: 01332 593155
> >
> >
> > -----Original Message-----
> > From: sursound-boun...@music.vt.edu [mailto:sursound-boun...@music.vt.edu]
> > On Behalf Of Neil Waterman
> > Sent: 18 February 2013 16:47
> > To: Surround Sound discussion group
> > Subject: [Sursound] Any experience with dome acoustics?
> >
> > Greetings,
> >
> > Does anyone on the list have prior experience installing ambi-based 3D
> > sound into 'dome' shaped replay environments?
> >
> > Any tips, specifically on speaker placement, approaches, etc.
> >
> > The problems I am facing include a 12 foot 240 degree partial dome made of
> > fabric, an 18 foot 240 degree partial dome using fiberglass and a much
> > bigger 40 foot 360 degree full dome in fiberglass.
> >
> > All of the above will actually be 1/2 domes in the sense they are not full
> > spheres, but 1/2 a sphere resting on the ground.
> >
> > My only prior experience was with a full sphere, fibre dome that was a
> > nightmare to put sound into...
> >
> > One option for the 40 foot dome is to use a central cluster of directional
> > speakers, hung in a "chandelier" that would use the dome surface as a
> > virtual speaker through reflection, but I have never tried this. My concern
> > with this is that the listeners (who will be roughly central in all these
> > dome areas) will hear both the direct sound and reflected sound and end-up
> > with a confused mess.
> >
> > For all of these domes there will be an 18" skirt area below the dome that
> > could be used for loudspeakers around the periphery - is it better to try
> > to beam the sound directly at the listeners position, or perhaps use a more
> > diffuse speaker, facing up into the dome face? There will be space to get
> > at least one speaker overhead for all configurations.
> >
> > Regards, Neil
> >
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> 
> 
> 
> -- 
> 07580951119
> 
> augustine.leudar.com
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