Hi All,
When you think about it there's a whole bunch of places, some
perhaps of less overall importance to human progress, but
never-the-less exciting and interesting. How about someone in the
states approaching one of the museums with space shuttles in to get
IR's from the crew cabin/payload bay? Or maybe inside the rocket
nozzles of a Saturn rocket? Or, how about trying to persuade someone
to take a Tetramic and recorder up to the ISS? Inside the bridge deck
of the Milau Bridge? We already recorded in the Humber Bridge - but
not proper IR's so I'm thinking of going back to do it sometime.
There's been quite a few measurements of prehistoric sites - but not
many publicly accessible (any?) ones of modern sites of importance.
Get thinking, folks!
Dave
On 17 February 2013 00:15, Richard Dobson
<richarddob...@blueyonder.co.uk> wrote:
> So even if in purely acoustic terms the sounds are comparable with those in
> many similar industrial spaces, it is clear that the fact of their source
> will be highly significant to many composers. Whether dark matter has the
> same cachet as the quest for the Higgs only time will tell, but I hope once
> the IRs are available, they will encourage many who may not previously have
> considered surround to explore the possibilities. And it goes without saying
> that I will be asking Gran Sasso researchers for some data to sonify at the
> earliest opportunity.
>
> So now may be a good time to dust off all those first-order panners and
> convolvers (especially the more accessible "plugin" ones), in case a whole
> lot of new users (possibly also new to Ambisonics) suddenly appear!
>
> Richard Dobson
>
>
>
> On 16/02/2013 21:27, Fons Adriaensen wrote:
>>
>> Hello all,
>>
>> Yesterday (friday 15/02/2013) David Monacchi and I visited LNGS, the
>> Gran Sasso nuclear physics laboratory [1] and recorded some acoustic
>> impulse responses of the spaces in which the Darkside50 experiment is
>> currently being installed.
>>
> ...
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--
As of 1st October 2012, I have retired from the University, so this
disclaimer is redundant....
These are my own views and may or may not be shared by my employer
Dave Malham
Ex-Music Research Centre
Department of Music
The University of York
Heslington
York YO10 5DD
UK
'Ambisonics - Component Imaging for Audio'
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