This is still interesting, I have been thinking about how to implement a 4 
channel recorder and in the process I belive my idea might be good enough for a 
16 channel player also.

I think we should split the problem in to 2 solutions.
1 The player with support for 16 digital output channels.
2 Digital to analog converter.

And there have to be a media carrier  in between.
I see 2 alternatives firewire, usb 2 with  Audio Class 2.0 or the oldie ADAT.
 - Firewire  works, but 8 or 16 channel sound cards are expensive or hard to 
DIY.
 - getting 16 channels of sound over USB in sync is not easy I think.
 - ADAT oldie but goodie if you are content with 48kHz 24 bits, its good enough 
for me.
     Implement with dual ADAT,
     The AL1401 (sender) and AL1402(receiver) +opto modules are now low cost 
components.
     
For Playback 2 ADA8000 could be used for  balanced outputs not really high cost 
as second hand or even as new,
 or we might even build a card with dual adat input to 8 spdif outs in a Xilinx 
CPLD if we want to carry digital stereo signals to power amplifiers.
Using modules from   
http://opencores.org/project,adat_optical_feed_forward_receiver , 
http://opencores.org/project,aes3rx  and 
http://opencores.org/project,madi_receiver 

Taking ideas from the ADA8000 schematic it should be possible to reimplement an 
ADAT 8 or 16 channel ADC with several choices in how to implement the outputs.

I belive it is even possible to build a special version of ADAT ADC that can be 
optically chained and extract the wanted channels out of eight  in each ADC.

I belive 48 kHz 24 bit is definitely good enough for a player, 16 bits should 
also be good enough in praxis.

- Bosse
 








-----Original Message-----
From: sursound-boun...@music.vt.edu [mailto:sursound-boun...@music.vt.edu] On 
Behalf Of Dave Malham
Sent: den 6 juli 2012 09:52
To: Surround Sound discussion group
Subject: Re: [Sursound] preferred (small) linux distro for audio?

Thanks to everyone who has already expressed interest! Definitely looking like 
it may be a go on the project. I'll keep sursound informed as I do preliminary 
studies this summer.

          Dave


On 05/07/2012 22:25, Gerard Lardner wrote:
> +1 here too.
>
> Gerard Lardner
>
> On 05/07/2012 14:41, Hugh Pyle wrote:
>> +1.  If you design a BeagleBone cape with 16 channels out (balanced 
>> +or
>> not, I don't really mind), or a dedicated system that includes the 
>> CPU, I'll want several :-)
>>
>> On Thu, Jul 5, 2012 at 8:16 AM, GP <ga...@activatedspace.com> wrote:
>>> Put me on your pre-order list already Dave! :-).
>>>
>>> Cheers Garth
>>> Sent on the Move
>>>
>>> On 05/07/2012, at 19:48, Dave Malham <dave.mal...@york.ac.uk> wrote:
>>>
>>>> Wow! Fantastic response .. lots to think about. Will let you know how I 
>>>> get on. Part of the problem is hardware as I was unable (at the time I got 
>>>> this board) to find a case with a HD Audio front panel so it currently 
>>>> thinks it's running in AC97 mode, but I'm going to knock something up to 
>>>> get round this. In the mean time I'm going to play with the suggestions 
>>>> people have made (Puppy is currently booting).
>>>>
>>>> I'm also interested in the paper that Fernando gave us a link to. Although 
>>>> I don't want to use the Mamba hardware, I _am_ interested in the 
>>>> possibilities for a dedicated multichannel player for installation work 
>>>> (another retirement project!) What I'm looking at at present is a 
>>>> multichannel dac linked directly (not via USB or owt like that) to an Arm 
>>>> processor that'll just play a multichannel file off of a USB stick or SD 
>>>> card. For prototyping I'll be using a BeagleBone (as I definitely don't 
>>>> want the extra bells and whistles of the BeagleBoard itself) - I'd prefer 
>>>> to use the RPi but the chip used (at least, according to the manual) 
>>>> appears to have a crippled McASP port that can only handle stereo, whereas 
>>>> the ARM on the BeagleBone has a good enough implementation of McASP that 
>>>> it can do 16 channels at 48k for definite (EAOE) and probably up to 96k 
>>>> without too much trouble. If initial tests prove the concept, I'll look 
>>>> KickStarter funding. The idea is to have an absolutely rock solid box that 
>>>> just plays stuff without any of the hassles of systems relying on 
>>>> computers (ha! That'll be the day))  The most it would have is an on/off 
>>>> switch and play controls - but it would output up to 16 channels, 
>>>> balanced, 24 bits.
>>>>
>>>>    Dave
>>>>
>>>>
>>>> On 05/07/2012 07:50, Fernando Lopez-Lezcano wrote:
>>>>> On 07/04/2012 06:40 PM, Marc Lavallée wrote:
>>>>>> Fernando Lopez-Lezcano<na...@ccrma.stanford.edu>  a écrit :
>>>>>>
>>>>>> Single board computers are interesting platforms to create 
>>>>>> dedicated ambisonic players.
>>>>> Indeed!
>>>>>
>>>>>> Let us know how the beagle board perform with a port of Planet 
>>>>>> CCRMA. ;-)
>>>>> I will, I just have to find the time to test. I'm curious whether a small 
>>>>> box like that can drive 1/2 of the Mamba box I was driving from a regular 
>>>>> desktop. 32 channel playback through an ethernet port[*]...
>>>>>
>>>>> -- Fernando
>>>>>
>>>>> [*] 
>>>>> https://ccrma.stanford.edu/~nando/publications/jack_mamba_lac2012.
>>>>> pdf _______________________________________________
>>>>> Sursound mailing list
>>>>> Sursound@music.vt.edu
>>>>> https://mail.music.vt.edu/mailman/listinfo/sursound
>>>> --
>>>> These are my own views and may or may not be shared by my employer 
>>>> /*********************************************************************/
>>>> /* Dave Malham   http://music.york.ac.uk/staff/research/dave-malham/ */
>>>> /* Music Research Centre                         */
>>>> /* Department of Music    "http://music.york.ac.uk/";                */
>>>> /* The University of York  Phone 01904 322448                        */
>>>> /* Heslington              Fax   01904 322450                        */
>>>> /* York YO10 5DD                                                     */
>>>> /* UK                   'Ambisonics - Component Imaging for Audio'   */
>>>> /*                    "http://www.york.ac.uk/inst/mustech/3d_audio/"; */
>>>> /******************************************************************
>>>> ***/
>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> Sursound mailing list
>>>> Sursound@music.vt.edu
>>>> https://mail.music.vt.edu/mailman/listinfo/sursound
>>> _______________________________________________
>>> Sursound mailing list
>>> Sursound@music.vt.edu
>>> https://mail.music.vt.edu/mailman/listinfo/sursound
>> _______________________________________________
>> Sursound mailing list
>> Sursound@music.vt.edu
>> https://mail.music.vt.edu/mailman/listinfo/sursound
>>
>>
>
>
> _______________________________________________
> Sursound mailing list
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound

--
  These are my own views and may or may not be shared by my employer 
/*********************************************************************/
/* Dave Malham   http://music.york.ac.uk/staff/research/dave-malham/ */
/* Music Research Centre                                             */
/* Department of Music    "http://music.york.ac.uk/";                 */
/* The University of York  Phone 01904 322448                        */
/* Heslington              Fax   01904 322450                        */
/* York YO10 5DD                                                     */
/* UK                   'Ambisonics - Component Imaging for Audio'   */
/*                    "http://www.york.ac.uk/inst/mustech/3d_audio/"; */
/*********************************************************************/




_______________________________________________
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound
_______________________________________________
Sursound mailing list
Sursound@music.vt.edu
https://mail.music.vt.edu/mailman/listinfo/sursound

Reply via email to