Dave,
Here are some links with additional information on both the system and the
theater requirements.
"Dolby Atmos Next-Generation Audio for Cinema."
http://www.dolby.com/uploadedFiles/Assets/US/Doc/Professional/Dolby-Atmos-Next-Generation-Audio-for-Cinema.pdf
"Dolby Atmos: Cinema Technical Guidelines"
http://www.dolby.com/uploadedFiles/Assets/US/Doc/Professional/Dolby-Atmos-Cinema-Technical-Guidelines.pdf
To learn more about Dolby Atmos, visit dolby.com/Atmos.
To share an educational video on Dolby Atmos, visit: https://vimeo.com/40699179
I work for Dolby Laboratories, although not in the Cinema group. I record
classical music (mostly choral and chamber) as my passion, and have recently
expanded my mic selection to include a Soundfield SPS200 in addition to my
Schoeps DoubleMS rig for 4.0 surround - which explains why I am here. :-)
Michael Demeyer
Sr. Director, OS/ISV Licensing
Dolby Laboratories
>
> Ok, had a bit of time to read the (somewhat limited) technical document and
> it appears that it is
> basically component audio + background soundscapes (aka "beds"), with final
> render done in the
> theatre by panning the individual audio objects according to the sound
> trajectories defined in the
> mixing stage. The beds are channel based, i.e. (I guess) pretty well standard
> panned to speakers
> 5.1/7.1/9.1.... arrays. There's no info about how panning is done in cinema
> renderer but maybe VBAP?
> Anyone have any more detailed technical info?
>
> Dave
>
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