Folks:
 
"Michael was keen to explore the possibilities of multi-channel recording.  
In particular, he wanted to record faithfully the ambience of the live  
performance, by capturing the sound arriving from all directions (including 
from above and below) at the  listener. This would help to overcome a weakness 
of ordinary two-channel stereo,  in which all the direct and indirect sounds 
appear in a narrow horizontal sound  stage in front of the listener."
 
"Michael extended his arguments to the reproduction of sound from all  
spatial directions about the listener, both horizontally and vertically. He  
christened such reproduction techniques ‘periphonic’. First, Michael had to  
counter the argument that height information was unnecessary. Some believed 
that  the human ear was insensitive to height information, but Michael quoted 
research  which showed that ‘it is possible to perceive the elevation of a 
sound quite  accurately by means of small unconscious head movements’. He 
went on to state  his belief that ‘height information can  be of great musical 
importance’, and gave a number of examples including  orchestral and choral 
music, and organ music where the instrument is high above  the listener."
 
So . . . where's the HEIGHT??
 
Mark Stahlman
New York City
 
 
In a message dated 12/3/2010 5:50:04 P.M. Eastern Standard Time,  
rica...@justnet.com.au writes:

http://cgi.ebay.com/4-Calrec-matched-vintage-CB1000-microphones-Ambisonic-/2
   
60699856275?pt=UK_Music_Instruments_Microphones_MJ&hash=item3cb2ec1d93

is  a piece of history up for sale.

It also has a link  to

http://www.michaelgerzonphotos.org.uk/index.html

which is a  fascinating portrait of a incredibly talented man.  Much 
important  
stuff.

Many important luminaries in the recording world were  involved with the 
OUTRS 
eg. Doc Halliday of Nimbus who was better known as  a pianist of romantic 
repertoire at that  time.
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