An historical annotation:
   
  Tilak needed a symbolical rallying point because at that point of history, in 
Western India, specifically the Bombay Presidency, there was a lot of 
insecurity and lack of self-belief among Indians, and a general tendency to 
toad-eat the British. Some violent reactions to this perceived surrender to the 
overlords took the form of attacks on plague inspectors or the lower rungs of 
the bureaucracy.
   
  Tilak's idea was to create a rallying point for the Hindu masses in general 
without giving the administration any reason to ban it as subversive, and so he 
seems to have decided on a seemingly defensible action, a religious festival 
with a difference. He converted a private festival into a public one, and put 
in some rules which ensured that it lasted for more than a day and that it had 
an end at that. 
   
  Shiv has already pointed out that the Ganesh Puja seems to have been a 
post-Buddhist 'recreation' from the times of Hindu revivalism, around the 9th 
and 10th centuries AD. That accounts for the mishmash of Vedic and 
post-Buddhist ideas and concepts swirling around inside the actual ritual, but 
I can't help pointing out that most public Hindu worship is this kind of 
mishmash, precisely because most public Hindu worship is a mixture of Vedic and 
post-Buddhist revival ideas.
   
  Tilak and the Ganesh Puja again: he seems to have taken some of his ideas 
from the parallel development of the community Durga Puja in Bengal. 
   
  The Durga Puja was essentially an upperclass festival, a 'house' festival, 
very expensive to do, therefore limited to the aristocracy, the tax-farming 
gentry in the countryside, and the comprador elite in the cities. It was seen 
as exclusive, and the Puja itself was inherited as a matter of birthright by 
the children of the original celebrant, strictly in order of their birth. So a 
celebrant with three (male) children would be succeeded by the three, each with 
the right to celebrate it every third year, and so on. (I found out this stuff 
when I found out that my uncles had the right every 180 something years!!!).
   
  This was quite obnoxious to the expanding and increasingly restless middle 
classes, who came out (I don't have any specifics on dates or names for this 
while I write on line and from memory) with the concept of the Barowari Puja - 
from Baro Yaari, twelve friends, getting together to pool expenses. All modern 
Bengali Durga Pujas are Barowari Pujas. 
   
  There are still 'house' Pujas. An interesting sidelight - in the house puja, 
the lion is visibly male, in the community puja, the potter/ clay idol-maker 
does a kind of airbrushing in clay. There have been some community lions which 
are fully 'equipped', but these are considered to be aberrations. 
   
  Back to Tilak - it's interesting that this and other guerrilla tactics were 
considered revolutionary up to a point of time, but he and his faction were 
called moderates and relegated to the background when Gandhi and his generation 
of activists came to the fore.

shiv sastry <[EMAIL PROTECTED]> wrote:
  On Thursday 20 Sep 2007 2:23 pm, shiv sastry wrote:
> As far as I know - this refers to the very loud and PUBLIC celebration in
> every street corner,  as opposed to the private, in house worship that has
> gone on for much longer

Corroboration of this:

http://en.wikipedia.org/wiki/Bal_Gangadhar_Tilak

In 1893, Lokmanya Tilak reshaped the annual Ganesh festival from private 
family celebrations into a grand public event. [3] He did so "to bridge the 
gap between the Brahmins and the non-Brahmins and find an appropiate context 
in which to build a new grassroots unity between them" in his nationalistic 
strivings against the British in Maharashtra.[4][5] Thus, Tilak chose Ganesha 
as a rallying point for Indian protest against British rule because of his 
wide appeal as "the god for Everyman".[6] [7] Tilak was the first to install 
large public images of Ganesha in pavillions, and he established the practice 
of submerging all the public images on the tenth day.

shiv




Indrajit Gupta
'Ramsharan', 396, TT Krishnamachari Road,
Teynampet,
Chennai 600 018.
 
+914455511138
+919884375777



       
---------------------------------
 Unlimited freedom, unlimited storage. Get it now

Reply via email to