>>
>> P.S.: It seems obvious that your mike is a 2D version.
>>
>> P.S. 2: The associated 12-track recorder would be a secondary problem...
>> :-)
>>
>>
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___
> Looks like the same guts as the Tascam DR-701D? 4 plus 2, but more
> cleverly
> implemented, what op amps does it use?
>
> Bit gutted, bought the Tascam recently looking for a budget ambisonic
> recording solution that wasn't a Zoom H6, this F4 looks so much better in
> terms of design.
>
Neat i
> On Thu, Aug 11, 2016 at 10:46:02AM +0100, Richard Furse wrote:
>
>> What I'm really hoping doesn't happen is that we change convention
>> and then some amazing new toy emerges using something different...
>
> Consider it the other way round: _your_ amazing toys will have
> their influence on ot
Hi there!
The Rapture3D Advanced VST will handle these irregular arrays easily enough
in Reaper.
We would consider adding IMAX 6.0 and IMAX 12.0 support to the TOA Decoding
pack too, but would need some more details. Does anyone have any IMAX
contact details or suchlike to mail me off-list?
Many
The Zoom F8 and F4 certainly look very attractive; but the knobs are
very small and I do wonder about their ruggedness. The Tascams
mentioned here are good.
I have been using a Roland R-44 for 4-track mobile recording of my
B-format mic. One can set the gains equal without miuch difficulty,
Hello list,
I have an exhibition of playing heavy duty video file together with 16ch
interleaved ambisonic wave file. Audio is rendered through reaper using
ambisonic decoder so each channel is just feeding to relevant 16
speakers to make audio playback simple. Since video file is very heavy
