Aha, I did the same.
I own both the albums on CD - the Celts is the BBC original version and
Watermark is almost certainly the US version as I was living in the US
at the time. I am sure I would have noticed an Ambisonic logo in either
case.
Locating the CDs now will be easier said than done
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On Tue, Nov 05, 2013 at 10:20:35PM +, John Leonard wrote:
> Hmm, not what I've found: I mean, really not what I've found.
No point in discussing basic physics, a self noise of 19 dB(A)
and a sensitivity of 7 mv/Pa amount to -116 dBm(A) at the
input of the preamp. Unless I botched up the the c
Hmm, not what I've found: I mean, really not what I've found. Sorry to
disagree, but I've tried a number of systems and have found that the low-cost
recorders that I've used, un-modded, have had unacceptable noise levels when
cranked up.
Regards,
John
On 5 Nov 2013, at 21:45, Fons Adriaensen
On Tue, Nov 05, 2013 at 03:16:42PM +, John Leonard wrote:
> It's not so much the microphone, but what you connect it to:
> because of the relatively low sensitivity, you really need
> a low-noise pre-amp.
Using the specs provided by Core Sound:
Self noise: 19 dB(A)
Sensitiviy: 7 mv/Pa
a pr
Did some googling for Enya vinyl and CD covers. There's plenty of
photos of the covers, but not necessarily of the inner sleeves or disc
faces.
No observations of Ambisonic logos.
The only round logo that I found was the Geffen Records logo
on a Orinoco Flow CD:
http://991.com/Buy/ProductInforma
ecorded
Gordon Monahan's piano music with a (literally) roving Soundfield.
with best wishes, John
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--On 05 November 2013 21:41 +0100 David Worrall
wrote:
John or me? - I'm sending it straight to a Tascam DR-640.
David
On 05/11/2013, at 4:30 PM, Moritz Fehr wrote:
Hi all,
what other preamps (portable?) are you using with your TetraMic ? I have
tested it with a Motu Traveler which is not
bending effects if
you're into that…
with best wishes, John
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Hm. Interesting.
Many recordings that are known to be UHJ encoded, son't have any printed
indication or an Ambisonic logo at all.
Then again, it has been a common practise that the same release of some
recording has had a different cover print in different countries.
Maybe the Enya really would
t
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Mind you, I have a lovely recording of the Dambusters memorial fly-past that
was ruined both by a BBC news crew in a helicopter, but also by some very cross
Canada Geese. Very spectacular in surround if you need a Lancaster Bomber,
mixed with a helicopter and geese, all from a variety of differe
Excellent, good to know.
-_R
On 05/11/2013 18:57, J. Liles wrote:
May not be entirely relevant, being that it is a rather recent release, but
it may interest some of you to know that my album is UHJ encoded.
http://jonliles.bandcamp.com/album/sad-pretty-girl
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> Hi,
>
> The main problem in the UK is getting away from ambient noise
> (traffic, aircraft, people, barking dogs, wind in trees & grass, rain
> and other water etc.). Then there's still a residual of Brownian air
> motion from everywhere. Apart from frogs if you're patient (or
> possibly bees or
27; until they're some distance away.
Ciao,
Dave
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It's not so much the microphone, but what you connect it to: because of the
relatively low sensitivity, you really need a low-noise pre-amp. I use a Metric
Halo ULN-8, which works extremely well with the TetraMic. The ST450 outputs at
line level, so mic pre-amps are not an issue. And of course,
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This is in my dropbox for a short time, for those without a freesound
account.
The built-in player there is low bitrate.
https://www.dropbox.com/s/gs67gis7br3f5fm/blustery%20showers.mp3
Really good with the right cans!
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On 05/11/2013 00:03, Mark Anderson wrote:
That is what lead me to contact you in '95 to get your
input on the rumor of Tina Turner-Break Every Rule being UHJ encoded.
Of course that story was an odd one... the vocals were UHJ encoded but
nothing else!
==R
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Going back to Richard's original question, I have a theory
why some recordings appeared into our "Rumours" list.
I found several record titles for example from British automobile
magazines. They had articles about the Troy decoder.
I wonder if the people giving the demo to the journalist had pla
HI All
The previous posters already said it all.
I can only add that it is almost impossible to find out from an acoustic
Soundfield or other microphone setup recording, whether it is UHJ or not.
I don't know about higher developed ways of finding this out, but from a
sound engineer's point of
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