I have a violin part which, for some bars, split into two voices.
I first tried this :
- create a violin_voice_a
- add a violin_voice_b, containing rests everywhere except on those few bars
where there is two voices
- stack the two vioces using a hara_kiri context for the second one in order
to h
Dear Mailing list
I have a bunch of questions about the repeat syntax I'll like to submit to
you.
\version "2.11.28"
1) About numbering
here is a ordinar situation of repeat volta with an alternative :
\repeat "volta" 2 {
a b c b
}
\alternative {
{ e f e f }
{ e f e b}
}
c a e f
\bre
did I forget something like an attachment
test.pdf
Description: Adobe PDF document
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On 9/7/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
>
> Hi Yota, Gerard, et al.,
>
> I assume you've looked at \repeatTie (and the equivalent
> \repeatSlur), and it's not working for you?
>
> Regards,
> Kieren.
>
>
If only \repeatSlur would exist...
as for \repeatTie, I'm looking for it's counte
On 6/24/07, gerard stouten <[EMAIL PROTECTED]> wrote:
>
> hi there,
>
> i need a slur in a repeat. i can not figure out how to do it, maybe you
> can
> help me.
>
> (a8) r8 f4 \bar "||" \mark \default f2 f8(g8) bes8 c8 d2 bes4 f4 c'2 a4 f4
> f2(
> }
> \alternative {{f8) r8 f4} { f8 r4.}}
>
> The la
On 9/7/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
>
> Hi all,
>
> > as for \repeatTie, I'm looking for it's counterpart : a slur bound
> > to an absent following note
> > (whereas \repeatTie is a tie from an absent precedent note)
>
> I hope the attached helps!
> Kieren.
>
I guess thishttp://www.lilypond.org/doc/v2.8/Documentation/user/lilypond/Text-marks.htmlanswer to your question
On 8/25/06, Kamal <[EMAIL PROTECTED]> wrote:
How can one print a markup over a clef sign?
___lilypond-user mailing listlilypond-user@gnu.org
h
concerning the bars you may use a "global" part containing only skips and barsyou can then combine them as you wish (in a part or for all the parts).have a look at
http://www.mutopiaproject.org/ftp/BachJS/BWV1068/bach-air/bach-air-lys.zipor
http://www.lilypond.org/doc/v2.6/input/mutopia/E.Satie/pe
ok I got ityou're right... with a centered alignment, the dynamic indication become too imprecise to be readable. But putting the text on two lines give a nice result.\set crescendoText = \markup{\italic \column {\line {poco a poco} {cresc.} }}
\set crescendoSpanner = #'dashed-line
r4 \ti
should I fill a feature request to have long dynamic indications (the textual part, not the dashed line one) automatically splitted to the next staff when the text goes out of the page ?
like this : http://img115.imageshack.us/my.php?image=lilypondfi4.pngbecause if I do the line break manually, wh
Hi,
I have a nice horn in G part where in the middle it's written "from
here take your horn in E flat"
Of course in our orchestra we only have horn in F ^^
So I first entered the notes
hornpart = \relative c' {
\transposition g
... many notes ...
\transposition ees
again, many notes
}
And
marvelous ^^
not as clean as expected but, i'm perhaps too perfectionist.
thx
On 9/1/06, Markus Schneider <[EMAIL PROTECTED]> wrote:
Hi,
AFAICS, the easiest way is to split your horn part into two seperate ones:
hornpartG = \relative c' {
\transposition g
... many notes ...
}
hornpartEE
Hi,I am looking for a way to print an articulation made of the combination of an accent (>) and a tenuto (_)of course if I put I get an ugly result where the accent is much wider than the tenuto.
If it's not yet the case these articulations http://www.dolmetsch.com/musictheory21.htm should be adde
Could we add to the doc, section 12.1.2 an example of an even easier
substitution function with no argument.
displayBarNum = #(define-music-function (parser location) ()
#{
\once \override Score.BarNumber #'break-visibility = ##f
#})
Since I took me 15 min to understand how to derive it fro
Before posting on the debug list
I would like to know if some of you experienced this.
When I try to extract a piece from a midi file which is in f major (1 flat) I do
midi2ly --key=-1 "myfile.mid"
the resulting file have indeed a nice \key f \major printed on top but
all the 'bes' are noted as
How do I do with lilypond what it's called in french : "marche
unitonale" (that I can not translate in english)
Which is the translation of a pattern, a chord, keeping the degrees as
well as the key
ex :
\key c \major
become
\key c \major
french readers would enjoy this wonderful example :
google.com/p/lilypond/issues/detail?id=186
Please note that this is a feature request which is much harder to
implement than it may initially appear; it may be a while until this new
feature is added.
Cheers,
- Graham
yota moteuchi wrote:
> Hi,
>
> I am looking for a way to pri
Just for the most curious ones, this is how rhythms are taught to
french children :
quarter-note is called : noire (black) since it's balck
half-note is called : blanche (white) since it's white
full-note is called : ronde (round) since... there is no stem
eight-note is called : croche (crotchet
Dear mailing list,
I have some difficulties in using lilypondtools under Ubuntu
The filename of the piece containing some whitespaces I'm getting the
following error
%lilypond %args /home/yoochan/classeur/lilypond/danse macabre - St Saens/alto.ly
warning: cannot find file: `/home/yoochan/classe
Surfing around I found two ways to do almost the same thing : display a
complex dynamics mark, like a Piano Subito.
In each I found something satisfying and another annoying
psubito = #(make-dynamic-script (markup #:hspace 1 #:translate (cons 5 0)
#:line( #:dynamic "p" #:text #:italic "subito" )
By chance, I had this bug too.
It seems to be raised by the \laisserVibrer tie. Since, when I remove
it, the error disappear.
But this is a random bug and as soon as I try to insulate it... it vanishes
well to summary, I have a
\time 4/4
a4 a a a \laisserVibrer
\time 2/4
R2
etc.
and a minimise_
lilypond-user@gnu.org
On 1/23/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Yota:
> Does anybody know a trick to un-bold the "subito" in the first
> solution
I use:
pocoF = #(make-dynamic-script (markup #:line(#:normal-text #:italic
"poco" #:hspace -0.3 #:dynamic "f" )))
Hope this hel
seems to be exaclty what I was looking for, thank you ^^
(sorry for the mess on the mailing list... I'm not well awake this morning,
and I'm fighting like the devil with gmail Ø_o)
On 1/23/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Yota:
> Does anybody know a trick to un-bold the "su
I would like to combine in one shortcut : \pizz
both a markup : ^ \markup "pizz."
and a property setting : \set Staff.midiInstrument = "pizzicato strings"
I read the documentation but I'm definitely not fluent in scheme.
does someone could lend me a clue on how to do this ?
Thank you
Yota
Hi,
I have a crescendo hairpin stuck between two consecutive notes (as you can
see in the example below)
I tried to use a SeparationItem - padding... without success, even with a
padding of 10 there is ... no effect (here, I tried between two fourth
notes, but wherever I use it, I always have the
Well it's a pleasure
On 1/25/07, Aaron Dalton <[EMAIL PROTECTED]> wrote:
I am most embarassed. it turns out a fellow user of the system installed
version 2.8.7 globally so my invocations of 'lilypond' were finding
/usr/local/bin before /home/aaron/bin. Sorry to have wasted your time,
but than
Well, since charsets issue is my hobby ... I can write a short explanation
(try to... my shortage of english vocabulary could be an issue)
After having defined a 128 character table (0 -127 on 8 bits, well one zero
+ 7bits) covering only the English characters and some signs, called the
ASCII tab
tainly
get an added spacing between the two notes.
However, if your main purpose is to get a longer hairpin, why not
follow the instructions in the section on Dynamics
in the manual:
\override Voice.Hairpin #'minimum-length = #5
/Mats
Quoting yota moteuchi <[EMAIL PROTECTED]>:
&
well it was an approximation (due to the previously mentionned lack of
vocabulary)
ISO 2022 (as well as SHIFT-JIS and other japaneses encoding of the same
type) use indeed "artificial" 8bit characters.
The 0-127 range is always almost compatible with ASCII and there is 2
escaping character which w
Bonjour,
I'm trying to write a NICE lilypond function to do properly what I could do
with a simple find and replace in the text
where
\pizz
would become :
^\markup {\italic pizz.}
\set Staff.midiInstrument = "pizzicato strings"
I tried some make-markup stuffs but... how to insert a \set proper
ty within LilyPond).
Another solution is outlined in section "Building complicated functions"
in the manual.
/Mats
yota moteuchi wrote:
> Bonjour,
>
> I'm trying to write a NICE lilypond function to do properly what I
> could do with a simple find and replace in th
I use the following trick to print P subito
psubito = #(make-dynamic-script (markup #:hspace 1 #:translate (cons 5 0)
#:line( #:dynamic "p" #:normal-text #:italic "subito" )))
to use it : { c4 \psubito }
following this example, you should be able to build a poco ff (and if you do
please post
You seem to have some good ideas but I couldn't have a deep look on them
because the broken links quickly became pretty annoying
in html (which is not the case under Windows) we use slash / instead of
backslashes \ and I don't have time to correct links like :
http://www.nordisc-music.com/00_a-pl
In order to add a tempo mark, I use a tweak found on the lilypond
documentation website :
tempoMark = #(define-music-function (parser location markp) (string?)
#{
\once \override Score.RehearsalMark #'self-alignment-X = #left
\once \override Score.RehearsalMark #'extra-spacing-width = #'(+i
Hi,
I don't understand, using lilypond 2.11.20 with this simplest script :
\version "2.11.20"
\new Score {
\new Staff {
\relative c'' {
\setTextCresc
c4 \< c c c
c c c c \!
}
}
}
I get a result where the dashed line have a weirdly laarge span...
Looks like if lilyond had
Gosh !
it was just a bug of Jpedal (packed with lilypondtools)
I opened it with evince and everything was alright...
sorry for the noise
On 3/17/07, yota moteuchi <[EMAIL PROTECTED]> wrote:
Hi,
I don't understand, using lilypond 2.11.20 with this simplest script :
\version &quo
On 3/18/07, Matthias Berndt <[EMAIL PROTECTED]> wrote:
Hi,
I tried writing a few lines with lilypond, but I don't like the way that
the
result looks. Perhaps I'm doing something wrong, but I don't think so. In
the
attachments, you'll find some source code and the resulting pdf.
The big bracket
i'm looking forward to seeing this feature implemented ^^
Yota
On 3/21/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
2007/3/21, Mats Bengtsson <[EMAIL PROTECTED]>:
> I hope you have tried the workaround described in
> http://lists.gnu.org/archive/html/lilypond-user/2006-06/msg00020.html
Whil
Dear lilypond List
I have something like
\version "2.11.20"
\score {
\new StaffGroup <<
\new Staff {
\voiceA
}
\new Staff {
\voiceB
}
\new Staff {
\voiceC
}
>>
\layout { \context { \removeEmptyStaffContext } }
}
\pa
On 4/9/07, Graham Percival <[EMAIL PROTECTED]> wrote:
Alexander Hanysz wrote:
> Below is a patch for what on my system is the file
> /usr/local/lilypond/usr/bin/midi2ly (I'm using version 2.10.20).
>
> Fixed (?): the --key command line argument is recognised; key signatures
> and time signatures
you could try to remove the point-n-click information
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Point-and-click
Yota
On 21 Apr 2007 11:04:18 -0700, Kieran Coulter <[EMAIL PROTECTED]>
wrote:
Hello,
I first want to thanks Mats for the help with the Chopin Ballade.
My next ques
\version "2.11.20"
Given this piece of the titling scheme
scoreTitleMarkup = \markup {
\column {
\on-the-fly #print-all-headers { \bookTitleMarkup \hspace #1 }
\line {
\fromproperty #'header:piece
}
}
}
I would like to display the piece name as small caps.
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