cs = sopranosb \lyricsto sopranos \sopWordsb
My question is about the "\new Lyrics" command. What's the {s1} referring to?
It uses
"sopransob" to find the right set of lyrics. When I had four verses, I used s1,
s2, s3, and s4.
got an error messa
Hi!
Your FAQ describes a number of ways to use midi as an input method. I wonder
if one can go the other way and generate a midi file from a lilypond document?
Thanks
Tim
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org
;s not latex, but i think it'd give me a
better insight and makes me able to figure out a lot more by myself so i
don't have to bother you guys unless there are more serious issues.
Greets, tiM
___
lilypond-user mailing list
lilypond-user@g
ot found.
\def
l.41 \def
\fetafont{\fetasixteen}
No file tmpmuyqwr.aux.
}
And here's were it ends. Anyone knows what to do? Probably more a latex
question than a lilypond-book one. But still I think here's the place to
ask.
Thanks a lot,
tiM
-Original
nd has very much care/concern about
> beauty and perfection, i just report it.
>
> Gr tiM (lilypond 2.8.5)
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
r correcting me,
tiM
-Original Message-
From: Anthony Youngman [mailto:[EMAIL PROTECTED]
Sent: vrijdag 11 augustus 2006 9:38
To: tiM Sportny
Cc: lilypond-user@gnu.org
Subject: RE: triangle chord notation (bit of toppic: why c != b sharp)
Actually, that bit about "all instru
lytex file on the url should work for some
version. Is there a save way to get the files the author used without
accidentically removing my previous install of lilypond?
Tnx tiM
> A second alternative, along the lines of what you have tried
> so far, is to install the LilyPond fonts so tha
_4 a_5 a_5 g2_4 e_2
}
}
\end{lilypond}
How is this possible?
Tnx. tiM
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ion, don't bother, I'll
repear the problem with the "bug" on the second example.
Greets, tiM
MiKTeX 2.4.1461
Windows XP SP2
LilyPond 2.8.5
> -Original Message-
> From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
> Sent: maandag 14 augustus 2006 10:03
> To: tiM
ps, etc. But life would get a whole lot easier if there's
a way to delete the footer right from the beginning. So I could just make a
lilypond file and crop that output.
Thanks,
tiM
> -Original Message-
> From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
> Sent: maandag 14
Nope sorry,
tagline = " "
\markup \note #"4" #1
Still gives a footer.
> -Original Message-
> From: Stewart Holmes [mailto:[EMAIL PROTECTED]
> Sent: dinsdag 15 augustus 2006 1:37
> To: tiM
> Subject: Re: Feta symbols in latex (how to disable footer
ing for. Now, how to
put this in a function, i wouldn't know. I hope this is of any
help.
gr. tiM
p.s. on intuitive reading, i think the/one problem of your
code is that the \finger command only allows you to place numbers (i think). You
should look at the output of \finger more as charact
Hi Stewert,
Again, I'm relatively new with lilypond. I didn't place tagline ="" in a
header{}. So I've got results now. But now ps2epsi doesn't creates a
bounding box. But this one I have to figure out myself. (unless someone has
brilliant ideas on this :P)
Thanks,
your
working folder, make a new folder named "out" (or anything you like) and
execute "lilypond-book --psfonts --output=out mybook.tex". Lilypond-book's
output will be placed in .\out\ and won't overwrite the original input file.
Hope it's of any help.
Gr.
Hmm that's really strange... Try to put your input files in a brand new
folder (with a new .\out folder) maybe something goes wrong if you name your
new file after your test file. In this way there's no chance lilypond-book
is going to overwrite anything.
Gr. tiM
> -Ori
r it is
> possible to import scores generated by Lilypond to professional softwares
> allowing to play music.
Frescobaldi can export a MusicXML version of your score. Many music programs
can import
that format.
--
Tim Slattery
t...@risingdove.com
I use Fresco's LilyPond|Engrave(publish) command, Adobe Acrobat shows it
the same
way! What have I missed?
--
Tim Slattery
t...@risingdove.com
the function of existing
language instead of
invoking the new feature with new language?
--
Tim Slattery
t...@risingdove.com
.bat, *.cmd,*.lnk that sort of thing.
It doesn't know
about the *.py extension, so you have to type it in as part of the command.
--
Tim Slattery
t...@risingdove.com
environment for hacking LilyPond code.
> Do you have those two things?
> Lukas
Frescobaldi will also ask you questions in a Wizard format, then set up a
Lilypond file for you,
ready for you to add notes, lyrics, whatever you want. Very nice! Frescobaldi
runs on just
about any platform you
delete all occurrences
of a
particular string from my source code with Frescobaldi?
--
Tim Slattery
t...@risingdove.com
eplace" box. When I click the "Replace" button
> > ... nothing happens.
> > When I click the "All" button ... nothing happens.
> This sounds reminiscent of
> https://github.com/frescobaldi/frescobaldi/issues/1366.
> What OS are you using? Wh
file ends.
The PDF looks absolutely beautiful;, no problem there. But the midi file is
completely quiet,
from beginning to end. What would cause that?
Thanks!
--
Tim Slattery
t...@risingdove.com
i file is
> > completely quiet,
> > from beginning to end. What would cause that?
> >
> > Thanks!
> >
> > --
> > Tim Slattery
> > t...@risingdove.com
>
> What version of LilyPond are you using? What environment are you on
> (like Windows 10, Lin
On 19 Sep 2022 at 17:55, Cluanie Fraser wrote:
>
> Hi Tim,
> Thanks for responding. I´m really struggling as I´m quite out of depth
> with this tech stuff.
> This is what shows up when I download the Lilypond file from the website
> and double
> click to op
oth in Frescobaldi and in a separate PDF
reader, so the problem must be in the PDF.
--
Tim Slattery
t...@risingdove.com
five of these messages:
warning: MIDI channel wrapped around
warning: remapping modulo 16
I am-generating a MIDI file, but the only line in the source file talking about
MIDI is
\midi {
\tempo 2=100
}
in the score block. What's going on.
--
Tim Slattery
t...@risingdove.com
i {
> \tempo 2=100
> }
> in the score block. What's going on.
> You cannot have more than 16 channels in a MIDI file, it's a limitation of
> the MIDI
> format. Maybe you have more than 16 staves?
The piece has four staves.
--
Tim Slattery
t...@risingdove.com
On 6 Dec 2017 at 14:49, Guy Stalnaker wrote:
>
> Tim,
>
> From Frescobaldi menu: Tools | Special Characters -- my install has all three
> of the characters
> you mention (highlighted in the screen shot). This is the default view shown
> me when I select this
> Tool.
On 6 Dec 2017 at 14:49, Guy Stalnaker wrote:
>
> Tim,
>
> From Frescobaldi menu: Tools | Special Characters -- my install has all three
> of the characters
> you mention (highlighted in the screen shot). This is the default view shown
> me when I select this
&g
On 26 Apr 2016 at 17:14, Richard Shann wrote:
> I just did this in Denemo, I selected the notes and chose the Skip
> Syllables in Selection command
> it generated
> \repeat unfold 8 \skip 1
Outstanding! Works perfectly. Thanks for the solution!
--
Tim Slattery
t...@ri
It looks like the attachment didn't come thru - so my example doesn't
make a lot of sense.
If you want to see the example let me know and I'll put it on a web
server after work tonite.
Timothy C Litwiller wrote:
Timothy C Litwiller wrote:
This isn't perfect but may be a place for you to start
Reinhold,
I noticed that on the second staff (downward stems), the eighth notes have
their flags all in the C space, rather than at the end of their stems. Do
you know why that happened?
Tim Reeves
original message:
[EMAIL PROTECTED]
Sent by: [EMAIL PROTECTED]
06/19/2008 09:05 AM
hem anyway most likely.
Tim Reeves
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
x27;m not just being "anti-pedantic". Believe me, I can be
quite pedantic. ;-)
Tim Reeves___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
True, but I usually avoid command line stuff. I'm on Windows XP.
Also, I learned a little bit by looking at the code. Not enough to do
anything with it, mind you.
Tim Reeves
Graham Percival <[EMAIL PROTECTED]>
07/09/2008 12:49 PM
To
Tim Reeves <[EMAIL PROTECTED]>,
For several days I didn't get any message digests from lilypond-user, but
instead of resubscribing, I just looked at the archives a few times.
Now, all of sudden, today, I'm getting digests again. Anyone know what
happened?
Tim Reeves___
lil
> > I think it is standard behaviour.
> > I remember there was a command to let LilyPond display all the spaces
> > it uses and its names. But I don´t remember the command and couldn´t
> > find it by searching ...
>
> Take a look at Notation Reference 4.6.1: "Displaying spacing."
>
> -Chris
He
Well, you decide!
I'll keep the thread open for a while, and then make a final decision
based on the majority of responses I get.
Thanks!
Kieren.
I agree, keep the midi code in the examples - comment it out if you want.
with a reference or link to the part of the documentation that explain
This is not specifically on the topic of lilypond but my daughters love
of singing and trying to help her learn to sing is one of the things
that got me interested in lilypond in the first place.
She loves to sing and I would love to help her learn to hear when she
hits a pitch. We are 2 hours
Nick Bailey wrote:
We did some work on Rosegarden which might interest you:
http://www.n-ism.org/Papers/Nick_Bailey/icmc2008_19ETrehearsal.pdf
The software described in that paper was for training expert musicians
to sing microtonal songs which have more than 12 divisions of the
scale suc
Graham Percival wrote:
On Mon, 15 Sep 2008 12:21:38 -0500
Tim Litwiller<[EMAIL PROTECTED]> wrote:
What I would like to find is some kind of program that would play a
note or tone and she would try to sing that note or tone back into a
microphone and then it would continue to the nex
Sebastian Menge <[EMAIL PROTECTED]> wrote:
>Hi
>
>How can I generate pdf and png but no ps?
AFAIK, you can't. My understanding is that Lilypond generates the *.ps
first, then converts that to *.pdf. You could write a script that
invokes the program then deletes the *.ps fil
> >
> > So when I write "Mao", it has *nothing* to do with chairman mao.
> >
>
> Ah -- finally I get an explanation of "mao" in the writings of Graham.
> Obviously the M in WTM has just as much meaning as the F in WTF, but I
have
> never before been able to find out when or why "mao" began to be
w I did something, I'll have done my job ;-).
For lots of examples, look at http://www.mutopiaproject.org/. All the
sheet music there is done by Lilypond, and each one comes with the
*.ly file that generated it.
--
Tim Slattery
[EMAIL PROTECTED]
e needed if we used
> the above definition).
>
> Given that what \cresc currently does can also be achieved with
>
>\override DynamicTextSpanner #'dash-period = #-1.0
>\crescTextCresc\
>
> as clearly shown in Notation Reference 1.3.1, it there really a need to
> keep
wakes
up and processes the file. It's still usable, but it sure slows things
down.
--
Tim Slattery
[EMAIL PROTECTED]
http://members.cox.net/slatteryt
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
ran I got hordes
of messages about them. In the PDF output, there were blanks where
these characters should have been.
So how can I get Lilypond to use these characters?
--
Tim Slattery
[EMAIL PROTECTED]
http://members.cox.net/slatteryt
___
lilypo
est of each? i.e. Ubuntu 8.10 and XP SP3?
Tim Reeves___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
the idea of Linux and make the switch the next time Vista
crashes hard ;-)
Thanks for the information.
Did you mean you switched from Lilypond back to some proprietary music
software and that forced you to use Windows instead of Linux? I don't know
what DAW is.
Tim Reeves
"Haj
Naomy Gaudet <[EMAIL PROTECTED]> wrote:
>
>i just installed lilypond and i cant get the pdf
>file
Have you used the --pdf flag when you invoke Lilypond?
--
Tim Slattery
[EMAIL PROTECTED]
http://members.cox.net/slatteryt
___
lilypo
"Francisco Vila" <[EMAIL PROTECTED]> wrote:
>2008/11/14 Tim Slattery <[EMAIL PROTECTED]>:
>> Naomy Gaudet <[EMAIL PROTECTED]> wrote:
>>
>>>
>>>i just installed lilypond and i cant get the pdf
>>>file
>>
>> Have yo
just ..." box
>can then be checked again and all should thereafter work correctly.
Bizarre, just totally bizarre. I'll certainly try this, and I hope it
works.
I've been programming computers for over forty years. I've encountered
lots of strange bugs, but this is a
he DST box and ran the program a couple of times. No
change.
So I downloaded and installed 2.11.64. The first time I ran it, there
was the long wait again, though it was only about 30 seconds instead
of the 50 seconds that 2.10.33 had been taking. The second time, no
wait at all!
--
Tim
files.
That's how Unix works, not Windows. Files are made hidden or system by
setting a property bit in their directory entry.
>To see them, select your home directory in Windows Explorer,
>then Tools -> Folder Options, select the View tab and select
>the "Show hidden files
Probably this was not the first time you compiled it, and a previous run's
output (pdf file) was still open, preventing writing the new one. You were
just looking at the old pdf.
Happens to me frequently. Close the pdf and re-run Lilypond on it.
Tim Reeves
>
> Interpreting
the other verse. I'm wondering whether I missed something
that would have let me say "do the automatic match, but in this
measure do it this way".
--
Tim Slattery
[EMAIL PROTECTED]
http://members.cox.net/slatteryt
___
lilypond-user mail
n this case), is actually no longer true
>in LilyPond 2.11.x. The setting now applies to the very next lyrics syllable
>already!
*Many* thanks to all who responded, and thanks especially for the note
about the documentation. The more I learn about Lilypond, the more
impressed I am with it!
I like the thrust of your notation software. As a pianist, I'd like to make a
comment on what I would like to see. Although the traditional method of marking
accidentals works, it can be time-consuming to figure out whether a note is to
be played as an accidental and this is often time a pianist
4 sn4 sn8 sn8 sn8 sn8 sn4 sn4
sn4 sn8 sn8 sn4 sn8 sn8 sn8 sn8 r8 sn8 sn4 sn4} \bar "|." }
If I shorten the music down to two bars worth, then I get a correct two bar %
repeat.
Cheers,
Tim.
___
lilypond-user mailing list
lilypond-user@g
On Saturday 13 December 2008 17:41:23 Neil Puttock wrote:
> Hi Tim,
>
> 2008/12/13 Tim Sawyer :
> > I'd like to produce a four bar percent repeat, is this possible in 2.10?
>
> I'm not sure whether this is what you're after (and I haven't tested
> it
drum tutor book. It
should be fairly obvious really!
Thanks for trying,
Tim.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
type`unknown'
> warning: ignoring too many clashing note columns
> warning: too many colliding rests
>
> Patrick
Also ran successfully here on Win XP SP2, Lilypond 2.11.65, with many
warnings. (different from above warnings!)
Tim Reeves___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
> Date: Wed, 17 Dec 2008 10:54:21 +0100
> From: "Francisco Vila"
> Subject: Re: why is Dutch the default language for note-entry?
> Do English-speaking people read music saying "g sharp f sharp" all the
time?
Yes. An extra syllable is not a
following file:
>http://www.organum.hu/fileadmin/lilypondtool/2.11-r1/LilyPondTool.jar
>and download
>http://www.organum.hu/fileadmin/lilypondtool/2.11-r1/julie-0.1.jar
Can you give a clue what this is and what it does? I find no
description, only the jars (which implies that it's a Ja
> Message: 3
> Date: Wed, 17 Dec 2008 15:41:05 +0100
> From: "Bertalan Fodor (LilyPondTool)"
> Subject: Re: New LilyPondTool version available for testing
> To: Tim Slattery
> Cc: lilypond-user@gnu.org
> Message-ID: <49490f81.8080...@organum.hu>
> Conte
> Umm... yeah. The fact that he thinks this answers the question
> gives me *less* confidence that he knows what he's talking about.
> If he wanted it a perfect fourth lower, then \transpose does the
> job. And normally when somebody says "a fourth lower", they mean
> a perfect interval. If he w
ension lines are drawn, I see a single line,
not seperate lines drawn after each stacked figures.
Maybe there should be a way to simply express a "extension line"
rather than writing repeated figures, or is there a way to draw such
line righ
2008/12/25 Carl D. Sorensen :
>
>
> On 12/24/08 8:19 AM, "Tim Yang" wrote:
>
>> In figured bass notation currently we can use \bassFigureExtendersOn
>> to represent repeated chords. However, In many baroque music scores I
>> encountered, often there are l
into the new directory and drag
>the .ly file onto it there?
Right-click the shortcut and choose "Properties". On the "Shortcut"
tab, type the desired directory in the "Start in" slot.
--
Tim Slattery
slatter...@bls.gov
http://members.cox.net/slatteryt
__
unny. Making 3d-looking shapes based on
musical content. Who would've thought?
Tim Reeves
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
>I made a small change to the randomization code (attached).
>- Mark
Mark,
That is a very cool function. I don't have an immediate use for it, but I
saved it for later, and I think it's a great illustration of the power of
Lilypon
#x27;s probably
the case that the music doesn't do this but ...)
It might be sufficient to drop all the ' and , and then let the OP put
them back by hand if that doesn't cause too many places where the octave
goes wrong.
"s/,'//g" first on the file
Tim.
--
God said
][240][248][256][264][272][278]
Preprocessing graphical objects...
beethoven-liszt.ly:1089:39: warning: ignoring too many clashing note
columns
\times 2/3 {a gis fis} \times 2/3 {
e b' e}
Layout output to `beethoven-liszt.ps'...
Converting to `beethov
On Sun, 18 Jan 2009, Tim Woodall wrote:
Surely the octaves can change? (I'm a very new lilypond user but a
fairly confident sed user so I might be completely misunderstanding
something)
Well it was an interesting exercise. I believe that the following bash
script does what is require
many
octave changes are needed for each step. v1, v2 and v3.
It replaces any existing ', in the chord with the values in v1,
v2 and v3 (note that replacing v1 should be a no-op)
And finally it writes the arrays back into the files it read them from.
Tim.
#!/bin/bash
cat test.ly | sed
&#x
o numbers 0..11 but that's
no use when you need to distinguish between Gb and F# to calculate
whether a ' or , is required.)
Tim.
--
God said, "div D = rho, div B = 0, curl E = - @B/@t, curl H = J + @D/@t,"
and there was light.
http://www.woodall.me.uk/
when I saw how big it was, I
promptly uninstalled it and found a free and more functional replacement.
Tim Reeves___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Tao,
The previous bar (22) has 9/16ths in it. That is why the last sixteenth of
bar 23 shifts to bar 24.
Tim Reeves
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I will be out of the office starting 06/15/2007 and will not return until
07/02/2007.
I will have e-mail access and will respond when I am able.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I will be out of the office starting 07/20/2007 and will not return until
07/24/2007.
I will have e-mail access and will respond when I am able.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi,
I've just migrated to 2.10 under Ubuntu. With 2.6, this used to produce a
line of four single quavers, with tails - not joined together.
e16[] e[] e[] e[]
How do I achieve the same effect in 2.10?
Thanks,
Tim.
___
lilypond-user mailing
Works a treat, thank you very much.
Tim.
On Thursday 02 Aug 2007, Dominic Neumann wrote:
> Hi Tim,
>
> try the switch \autoBeamOff:
>
> \autoBeamOff
> e16 e e e
>
>
> Dominic
>
> 2007/8/2, Tim Sawyer <[EMAIL PROTECTED]>:
> > Hi,
> >
> >
semiquaver, and then a group of three semiquavers. The odd semiquaver's
lower beam line is pointing left rather than right.
Can someone point me towards a fix for this please? Can I tell the time
signature how I want it to beam things like this?
Thanks,
ror when running
lilypond-book.
Can someone point me in the right direction please?
ta,
Tim.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
bass
<<
{ \stemUp e4 e4 e4 e4 e8 e8 e8 e8 e8 e8 e8 e8 e16 e e e e16 e e e e16 e e
e e16 e e e e1 \bar "|." }
\addlyrics { blah }
>>
}
\layout {
\context {
\score
\remove "Bar_number_engraver"
}
}
}
\end{lilypo
x:2159:2: error: syntax error, unexpected STRING, expecting '='
\Score
error: failed files: "lily-2637de181e"
> \override Score.BarNumber #'transparent = ##t
That's a LOT simpler, and works a treat! Thanks :-)
Tim.
On Sunday 12 Aug 2007, Kieren
othered about getting this to work, but it would be useful
to understand why I'm getting a problem with it when I shouldn't.
Tim.
On Monday 13 Aug 2007, Mats Bengtsson wrote:
> Your example below works like a charm, if you just fix the
> capital "S" that others already h
I've tried sending my question 2 times already and I didn't ever get it
back.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
I have a bunch on sunday school songs like this that I need to put into
lilypond so we can make clean nice prints.
I have been playing with it for a week now and going thru the manual and
tutorial, downloading samples and layout tools like Jedit and the pspad
plug ins and canorus.
I haven't
I have my .ly file at home. I'll have to wait till I get there this
evening to send you an example.
Ralph Little wrote:
Hi,
I had a bit of a fiddle and came up with the following which produces
pretty much what you want, but I'm not really happy with it.
It uses chords instead of \partcombi
I updated the link to contain the whole scan.
this song only has 4 or 5 but I need something flexible enough for 60 -
100 songs.
\partcombine {f4 f f g a8 a4 } {c4 c c c f8 f4} <>
\partcombine {a2} {f2}...
I'm not sure that that is much better, though - it depends on how many
of the spl
Ralph Little wrote:
Hi Tim,
OK, it is a bit of a frig if you fancy giving it a try, but I think I
can make it happen and it depends on what version of Lilypond you are
using.
Find the file part-combiner.scm - it should be in the scm directory of
your Lilpond installation.
Search for the
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Vocal-ensembles#Vocal-ensembles
on this page
section
D.4.2 SATB vocal score and automatic piano reduction
if you look at the piano reduction part it gets it right. or at least
in this sample.
so if I could just make it do the
I'm playing with it. The notes are slightly different from my copy
I changed to the head style we use - I haven't got the part combine
working yet.
and the tenor and bass repeating words I haven't figured out yet.
Father Gordon Gilbert wrote:
Hi Tim,
Attached is a copy o
wrote:
Hi Tim,
OK I see the problems you are having with \partcombine and lyrics now.
AFAICS, \partcombine seems to mess with the parts to the extent that
there is no single Voice available that the lyrics can follow. The
example I tried shows that the documented "one" and "two&q
here is a link to a scan of the original
http://www.litwiller.net/images/powerintheblood.jpg
Ralph Little wrote:
Hi,
It would be easier to look at an example I guess.
If you can scan it when you get home and send me a link, I'll have a
look!
Cheers,
Ralph
Tim Litwiller wrote:
Ok,
I've been working on this piece, it is set in 4/4 time and rather than
start as I think it should with a whole measure it places a 1/4 note and
then the first bar. That throws the bars off for the whole song.
here is a scan of the music I am working from
http://www.litwiller.net/images/powerin
Valentin Villenave wrote:
2007/9/8, Tim Litwiller <[EMAIL PROTECTED]>:
I've been working on this piece, it is set in 4/4 time and rather than
start as I think it should with a whole measure it places a 1/4 note and
then the first bar. That throws the bars off for the whole song.
self explanatory to me.
Ralph Little wrote:
Hi Tim,
There are two snippets following.
The first is a bit of your "power" example with the lyrics spacing issue.
You can use the same techniques as before but introduce another
DevNull voice with one of the bottom parts which moves wi
1 - 100 of 937 matches
Mail list logo
