nd to make it "behave" or position itself like a fingering instruction?
Regards,
Morten
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\stuff
>>
\layout {
\context {
\Staff
}
}
}
*
thanks
Morten
<<
\new Staff
\stuff
>>
\layout {
\context {
\Staff
}
}
}
*
thanks
Morten
Now with image attached :/
Thank you all ... I learned a lot fromt your answers Now I just have to
implement a solution.
Greetings
Morten
Lukas-Fabian Moser skrev den 2024-05-11 16:32:
Here’s one approach:
%%% SNIPPET BEGINS
\version "2.25.11"
esp = \markup \lower #1 \scale #'(1.375 . 1) \musicglyph
ocal-music
The Lyrics should be associated with a "Voice":
\new Staff {
\new Voice = "melodyVoice" {\melody}
}
\new Lyrics \lyricsto "melodyVoice" \text
Furthermore you should indicate with a "--" where the words in the
lyrics should be broken, when they spa
?
I've attached a small example.
Regards,
Morten
\version "2.10.33"
\header {
title = "Test"
}
global = {
\clef "G_8"
\key c \major
\time 4/4
\tempo 4=60
}
melody = \relative a {
a8 g b a g b
}
tmelody = {\transpose a c' \melody}
tg
le.ly}
command for music inclusion. - I couldn't find anything under the
lilypond-book documentation.
Thanks,
Morten
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Is it possible to connect the bar lines of different staffs on the very
end of a piece using ChoirStaff?
Regards,
Morten
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used
when going to a new line.
Regards,
Morten
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ot figure out how to change the clef symbols. I just need to
change the symbols to something ancient looking. It shouldn't be a
direct clef change, I would like the notes to stay on the same lines in
the staff, as if it was still a G- or F-clef.
Can this be done in some cle
e documents. Since they
all include the same file, I hoped for a way to globally change the look
of the clefs.
Maybe it's clear from that section as well, but then I just don't get
it... Sorry!
Morten
Mats Bengtsson wrote:
See the section on "Ancient clefs" in the manua
low A. Here is a minimal example of what I get:
http://www.lemvigh.org/test.png
And here is what I wrote to get it:
http://www.lemvigh.org/test.ly
What should I do in order to get the lyrics to stay between T and B?
Thanks,
Morten
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occurs,
when the lyrics of one part covers all notes off that part, then the
next part, and the rest of the piece is not printed. If I uncomment the
lyrics or delete the last word, there is no problem...???
Morten
Mats Bengtsson wrote:
Your line
\context Lyrics = C \lyricsto tenorVerse
yrics, there is no problem.
Here is what I get (with and without the last word in the lyrics):
http://www.lemvigh.org/test2a.png
http://www.lemvigh.org/test2b.png
and here is the source:
http://www.lemvigh.org/test2.ly
/Morten
Mats Bengtsson wrote:
Your line
\context Lyrics = C \lyricsto tenor
Is there an easy way to produce a MIDI file per voice? Or should I do it
with several runs of Lilypond, commenting the other voiced out?
Regards,
Morten
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If anyone could give me a hint, as to where I should start looking for
the problem, I would be very thankfull!
/Morten
And now the errorMsg:
Reading bog.lytex...
Running latex...Traceback (most recent call last):
File "C:\Programmer\LilyPond\usr\bin\lilypond-book.py", line 1762, in ?
d the 2nd is special.
Is that possible to do???
Thanks in advance
Morten Lemvigh
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How do I print German chord names with \germanChords but keep the
standard notation for the base note, so I get fx A7/c# instead of A7/cis???
Thanks,
Morten
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width. But if I set line-width in the
layout block in the .ly-file, then it works nicely.
I would like the scaling to take place in the latex document, so if
anyone could tell me, why it works in the one place but not in the
other, I would be thankful!
Best
f Lilypond.
regards,
Morten
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You might want to contact Wilco van den Tol.
As far as I remember he worked out a project like this a few years ago.
Greetings
Morten
Christ van Willegen skrev:
...although we all are in 'the real world' (or at least think we are :-) )
Recently, I was attending a speech by
llowing:
chordNames = \chordmode {
... g2. | g fis e | b2.:7 | ...
}
And I include it in the peace using:
\new FretBoards { \chordNames }
\new ChordNames { \chordNames }
Thanks on beforehand!
Morten
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h
w
skipped words in a couple of voices it quickly becomes unmanageable.
Alternatively I could have complete copies of each verse for each voice,
but making corrections to that is not very attractive.
Any ideas for a better approach are highly appreciated.
Best regards,
Morten
s confusing the relative
function. There are clearly some fundamentals regarding generating music
from functions that I have missed.
If someone could help shed some light on why I get the output I do, it
would be highly appreciated.
Best regards,
Morten
e you taking the time to help me
understand and explain these details.
Best regards,
Morten
On Thu, Feb 22, 2024 at 11:38 PM Jean Abou Samra wrote:
> Hi Morten,
>
> Le jeudi 22 février 2024 à 23:00 +0100, Morten Lemvigh a écrit :
> > \version "2.24.1"
> >
> > d
ousMusic. I would like to use Lilypond
code blocks where I think it is clearer than the Scheme counterpart.
Is there something obvious I am doing wrong, or am I perhaps completely off
on this approach...?
Best regards,
Morten
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Hi,
Thank you for your answer - seems so much good is coming :-). Lilypond is
just amazing!
- and also a lesson to myself about checking renames in example code :-)
Best regards,
Morten
On Sun, Mar 12, 2017 at 11:30 PM, Thomas Morley
wrote:
> 2017-03-12 22:46 GMT+01:00 Morten Lemv
-music-function
(parser location)
()
#{ \book { .. } #})
but that gives me an error:
music function cannot return #
Is there some way to dynamically create book blocks?
Thanks,
Morten
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https
t; pops up everywhere. The
only thing I found was a function to search by name: extract-named-music.
Best regards,
Morten
follow the rhythmic pattern, but I would like to avoid typing the
music in twice.
Best regards,
Morten
ample that reproduces the issue. It is
pasted below.
So the question is: what have I misunderstood? :-)
Best regards,
Morten
\version "2.24.2"
choirScore = \score {
\new Staff {
\relative c' {
\repeat volta 2 {
c d e f
}
Hi Hans,
Thank you for the pointer - that sounds a lot like what I am trying to
achieve. I will certainly take a closer look at that.
Best regards,
Morten
On Mon, Sep 9, 2024 at 11:49 PM Hans Aikema wrote:
>
>
> On 9 Sep 2024, at 23:10, Morten Lemvigh wrote:
>
> Hi,
>
&g
deducing if a
function is intended to be called directly or is only an internal utility
function?
Best regards,
Morten
On Mon, Sep 9, 2024 at 11:28 PM David Kastrup wrote:
> Morten Lemvigh writes:
>
> > So the question is: what have I misunderstood? :-)
> >
> >
Graham Percival skrev:
I haven't been a doc writer for a year; I'm a doc manager. And
today I'm doing nothing but giving my thesis presentation every
hour in preparation for tomorrow's defense, which gives me 30-40
minutes to write emails. If a one-hour email now saves the doc
team 15 minutes p
gt;
\paper {
\context {
% a little smaller so lyrics can be closer to the staff.
\StaffContext
minimumVerticalExtent = #'(-3 . 3)
}
}
}
thks
Morten Borchorst
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cmbxti8 not found
and the resulting .pdf lacks all the heads in the music.
Does anybody know where the error is, and what i can do to correct it?
Greetings
Morten Borchorst
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Graham Percival wrote:
On 11-Feb-05, at 4:44 PM, eva & Morten Borchorst wrote:
running LP (2.2.6) gives a very satisfying result.
When running LP-book everything seems to go smoothly except when
converting the .dvi to .pdf (dvipdf).
I get the following messages:
There's some problem
Graham Percival wrote:
On 12-Feb-05, at 3:24 PM, eva & Morten Borchorst wrote:
Graham Percival wrote:
On 11-Feb-05, at 4:44 PM, eva & Morten Borchorst wrote:
running LP (2.2.6) gives a very satisfying result.
When running LP-book everything seems to go smoothly except when
converting the
Hi all
Im writing a small sceme function to be able to create examples of
guitar fingerings
for various scales.
basically i create a music function "fretsc" to be called for example as
\fretsc "(6 1) (6 3) (5 0)"to indicate the position and sequence of
notes in a scale.
However I get a
ale.
However I get an "unknown escape string" for \fret while compiling.
Anyone have an idea what Im doing wrong?
Here is the example code if you comment out the last line you can see
the kind of fret diagram I am
working on.
Best regards
Morten Jagd Christensen
\version &qu
x27;(1 5 8)) which should produce a black dot on c, a white
dot on ees and a
black dot on g (for a C major chord).
I suspect that somehow only the last empty-stencil is returned but have
been unable
to solve my problem.
Does anyone have a suggestion how to solve this?
Best regards
Morten (new
my code to the snippet repository any way, so
hopefully
others can benefit from your help too.
Cheers
/Morten
On 18/1/12 2:55 AM, Carl Sorensen wrote:
On 1/17/12 2:30 PM, "Morten Jagd Christensen" wrote:
Hello all
I'm trying to make a scheme function that generates a keyb
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