Federico Bruni-5 wrote:
>
> Il 23/10/2011 23:33, -Eluze ha scritto:
>> there are those 3 engravers:
>>
>> Grace_beam_engraver
>> Grace_engraver
>> Grace_spacing_engraver
>>
>> maybe removing them could help?
> thanks for the tip
> unfort
David Kastrup wrote:
>
> -Eluze writes:
>
>> Federico Bruni-5 wrote:
>>>
>
> systemgrace = #grace
> grace = #(define-music-function (parser location m)
> #{ \tag #'grace \systemgrace $m #})
>
> Then define your music in \mymusic
>
why should this not work - see attached example
http://old.nabble.com/file/p32749083/test.ly test.ly
but i don't think headers inside markup scores will render.
Eluze
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'1 d1
> }
> }
>
> Instead of c'1 d1, only two empty bars appear.
>
use associatedVoice instead of \lyricsto
\new Staff {
\new Voice = "melody" \relative {
a'1
<<
\context Voice = "melody" b
\context Lyrics = &q
\new Voice = "sungB" { \sungmelodyTwo }
\new Voice = "unsung" { \unsungmelodyC }
\new Voice = "sungC" { \sungmelodyThree }
}
\context Lyrics = "A" \lyricsto "sungA" \wordsA
\context Lyrics = "A" \lyric
hi Bill
I will have to do more to get the idea of 'contexts' firmly placed in my
head! :)
don't try to hard with this 'buggy' context!
Still no obvious reason why barcheck numbers are so unusual...
can't see wh
have a look at 'Vertically aligning ossias and lyrics' in
http://lilypond.org/doc/v2.15/Documentation/notation/modifying-single-staves#ossia-staves
Eluze
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hi
steve downes wrote:
>
>
>> To get rid of all except piano staffs which only contain Whole
>> Measure Rests, use:
>>
>> \layout {
>> \context {
>>\RemoveEmptyStaffContext
>>\override VerticalAxisGroup #'remove-first = ##t
>> }
>> }
>
> Thanks for your very prompt reply. I had alre
- think one or two days a week would fit!
unfortunately my laptop had its last day last night and i'll have to find a
solution (which might take a few days)
btw, i couldn't find the mail address of Phil!
Eluze
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atter - as long as you don't want me to get up at 6
o'clock in the morning. if it's ok for you, don't schedule me for weekends.
Eluze
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Sent from the Gnu
et je crains que ça va durer.
je reviendrai dans queleques jours!
cordialement
Eluze
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tion/notation-big-page#other
hth
Eluze
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the markup:
>
since you use a \markup you can override the TextScript property:
\relative c'' {
\override TextScript #'font-name = #'"Arial Black"
8 ^\markup { \finger "2020" }
}
Eluze
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am Files
(x86)/LilyPond/usr/share/lilypond/current/scm/lily.scm:709:3: In procedure
scm_i_lreadparen in expression (eval-string (ly:command-line-code)):
C:/Program Files
(x86)/LilyPond/usr/share/lilypond/current/scm/lily.scm:709:3: #:1:25: end of file
what's wrong?
Eluze
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ply fill two pages or more should have this set to true. It also
affects the last page of book parts, i.e. parts of a book created with
\bookpart blocks."
Eluze
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lt;<
\new PianoStaff {
<<
\context Staff = rightOne {
\context Voice = rightOne \music
}
\context Staff = leftOne {
\context Voice = leftOne \music
}
>>
}
\context Staff = unten {
\context Voice = pedalOne \music
}
care. I am only concerned about the end result.
>
if you include the code of http://lsr.dsi.unimi.it/LSR/Item?u=1&id=768 you
can simply write
{
\addFingering #"2 '3|4'"
}
Eluze
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Jiri Zurek (Prague) wrote:
>
> Hello, I am getting PDF files as an output from Lilypond. However, I would
> need postscript *.ps files instead (but NOT eps files). How do I achieve
> getting .ps files as output, please?
>
simply
lilypond --ps test1.ly
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mple you could define showLastLength = R1*1
the purpose of these functions is just to limit the compilation time when
entering music - it will never claim a correct output considering all the
(possibly sophisticated) skipped music!
Eluze
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Damian leGassick wrote:
>
>
>
> I appreciate the fact that it was designed to save time when entering
> data, but I'm still curious as why even my minimal examples don't work
> properly.
>
> I have a five hundred bar full orchestral score and I need to typeset just
> bars 111-116 (and about
hopefully someone in dev will find some time to look at this again soon
> if any of the e-naturals are tied, a tie gets printed between the first 2
> d-naturals
>
i just posted a bug-report:
https://code.google.com/p/lilypond/issues/detail?id=2120&colspec=ID%20Type%20Status%20Stars%
acing (other
> than manually setting staff-staff-spacing and staffgroup-staff-spacing
> on the StaffGrouper to the same values)?
>
i'm not certain about the use of topLevelAlignment and its location (should
it only be used in a \Score context? at least there it doesn't hang)
a
Federico Bruni-5 wrote:
>
> Il 21/12/2011 18:55, AB ha scritto:
>> Federico Bruni gmail.com> writes:
>>
>>>
>>> I'd like to create a mailing list for italian users.
>>> Which hosting do you recommend? Googlegroups or gnu.org?
>>>
>>
>> Hi Federico, it's a good idea.
>> Do you have some news?
>
ne-music-function (parser location) ()
(if (eqv? #t (ly:get-option 'var))
#{ \override Slur #'transparent = ##t #}
#{ #})
)
test = {
\slurSwitch
c2 ( d )
}
\score { \test }
i'd appreciate scheme experts to confirm this is how to use this option or
to pro
lily-user wrote:
>
> Newbie question,
> How do I make the "Flute" instrument name appear like the one in the image
> i.e., along with the 1 2 player information, with the correct alignment.
> Thanks.
>
> http://old.nabble.com/file/p33030134/markup.jpg
>
\new Staff \with {
instrumen
gajatko wrote:
>
>
> Hello,
>
> I would like to skip a given duration in a list of chords. For example, I
> have notes:
> c''2 bes'2 c''1 e''2 d''2 e''1
> and want to have chords displayed for these notes:
> C (skip a chord for bes) Em C D C
> My application, which uses LilyPond for d
hi Marc
i think *no* has a special meaning here: it puts the default value to
the opposite!
in your case you define a variable *slur* with #f - and there is no
variable *no-slur*.
so probably using another name for your variable will get the correct
result.
hth
Eluze
Am 24.12.2011 09:13
;2" }
}
}
{c d e f}
\new Staff \with {
instrumentName = \markup
\override #'(line-width . 8)
\fill-line { "Piccolo" \null }
}
{c d e f}
>>
hth
Eluze
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Nicolas Sceaux wrote:
>
>
> $ lilypond -dwithout-slur toto.ly
> GNU LilyPond 2.15.20
> Avertissement : option interne inconnue : without-slur
> Traitement de « toto.ly »
> Analyse...
> without-slur option: #t
> Success: compilation successfully completed
>
> You will have a warning for each un
ll than
> having the full line width. This way, \fill-line will work as expected.
>
thanks for this function!
> This should be the default, imho.
>
i fully agree!
will you put it into LSR in the meantime or shall we raise a new issue!?
Eluze
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}
> >>
>
> \layout {
> \context {
> \GrandStaff
> \accepts "Lyrics"
> }
> \context {
> \Score
> \remove "Bar_number_engraver"
> }
> \context {
> \Lyrics
> \consists &quo
#automatic-part-combining
and scrolling down a few pages we get to
Known issues and warnings
All \partcombine... functions can only accept two voices and are not
designed to work with lyrics such that when one of the voices is explicitly
named in order to attach lyrics to it,
the partcombiner w
\upperbottom }
\new Lyrics \mytext
>>
\new Staff = "lower" <<
\new Voice = "lowpart1" { \voiceOne \uppertop }
\new Voice = "lowpart2" { \voiceTwo \upperbottom }
>>
>>
i think there are more examples about polyphonic notation in
Phil Holmes wrote:
>
> Thanks to Ralph, Marek and Eluze for volunteering to help with the Bug
> Squad. Based on their input, I believe this is a workable schedule.
>
> Monday:Ralph
> Tuesday:Eluze
> Wednesday: Brett
> Thursday: Ralph
> Friday:
Graham Percival-3 wrote:
>
> On Mon, Jan 02, 2012 at 03:15:45PM -, Phil Holmes wrote:
>> - Original Message ----- From: "-Eluze"
>> To:
>> Sent: Monday, January 02, 2012 2:50 PM
>> Subject: Re: Bug squad - updated list
>
>> >i beli
Sebastian Canagaratna wrote:
>
> Hello:
>
> I've been trying to set the music to In the bleak mid-winter by Harold
> Drake
> ( 100 Carols for Choirs ) and I have the following problem:
>
> The first verse is accompaniment and Soprano, 2nd Verse is SATB and third
> verse is Tenor solo followe
\oneVoice!
hth
Eluze
Helge Kruse-2 wrote:
>
> Hello,
>
> corresponding to the NR 2.2.1, page 285 "Changing staff automatically" I
> have to add the \autochange before the \relative. I wrote four measures of
> the pieces and add the \autochange. But this breaks it comp
tal
> brackets? (I'd like to place them below the staff.)
>
> \version "2.15.23" % on Mac OS X
> { \[ c''2 c''2 \] }
>
>
hi
\override LigatureBracket #' direction = #DOWN
hth
Eluze
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t this, but I have not been able
> to understand the problem after hours of trying - clearly it relates to
> starting with the acciaccaturas, but I have not found a solution.
>
>
known bug!
a solution is to add an ornament to the staves which have none, too:
bassPart = \relative
{ $(mmrest-of-length cnotes) }
>
> \score{
> <<
> \new Staff \cnotes
> \new Staff \mnotes
> \new Staff \snotes
> >>
> }
>
- why do you specify \cadenzaOn and -off?
- how would you write a multi measure rest corresponding to 5 eighths in the
other
Paul Scott-4 wrote:
>
> On 01/15/2012 02:08 PM, -Eluze wrote:
>>
>> Paul Scott-4 wrote:
>>> Hi,
>>>
>>> Can someone tell me why skip-of-length work in this example
>>> but mmrest-of-length doesn't?
>>>
>>> cnotes = \
measures" in the "cadenza staff".
Eluze
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ornello wrote:
>
> Simple question but I did not find it in the forum:
> Is it possible to let LilyPond automatically wrap instrument names and
> markups that do not fit on the page (see following example)?
>
> {
> \new Staff {
> \set Staff.instrumentName = "long instrument name"
> c1 c1 c
strument names? Can I write an instrument name as a markup?
>
here is a solution for this:
http://old.nabble.com/Re%3A-instrument-name-or-%5Cmarkup-question-p33036513.html
hth
Eluze
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Se
;
without your code it seems difficult to see what happens!
have you read the chapter about common errors
http://lilypond.org/doc/v2.15/Documentation/usage-big-page#an-extra-staff-appears?
Eluze
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;
without your code it seems difficult to see what happens!
have you read the chapter about common errors
http://lilypond.org/doc/v2.15/Documentation/usage-big-page#an-extra-staff-appears?
Eluze
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Thomas-292 wrote:
>
> Hello,
>
> In any LilyPond score, I always find the top margins to look abnormally
> small.
> I have tried to set top-margin, but for some reason, it is ignored.
>
>
> \paper {
> top-margin = 5\cm
> annotate-spacing = ##t
> #(set-paper-size "letter")
Matie Holtzhausen wrote:
>
>
> Is there a way I can repeat stanza numbers in every system like above, if
> I
> don't know where it is going to break?
>
>
there is
\set Staff.vocalName
\set Staff.shortVocalName
similar to instrumentName
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Phil Holmes-2 wrote:
>
> - Original Message -
> From: "Nils"
> To: "Lilypond-User"
> Sent: Friday, January 27, 2012 5:17 PM
> Subject: Switching lyrics to italic in the same syllabe
>
>
>> Questions over Questions:
>>
>> I have lyrics here which need switching to italics during a sy
Frédéric Bron wrote:
>
> Is it possible that \displayLilyMusic outputs note names in a
> different language?
>
>
yes it is - see http://lsr.dsi.unimi.it/LSR/Item?id=638
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t)
>> n'est associé à aucun programme."
>>
>> Que faut-il faire pour corriger cela selon vous? Avec les notes ça
>> marche, mais le chordmode le perturbe...
>>
>
hello
you are on an English speaking list and the chance to get an answer in your
langua
{r8 cymr4->^\sfz ~
> } cymr8. cymr16 |
> }
> }
> \midi {}
> \layout {}
> }
>
>
using explicitly \new DrumVoice without \\ and a simple minimal example
will bring the sound back in all voices!
Eluze
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, and it will probably crash and be down at times. I've only
> tested it in Chrome 15 and Firefox 9. It should work in Internet Explorer
> 9 or 10, but will almost certainly not work in IE8 or earlier.
> Let me know how it works for you!
>
nice on firefox - thanks!
does not work wi
-Eluze wrote:
>
>
> does not work with opera 11.61 on windows(7), though
>
> Eluze
>
now it seems to work on Opera but a bit buggish: code starts only at col
~80, after inserting a newline line numbers moved to the right (see attached
file).
would be nice if these litt
a dangling hyphen, which lilypond
> removes
> automatically.
> Is there a workaround to restore the hyphen?
>
a lousy trick is to take out the last note of the melisma
g g r4 g,32 \melisma a b c d e f \melismaEnd g
and add an empty \markup to it:
Un -- \markup \null
hth
El
#x27;ll wait a while to see if somebody
know a way, and will add a an enhancement request if needed.
Eluze
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> \tempo "Fast" 4 = 120
> c
> }
>
I'm not sure what kind of alignment you mean - maybe the snippet
http://lsr.dsi.unimi.it/LSR/Item?id=575
http://lsr.dsi.unimi.it/LSR/Item?id=575 can give you some ideas!?
Eluze
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I have to synchronize it even in the middle of a
> score?
>
may I ask which solution you found (can you post the "corrected" code of
your example) - the bug is well known but the question is always: what's the
best (or easiest) workaround (if there is any).
I'm just
gt; parts. If I switch on all the headers, I get the instrument name
> everywhere, and if I turn them off, I get no titles or subtitles. Can
> anybody help?
>
>
you can customize the layout with
http://lilypond.org/doc/v2.15/Documentation/notation-
My search
> didn't reveal anything.
>
>
I couldn't find a detailed documentation.
I never have used this before, but I stumbled over customizing the
oddFooterMarkup when trying to include score variables (book variables seem
to work).
if I don't succeed soon I'll file a
ed to top-level \header text fields - I wonder why!?
should a enhancement request for this be added? (as I said above I never
used this feature before)
Eluze
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Sent
kup always shows the
instrument defined in the books' header and not that of the score.
can this be achieved?
Eluze
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harm6 wrote:
>
>
>
> playing around with titling-init.ly I come up with :
> …
>
hi Harm
this will also not reflect the score's header on the page header line
specially when you have more than one score per bookpart!
thanks
Eluze
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pond code:
>
ther is this include which hinders a compilation:
\include "d:/lily_pond/include_number-notehead_smaller.ly"
hth
Eluze
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all measures have the same lenght—the bar
>> lines
>> should be set automatically. How can I get custom styled automatic bar
>> lines?
>
> Just use the overrides in the above definition, but without \once ?
>
>
newer versions use \override Staff.BarLine #'bar-exten
-tete-td7278793.html#a7281916
Eluze
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Markus W. Kropp wrote:
>
> can lilypond handle the midi event "FF 21 01 pp" (midi-ports / buss)? in
> combination with \set midiInstrument or \set midiChannelMapping or
> something like
> this?
>
>
what for? do you mean when inputting (midi2ly.py) or creating m
7;re doing or trying to achieve - what you expect LilyPond to do.
Eluze
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__
later that you
have learned something. if you had known before you wouldn't have learned.
but I'm concerned about the situation:
LilyPond's standard headers/footers seem not to cover the possibilities of
the snippet mentioned - should this become the standard?
thanks for furt
;
> \bar "|."
> } % relative
> >>
> } % score
>
>
with the << … >> construct you are defining a group of simultaneous events
(staves) and this context defines the BarLine appearance:
using \new StaffGroup will join the barlines of the differ
what you mean with This won't work …
you can add a separate "ghost Voice" where your cadenza is clearly defined:
\new Staff <<
\new Voice { your music }
\new Voice = "cadenza" {
s1
\cadenzaOn
s8 *5
\cadenzaOff
s1 |
\bar "
p://lilypond.org/doc/v2.15/Documentation/notation-big-page#upbeats and
re-ask if this is not clear
hth
Eluze
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maybe I wasn't clear enough - unless you want to guess what kind of group is
implicitly created you can define it yourself:
\new StaffGroup << or \new PianoStaff <<
Eluze
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\new Staff {
\override Staff.TimeSignature #'stencil = ##f
\clef bass
1\fermata
}
>>
\bar "|."
} % relative
Eluze
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lilypond-7 wrote:
>
> On Sat, Feb 25, 2012 at 11:55:24PM -0800, -Eluze wrote:
>>
>> the simultaneity signs in the StaffGroup are missing - try this:
>>
>> \new StaffGroup <<
>> \relative c' {
>> e1
>> e1
&
ilyMusic
\mus
in the log you then will find this code:
{
58'1 |
59' |
60' |
61' |
62' |
}
now I have no idea about how to do it the other way round, i.e. how to tell
LilyPond to read these numbers as pitches.
Eluze
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xtra measure makes it larger. if the
result isn't satisfying yet you can also play around with extra-offset.
hth
Eluze
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ature
) )
\clef bass
\key a \major
c,1
c
}
the output is ugly - what's wrong?
http://old.nabble.com/file/p33410371/test4.preview.png
thanks
Eluze
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Sent from the Gnu -
harm6 wrote:
>
> Hi Eluze,
>
> 2012/2/28 -Eluze :
>>
>>
>> David Nalesnik-2 wrote:
>
>>> You can do an override of Score.BreakAlignment #'break-align-orders and
>>> get
>>> the result you want.
>>>
>>> (See
&
orian chant
>>
> \mark \markup "*" !?
>
>
>> 5. Is possible place some character (or markup) to end of each
>> (or some) verse so that it is aligned uniformly - similarly as stanza
>> (but only at the end)?
>>
> I don't
please always reply to all so others can participate, learn or help!
> Dne 4.3.2012 22:29, -Eluze napsal(a):
>>> Hello,
>>> now I looking for solution of several other problems:
>>> 1. is there a way to insert markup into the stanza?
>>> som
{
<<
\new Voice = mel { \mus }
\new Lyrics \with { stanza = \markup \italic \small "it works!" }
\lyricsto mel \lyr
>>
}
hth
Eluze
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resolution
and how voices should be arranged.
hth
Eluze
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lilypond-user
rade to the latest unstable version.
and I also suggest to send minimal snippets where everything not needed to
show the effect that leads to complaints is omitted.
thanks
Eluze
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I'm stuck
> with no idea how to insert one in the middle of a system. Does anybody
> reading this happen to know the secret ingredient?
>
I don't think I've ever seen a systemStartBracket not at the beginning of a
score or a line - wondering if somebody finds a solution, t
scores, for example). Could you
> please give me an advice on how to achieve this?
>
>
> Any help is highly appreciated,
>
>
I can't really imagine what this should look like - can you provide an
excerpt or scan of this!?
thanks
Eluze
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ion, though!
>
>
> some month ago I created the attached workaround.
>
hi Harm
congrats - now I wonder if (hope that) you're gonna put it in the LSR!?
Eluze
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d notehead). Of course, I could do whatever I wanted with markup
> graphics, however, if possible, I'd like to solve this without markups.
>
>
>
did you try
\override Glissando #'thickness = #8
hth
Eluze
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; of the
> last "bla" sticks out completely on the right.
>
hi
I think the paper-width is very short, too - is that your intention? did you
mean \cm
regards
Eluze
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Peter O'Doherty-2 wrote:
>
> Hi,
> Another question concerning tuplets:
>
> \remove "Forbid_line_break_engraver"
> \override Beam #'breakable = ##t
>
> only seem to work with a single stave.
>
no, they are alive in the \Voice environment!
ht
> off-staff.
> Should I post another example with bigger paper & longer music? How can I
> share
> a print-out to show it looks at my end?
> Thanks!
> Zsolt
>
>
>
I'm not familiar with this music, but does
\override LyricHyphen #'minimum-distance =
% without this line, an error occurs?
> <<
> { a1 }
> { s2\upbow s2\downbow }
> >>
> }
>
if I understand the problem correctly this should to it:
\override Script #'staff-padding = #2.0
see also Vertically aligned dynamics and textscripts in NR
hth
Eluze
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V
n sn4 bd
}
\new Staff \with {
\remove Clef_engraver
\remove Time_signature_engraver
}
\relative {
\stopStaff s4*4
\startStaff
c8 d8 e8 f8 g4 c4
}
>>
}
hth
Eluze
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lilypond-user
y spaced and then the third
> measure back to more closely spaced?
>
yes, see eg.
\set Timing.proportionalNotationDuration = #(ly:make-moment 1 32)
and
\unset Timing.proportionalNotationDuration
to return
in NR 4.5.5 Proportional notation
http://lilypond.org/doc/v2.14/Documentation/notation
Jeffrey Trevino wrote:
>
> Just a quick question -- I'm making a glissando that goes across several
> unstemmed noteheads; I need to move any rhythmic dots down, so that the
> glissando doesn't obscure them. What's the proper override for this?
>
>
use \do
#'Y-offset = #2.85
where 2.85 was just working for my individual test.
hth
Eluze
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Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.
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please always reply to the list!
Just a quick question -- I'm making a glissando that goes across several
unstemmed noteheads; I need to move any rhythmic dots down, so that the
glissando doesn't obscure them. What's the proper override for this?
Eluze wrote:
>
> use \d
quot;b" { s1| a'2 g' s1| a'2 g' }
\new Lyrics <<
\lyricsto "a" \lyricmode { may -- be sec -- ond }
\lyricsto "b" \lyricmode { that the words are }
>>
>>
Eluze
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V
Jakub Pavlík wrote:
>
> Hi,
>
> having a file with multiple \bookparts (each of them contains multiple
> \scores), LilyPond puts score title and author name at the top of the
> first
> page of each bookpart by default.
> I would love to have these two fields only on the very first page of the
>
Reedmace Star wrote:
>
>
> The layout overrides may still be useful for scores where there is
> occasional small overlap between the voices, though.
>
>
I wonder how this would look like!
cheers
Eluze
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