-style 'modern)
Or somewhere else where they are not repeated?
Thanks,
Dan
\version "2.12.0" % necessary for upgrading to future LilyPond versions.
\paper {
indent = 0\cm
#(set-paper-size "letter")
}
\header{
title = &
o a \Score \Context?
\set fingeringOrientations = #'(down)
#(set-accidental-style 'modern)
Or somewhere else where they are not repeated?
Thanks,
Dan
\version "2.12.0" % necessary for upgrading to future LilyPond versions.
\paper {
pace-between-systems. But if I use this, can you
show me how to isolate this first page in a \bookpart, so that I can use
the defaults for the rest of the book?
Thanks, - Dan
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Hi, I have assembled the piano score part for a violin, cello, piano trio
arrangement, and I was wondering if there is a way to shrink the
violin and cello staffs on the score so that they aren't as big as the piano
part (to increase visibility and overall space). thanks!
Dan Pi
writes:
> it is only after a long search that I found an easy way to repeat a part of a
> melody
> - with an upbeat
> - ending before the end of a measure
> - having different durations in the alternatives
> - without producing warnings in the log
>
> \version "2.11.49"
> {
> \repeat volta
Dan Eble faithful.be> writes:
> Try using the following "\measure" function instead of "\partial 4" in
> your example. It should be used in the same place, at the beginning of
> the second alternative, otherwise it will cause problems if you ever
> unfol
llows. If what I am asking for is currently impossible, I could
try to be content with a way to allow a line break other than \bar "".
Thanks in advance.
--
Dan
\version "2.11.52"
sampleNotes = \relative c'
{
\partial 2
e e | c c c c | e2 \bar "
Johan Vromans squirrel.nl> writes:
>
> Hi,
>
> In a template file I want to check if a particular identifier has been
> defined, and act accordingly.
These two functions should help. (Suggestions for improvement would be
appreciated.) You will either need to define your optional music to be
David Pounder lineone.net> writes:
>
> I would probably try using \tag round the \bar commands and \removeWithTag for
the volta-repeated section.
>
Well, it gets the job done (thanks for that), but it's less elegant than I was
hoping for. For one thing, I don't want to have to remove those b
Dan Eble faithful.be> writes:
>
> David Pounder lineone.net> writes:
>
> >
> > I would probably try using \tag round the \bar commands and
> > \removeWithTag for the volta-repeated section.
> >
>
> Well, it gets the job done (thanks for that),
Johan Vromans squirrel.nl> writes:
>
> Dan Eble faithful.be> writes:
>
> > These two functions should help.
>
> Thanks! I can use this.
>
> > You will either need to define your optional music to be empty when
> > it is not required, as in this ex
install?
And finally, if you can tell me how to specify the lyric font name for the
whole document in one go that would be great!
Lots of questions, I know, but I am a newbie and Lilypond could be the last
link that allows me to dump WIndows
ll?
And finally, if you can tell me how to specify the lyric font name for the
whole document in one go that would be great!
Lots of questions, I know, but I am a newbie and Lilypond could be the last
link that allows me to dump WIndows and move to Ubuntu.
Thanks,
Dan Soper
e two *.py files, it seems to be
working, but it is a bit irritating to have to resort to that.
Thanks,
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there any way to make it possible ?
>
> Some ugly example at : http://dadgad.org/grille-blues-page1.png
>
I normally use \set TabStaff.minimumFret = #x where x is the lowest
fret number you want. That normally has about the right effect.
Dan Bowtell
--
"Never suck, generally" - John
advice you can give me.
Dan
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On Friday 16 Jul 2004 23:37, Carl D. Sorensen wrote:
> I tried to duplicate your problem to see if I could find what was wrong,
> but your lilypond files aren't there.
>
> Perhaps you could post a link to a .tar or .zip file that included all
> the lilypond files?
>
> Carl Sorensen
I solved the pr
t
\override TabStaff.Stem #'transparent = ##t
Dan Bowtell
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ll?
And finally, if you can tell me how to specify the lyric font name for the
whole document in one go that would be great!
Lots of questions, I know, but I am a newbie and Lilypond could be the last
link that allows me to dump WIndows and move to Ubuntu.
Thanks,
Dan Soper
nt line.
Thanks for any suggestions,
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ional, but not
exactly what I want.
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On 2 Sep 2009, at 09:17, Trevor Daniels wrote:
Mats Bengtsson wrote Wednesday, September 02, 2009 1:38 PM
Trevor Daniels wrote:
Does this not work when inserted immediately before
the first full bar on the line? (I haven't actually
tried it)
Here are the first few measures of a guitar part in a tune I'm working on:
(Each line represents a measure)
\version "2.12.2"
\header
{
title = "Percussion Song"
composer = "Dan Florio"
}
Guitar = \relative c'
{
<< e1 g d'
t;Ambitus_engraver"
}
\context
{
\SoloVoice
\name UpperVoice
\alias Voice
%% @todo 2.12.2 is crashing with a bus error in ambitus engraving
% \consists "Ambitus_engraver"
}
\context
{
\SoloVoice
\name LowerVoice
\alias Voice
%% @todo 2.12.2 is crashing with a bus
ible
begin-of-line-visible
)))
(ly:context-pushpop-property ctx 'BarNumber 'break-visibility
bar-number-break-visibility-callback)))
(set! (ly:music-property musForCtx 'procedure) set-callback)
(c
On 2009-09-09, at 08:59 , Kieren MacMillan wrote:
Hi Dan, Neil, et al.:
Does the following help?
SoloVoice is a kind of Voice. UpperVoice and LowerVoice are kinds
of SoloVoice.
That's [relatively] self-evident. What isn't crystal clear — either
in my mind, or (IMO) in the doc
\Staff
\name Voice
} }
\relative c' { c }
I'm not sure what it's doing, but it is taking a long time. :-)
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.
Is this a case where attaching an arpeggio to a chord with ^ or _ should make a
difference, or do I misunderstand the point of those characters?
—
Dan
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t and it looks like the situation
hasn't been addressed yet. I think this could help new users if all the
fundamentals are all right there, easy to find.
Thanks for the great program, Dan W.
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I have a hymnal in which many songs have time signatures with symbols
"cc" and "¢¢" [doubled cut-time symbol]. I can't find any information on
these online. Does anyone know what they actually mean? Were they
common historically, or is this hymnal just using them ad hoc?
My hypothesis based on
On Sep 26, 2014, at 08:20 , Simon Albrecht wrote:
> Am 26.09.2014 um 04:10 schrieb Dan Eble:
>> I have a hymnal in which many songs have time signatures with symbols
>> "cc" and "¢¢" [doubled cut-time symbol]. I can't find any information on
>> thes
Does anyone know how to reduce the spacing between glyphs in these
custom time signatures? I’ve tried overriding word-space. I’ve tried
\translate. Neither had the desired effect. Thanks.
--
Dan
\version "2.18.0"
timeTwoOne = {
\once \override Staff.TimeSignature.stencil =
> On Oct 18, 2014, at 14:48 , Kieren MacMillan
> wrote:
>
>> Does anyone know how to reduce the spacing between glyphs in these
>> custom time signatures?
>
> #{ \markup \concat { \musicglyph #"timesig.C22" \musicglyph
> #"timesig.C22" } #}))
> Hope this helps!
Lovely! Thank you! And wi
Hi,
I am writing a piece with a rythmic staff under a melodic staff. I'd like
that the rhythmic pattern (one bar) repeats itself automatically, enough
times in order to fit the length of the piece (as determined by the melodic
staff)
Thanks a lot for your help !
f you enjoy undoing hours worth of work as much as doing
it in the first place.)
—
Dan
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style after just one rest.
—
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(5)
fatal error: failed files: "time-signature-font.ly”
—
Dan
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\override TimeSignature.style = #'swiss
} {
\time 2/4
c2
}
}
—
Dan
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three separate
pitches.) TIA.
—
Dan
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can participate, but I'd like to watch the conversation
go by.
—
Dan
nd-book and add an option to
include that extra directory path in the inputs/includes, does anyone
have suggestions for other ways that may be better? Perhaps I'm
misusing lilypond-book and a good solution already exists.
Thanks so much.
-Dan
his is both a bug-report if anyone’s maintaining the snippet, and a
>> question whether there’s now a better way to write da capo, al segno, and
>> other coda-like repeats.
>
> Indeed there is. There's heavy ongoing (or by now maybe even finished?) work
> by Dan Eble o
be
>>> possible, given that a naked duration can be treated as music; but the
>>> following does seem to work:
...
I wouldn't want to have to explain to users why these turn out different.
\score {
\fixed c' {
\partial 4. 4.
}
}
\score {
\fixed c' {
\partial c4. c4.
}
}
—
Dan
On Jul 2, 2022, at 10:55, Jean Abou Samra wrote:
>
> Maybe it's possible to introduce other syntax, like another spelling for
> \alternative, or just using \volta without an \alternative block (there are
> reasons why this doesn't produce volta brackets right now, but there was a
> back-and-fo
.)
Thanks,
Dan
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one here might be able to save me some work.
Regards,
—
Dan
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didn't know).
>
> Is that OK with everyone?
It is fine with me.
—
Dan
Has anyone here ever used or seen the X-shaped time-signature cancellation sign
pictured at [1], or anything similar?
Thanks,
--
Dan
[1] https://gitlab.com/lilypond/lilypond/-/merge_requests/2029
Hello,
I found an old thread which was never answered:
https://lists.gnu.org/archive/html/lilypond-user/2015-05/msg00860.html
I also need to output the absolute coordinates of all objects on the page,
to generate training data for optical music recognition. I'm trying to
print some information in
ive to the current problem
2. revert the changes that caused it
I’m sorry, but now is not a good season for me to get back into Lilypond
development to do this myself.
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.
I’m not sure whether this thread has progressed beyond the need to mention this
(forgive me if it has), but this is repulsive. I mean that in as friendly a
way as possible.
Regards,
—
Dan
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ntly have?
Until I read this thread, I didn’t know that more than two voices were
supported, so it hasn’t inconvenienced me; however, it does seem
counterintuitive when you write them that way.
—
Dan
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st" ...
>
> I find this both disturbing and hard to remember and so for me the
> question is what the most satisfactory way to change that would be in
> the long term.
Maybe let << \sopOne \\ \alto \\ \sopTwo >> work as it works and add a function
to
alculations should work unchanged with the "AsMoment" properties,
allowing time to rework them to use plain old numbers instead of ly:moments.
--
Dan
s
is to remove "moment" cruft from ly code, not to add to it.
--
Dan
not deprecated. Its type has been
changed, therefore the warning about not accepting a moment is correct.
--
Dan
Hi.
I'm experimenting with qouteDuring and queDuring for the first time.
My code does not copy markups and expressionmarks though.
Is there a tweak for that.
\version "2.12.3"
global= { \time 3/4 \tempo 4 = 132 \clef treble }
oboe = \relative c'' {
\transposition c
a4 b(c) |
c4^"Solo
mentName = "Tenor II"
\TenorIIBb
>> }
\new Staff \with { printPartCombineTexts = ##f } { <<
\set Staff.midiInstrument = "tuba"
\set Staff.instrumentName = "Bas"
\set Staff.shortInstrumentName = "Bas"
\Bas
>> }
>> } % End of score inner block
\layout {
}
} % Score outer block
--
Tut
Dan van Ginhoven
Skogsgärde 186
438 97 RÄVLANDA
0762 40 95 16
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