On Thu, 11 Sep 2008, James E. Bailey wrote:
I would like to know if it's possible to get a fermata over a full-measure
rest (i.e., R1\fermata). So far, my attempts haven't worked, and I end up
having to use a whole rest shifted over.
The solution is:R1^\fermataMarkup
It can be found i
Hi all,
I like the new textual description feature of metronome marks.
Is there a way to position (align) metronome marks the way it is
possible with rehearsal marks? As far as I can see, MetronomeMark
doesn't have a self-alignment-X property, nor a break-align-symbols
property. I would like t
Hi,
On Mon, 5 Jan 2009, Mats Bengtsson wrote:
I'm afraid that the Music Glossary included in the LilyPond
documentation does not yet include Hungarian, perhaps you would
be interested in helping out with that?
I'm interested in helping with including Hungarian terms in the
Music Glossary! Th
Hi,
I'd like a "Da capo al Fine" mark at the end of the score, but it's
not there. What am I doing wrong?
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g4 g g g | g g g g | g g g g |
\once \override Score.RehearsalMark #'self-align
Hello,
What code shall I write if the first alternative of a repeat ends with
a tie?
(What I'd like is kind of the opposite of \repeatTie)
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative g' {
g1~ |
\repeat volta 2{
g4 r4 r2 |
}
Hello Tao,
A smaller example of your problem is this:
%% - LilyPond code -
\version "2.11.23"
\paper{ ragged-right=##t }
\relative c'' {
c c c c( |
<<
{ c) c c c( }
\\
{ g g g g }
>>
c c) c c |
}
%% -- end of code --
The << \upp
Hello Tao,
In my previous letter I gave the explanation, now here is a solution.
You should simply take that note (d4) out of the polyphony:
%%% -
\version "2.10.23"
inS = { \override Voice.Fingering #'avoid-slur = #'inside }
outS =
Hello Claus,
> Do I have to use \rest {a8} or similar on every single rest? Or can I
> configure this somewhere (like \stemDown in the beginning of voice 3)?
You can use
\override Rest #'staff-position = #0
for "normal" rests (lower case r's)
and
\override MultiMeasureRest #'staff-position
Hi Georg,
> I am scoring some psalms like:
> http://de.wikipedia.org/wiki/Bild:Psalm0.jpg
> and wonder, how to get these noteheads for repeatable notes, these
> stemless quarters on the left with vertical lines on each side.
I don't know how to put vertical lines around quarters, but for the
Hi,
On Thu, 6 Dec 2007, daf wrote:
> It's standard in a hymnal if you have more than 6 verses or so to put the
> remaining verse texts at the bottom of the page, unattached to any notes.
>
> Does Lilypond have a way to do that?
See sections
"Printing stanzas at the end"
and
"Printing stanza
Hi Robert,
I'm afraid I don't really understand your problem, but
if you don't want barlines I recommend to you that you
simply use ChoirStaff instead of StaffGroup.
Sorry if that doesn't help.
Happy New Year!
Zoltán
___
lilypond-user mailing
Dear Paul,
> For a presentation in PowerPoint I want to create a musicsheet
> with bars and and even text witch i can make transparant and
> copy/paste to ppt.
> Is that and option within Lilypond ?
LilyPond can create image files.
If, for example, your .ly source is called music.ly
you can cal
On Thu, 19 Apr 2007, Matt Bethe wrote:
> I am surprised that there is not an initial header that
> establishes the text for the tempo. In all the music I have
> seen the leftmost edge of the initial tempo text lines up with
> the leftmost edge of the meter.
See:
http://lists.gnu.org/archive/html/
> Absolute beginner with music notation, I often have to enter unmetered music
> in
> Lilypond. My problem is that a long phrase (Bénis_le_Seigneur_ô_mon_âme, for
> example) is often sung over the same note, breve or other in notation. Now,
> Lilypond centers the text bloc under the note; so, I h
> Thanks so much! That's almost perfect. I don't know how to raise
> the text up above the first few notes.
> What could I add to raise it up above the ledger line notes in the
> first measure?
Version 2.11 automatically positions the text correctly to avoid
collision.
However, you can increase
Hi all,
I want the hairpin to end on the first note of a new line.
I tried this:
\version "2.12.2"
\paper{ ragged-right=##t }
\relative g'{
\override Score.Hairpin #'after-line-breaking = ##t
g2\< a4 a4 | \break
b2.\! r4
}
But it doesn't work. What am I doing wrong?
Thanks,
Zolt
% Hi,
%
% How can I put "musica ficta" accidentals inside a slur?
% I tried \override AccidentalSuggestion #'avoid-slur = inside
% but it didn't help.
\version "2.13.50"
ficta = { \once \set suggestAccidentals = ##t }
\paper{ ragged-right = ##t }
\relative a' {
\key bes \major
a4 bes4.(a8
% Hi,
%
% I have found the solution:
\version "2.13.51"
ficta = { \once \set suggestAccidentals = ##t }
\paper{ ragged-right = ##t }
\relative a' {
\override AccidentalSuggestion #'avoid-slur = #'inside
\override AccidentalSuggestion #'outside-staff-priority = ##f
\key bes \major
a4 bes4
Hi all,
When the lyrics begin with a stanza number, the number doesn't take up
space in the score (as it can be seen in the attached example).
When the stanza number is in the middle of a line, the number does
take up space, moving the notes apart from the previous bar line.
This makes sense in
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