Meaning, not lyrics, but the notes. Suppose I want to shrink a whole
score by a few percent so that it takes one page less?
Or in piano + solo instrument, it's customary to print the solo
slightly smaller in the score. How do I do that?
Victor.
___
On Jun 11, 2008, at 5:33 PM, James E. Bailey wrote:
or more likely, \new staff \with {fontSize = #-2}
Does that rely on 2.11? I'm still on 2.10.
Parsing...
queen-score-separate.ly:29:30: error: GUILE signaled an error for the
expression beginning here
\new Staff \with {fontSize = #
I misspoke. I only had a \version of 2.10 in the input. I actually
ahve 2.11
Victors-G5:Queen VicDiesel$ lilypond queen-score.ly
GNU LilyPond 2.11.39
Processing `queen-score.ly'
Parsing...
queen-score-separate.ly:29:30: error: GUILE signaled an error for the
expression beginning here
\new St
I'm writing a cadenza, and it seems that < \bar "" > does not have
the effect of accidentals being reset as if there was a real bar
line. For instance
d16 [e fis g a b cis d e f e d]
\bar ""
e,16 [fis gis a b cis d e f g f e]
In the second phrase, only a sharp will be printed for the gis, no
I've just started Lilypond for the first time since upgrading to 10.5
and I only get the Apple menu and Lilypond, clicking on the latter
produces no menu. Java problems? I had 2.10.something, but downloading
2.11.something made no difference.
Victor.
__
If I put "\mark \default" in each part, then I get an annoying warnnig message
about duplicate marks when
I include the parts in a score document. What's the easiest way around this?
Victor.
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Is this a bug or a feature? (2.9.27, PPC)
\relative c'' {
\time 3/4
\times 3/4 { r4 g8 a16 bes a8 bes16 c d8 c16 bes } |
#(override-auto-beam-setting '(end 1 16 * *) 2 4)
r4 g8 a16 bes a8 bes16 c |
}
I was expecting the beam in the tuplet to be broken the same way as
in the measure after.
I
r/Follia score/
testscorep.ly:1:13: warning: Previous mark event here
parta = { r1
\mark\default r1 }[2]
Preprocessing graphical objects...
I'd like for that warning to go away.
Victor.
On Nov 2, 2006, at 11:17 PM, Paul Scott wrote:
Victor Eijkhout wrote:
If I put "\
-beam-setting '(end * * * *) 6 16)
#(override-auto-beam-setting '(end * * * *) 9 16)
Since this is a fairly uncommon rhythm, LilyPond does not
specify any such default behaviour.
/Mats
Quoting Victor Eijkhout <[EMAIL PROTECTED]>:
Is this a bug or a feature? (2.9.27, PPC)
\re
On Nov 5, 2006, at 2:10 PM, Paul Scott wrote:global = { s1 \markdefault s1 } parta = { R1 R1 } partb = { c1 c1 } parta.ly contains: score { << \new Staff = "x" { << \global \parta >> } >> } Ah. I'd been wondering if there was a way to implement a "master track". Cool. Thanks.Victor._
On Nov 6, 2006, at 12:38 PM, Graham Percival wrote:Please send future bug reports to the bug-lilypond mailist. Will do. I wasn't sure that this was a bug. There could have been good reasons for it, and I've now learned the trick of putting all marks in a silent part, which is a better way of avoidi
Is this a bug or a feature?
quartertriplet = { \set tupletSpannerDuration = #(ly:make-moment 1 4) }
\relative { \time 3/4 \clef treble \key g \minor
\relative c'' {
\quartertriplet
\times 2/3 { r8 a r a r4} r4 | r8 g r g r4 |
\times 2/3 { r8 a r a r4} r4 | r8 bes r bes r4 |
\times 2/3 { r8 c r c
I've searched through the package contents of the OS X version, and
the input/test directory which is refered to in the manual doesn't
seem to be there.
Ok, I'm a big boy, I can download a source tarball like the best of
them, but shouldn't this stuff be somewhere in the distribution? Or
The ossia example that according to the manual should be in input/
test/ossia.ly is missing from the current distribution.
Can anyone send it to from an old version, or show me a short example
of how to do ossia? I can't figure it out.
Victor.
__
The notation "g/b4" is apparently incorrect, it should be "g4/b".
Could the error message be improved somewhat? The following is rather
unhelpful. Basically I had to take apart my chord sheet measure by
measure to find the offending entry.
Parsing.../Applications/Audio and Music/Lilypond/Li
I want to indicate a measure rest in a chord line. This doesn't work:
a1 | s1^"tacet" | a1
What's the solution?
Victor.
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When I write
\partial 4 <_>4
I get:
Parsing...
fredo, figured.ly:2:13: error: syntax error, unexpected '_',
expecting > or DRUM_PITCH or MUSIC_FUNCTION or NOTENAME_PITCH
\partial 4 <
_ >4 |
but the music is otherwise typeset correctly.
What's the legal solution?
Victor.
___
This looks really bad:
harpchords = \relative c' { \time 15/8
s2^"C" s2^"G/B" s2^"Am" s4. | s2^"Cmaj7/B" s2^"Em/G" s2^"F" s4. |
s2^G s2^"F/A" s2^"G/B" s4. | s2^"Dm/A" s2^"Dm/F" s2 s4. |
\repeat volta 2 {
s2^C s2^"G/B" s2^"Am" s4.^"Am/G#" | s2^"Cmaj7/G" s2^"Em" s2^F
s4.^"Bb/F" |
s
I'm writing a piece in 14/16, and that's not 7/8: it's counted 4+3+3+4
sixteenths.
1. Is there a way to make beaming automatically to 4-3-3-4?
2. If I have a whole measure rest, I find that \times 14/16 {R1} gives a nice
simple notation. Now I want a note that is held for a whole measure look l
I have a rehearsal letter (\mark\default) and at the same place I want
to have a tempo indication ("slightly faster"). How can I combine
them? I'd rather not put that text on a note, since it has to occur in
every part of a score.
Victor.
___
lil
On Jul 7, 2010, at 8:29 AM, Alexander Kobel wrote:
try: \tempo "your text".
After upgrading from 2.11.30 to 2.12 this worked. Thanks. However, the
layout is not great if I do
\mark\default \tempo "lively"
R1*8
\mark\default \tempo "slightly faster"
R1*8
\mark\default \tempo "slower"
T
Running lilypond-book generates over 2000 pdf files. And then something says
"too many open files".
Is there a way around that?
Victor.
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On Apr 2, 2011, at 4:41 AM, Matthias Kilian wrote:
> In which version
> does this happen, 2.12 or 2.13?
Using 2.12.3.
Thanks,
Victor.
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The other day I had the brilliant idea of writing some python code to generate
the lilypond input for exercises. After all, generating the lilypond code for
all triads, all scales, whatnot, is pretty simple.
So now I have this exercise study that generates close to 2000 scales like
"\relative c
(sorry for breaking the thread. is there an easy way to follow up to a message
in the digest?)
>> > Is this project dead?
>>
>> Sadly yes it is, in practice.
I hope everyone knows about the Werner Icking Music Archive?
http://icking-music-archive.org/index.php
Public domain, pdf files, and the
I have a score with a bunch of staff groups. I like that bar lines are only
connecting staffs in a group, but I would like a big bar line over the whole
system at the end of every system. Is there a way to do that?
Victor.
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I’m trying to notate 1200-ish School of Notre Dame modal notation, and the
Gregorian notation works out reasonably well.
1. I’m not finding a symbol for a “plica”: single note with ascending or
descending tail on both sides. Does that exist?
2. More seriously: if I don’t include a Lyrics line,
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