2008/2/15, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> Also, a simple example shows that \unset really removes the value, not reset
> it to the value before the previous \set. See the attached file. If \unset
> undid the last \set, the third name would get the InstrumentSwitch
> text "Original".
2008/2/16, Philip <[EMAIL PROTECTED]>:
> Is it possible to mail a message to this list that has image attachments?
> I have two questions I need images to be understood.
Hi Philip,
yes, it is possible but only for very small images (32KB would be a
maximum). Otherwise, the best solution is often
2008/2/17, David Fedoruk <[EMAIL PROTECTED]>:
> Octave transposition seems a confusing, since transposition in music
> usually implies that the passage is to be played in a different key.
> Octave displacement does not change the key.
Yes, I'd prefer to avoid "transposition" as well.
In French,
2008/2/17, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> In the LSR there are templates for vocal (SATB) music, which also show this as
> one of their features. However, I now created a specialized snippet
> showcasing only this one feature (with loads of comments in the lilypond
> file, the actual co
2008/2/18, Philip <[EMAIL PROTECTED]>:
> Is it possible to type-set the old bass clef?
Yes it is. I took the .svg file in your example, converted it to
postscript, changed a bit the code, and here you are:
{
\once \override Staff.Clef #'stencil =
#ly:text-interface::print
\o
2008/2/19, Trevor Daniels <[EMAIL PROTECTED]>:
> How exactly do you convert a .svg file into
> postscript? It seems a very useful general
> technique to get arcane symbols into LP scores.
Oh, you'll be disappointed: I just use Inkscape and save the file as .ps :-)
Philip, if you're ok with the
2008/2/26, Graham Percival <[EMAIL PROTECTED]>:
> Does this formula work for the ^_ thing? If we agree on this
> sentence, we'll use this throughout the docs:
I'm OK with it; if none objects i'll use it in Text as well.
Cheers,
Valentin
___
lilypond
2008/2/26, Kurt Kroon <[EMAIL PROTECTED]>:
Hi Kurt,
> [I'm not interested in
> resolving that discussion, just standardizing the terminology we use.]
LOL -- for a short while I thought Graham was writing this mail :)
> So ... what are your thoughts?
I'm OK with the "simultaneous"/"sequential
2008/2/28 Kurt Kroon <[EMAIL PROTECTED]>:
> I was mistaken ... it *is* possible to extend the syntax (which seems
> completely reasonable, in retrospect). I've borrowed (and stretched) the
> compound-time-signature snippet as follows:
Yes, everything is possible :)
> It isn't quite right --
2008/2/28 Mats Bengtsson <[EMAIL PROTECTED]>:
> Try:
> #(override-auto-beam-setting '(end 1 8 8 8) 3 8)
> #(override-auto-beam-setting '(end 1 8 8 8) 5 8)
> \set Staff.beatGrouping = #'(3 2 3)
LOL -- I hadn't seen your answer, Mats, sorry.
> On the other hand, don't hesitate in general t
2008/2/28 <[EMAIL PROTECTED]>:
> Hi,
Hello Frank,
> at the lilypond site "tips and tricks"
>
> http://lilypond.org/doc/v2.4/input/test/out-www/collated-files.html
>
> I found the example boxed-stencil.
Version 2.4?
You do realize that this example is like 6 years old, I hope :)
> I need th
2008/3/2, Philip <[EMAIL PROTECTED]>:
> is it possible to type-set the percussion section shown in perc.jpg in
> LilyPond? (Yes, I drew that by hand, but without the assistance of a
> ruler. I aligned it to the lines of note-book paper.)
Rule #1: never begin any question with "is it possible i
2008/3/2, Mats Bengtsson <[EMAIL PROTECTED]>:
> You can't have searched very thoroughly, this topic has
> been discussed several times on the mailing lists.
There's also http://lsr.dsi.unimi.it/LSR/Item?id=273
"Volta brackets over chord names": the name says it all!
Cheers,
Valentin
2008/3/2, Peter Van Kranenburg <[EMAIL PROTECTED]>:
Hi Peter,
> This works perfectly. Thanks a lot!
Perhaps you could consider adding a snippet to the LSR, so that anyone
can easily find it in the future:
http://lsr.dsi.unimi.it/LSR/html/contributing.html
> Adjusting the Y-offset all the time
2008/3/2, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> > >Reinhold Kainhofer <[EMAIL PROTECTED]> wrote:
> > >>If you add \version "2.10.5" to the snippet (yes, I really hate it
> > >>that the snippets don't say with which version of lilypond they
> > >>work!!!) and let convert-ly run on it, you'
2008/3/3, Wilbert Berendsen <[EMAIL PROTECTED]>:
> Op zondag 2 maart 2008, schreef Reinhold Kainhofer:
>
> > http://wiki.kainhofer.com/lilypond/orchestallily
Hi Reinhold,
this is quite impressive. I wish such a tool already existed when I
started writing my opera :)
May I suggest to add parts of
Hi Steve,
can you send a short example?
If this is obviously a collision, i'll add it as a bug. If it's about
a matter of taste, you should try something such as
\override Staff.TimeSignature #'Y-extent = #'(-1 . 1)
Cheers,
Valentin
2008/3/3, Steve Dunlop <[EMAIL PROTECTED]>:
> I'm finding that
2008/3/4, Mats Bengtsson <[EMAIL PROTECTED]>:
> Valentin Villenave wrote:
> >\override Staff.TimeSignature #'Y-extent = #'(-1 . 1)
> That won't affect the spacing around bar lines!
Obviously, what I meant was:
\override Staff.BarLine #'Y-exte
2008/3/4, Valentin Villenave <[EMAIL PROTECTED]>:
> \override Staff.BarLine #'Y-extent = #'(-1 . 1)
... and X-extent instead of Y.
Gosh, I'd better go to bed now.
Valentin
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2008/3/4, Steve Dunlop <[EMAIL PROTECTED]>:
> http://www.nerstrand.net/8lpf.pdf
I cannot open your pdf :(
> I'm posting the whole thing because the overall spacing situation seems
> to be contributing to the problem.
Could you please put all of it in a single file, and maybe post it on the lis
2008/3/5, Kieren MacMillan <[EMAIL PROTECTED]>:
> If not, I second Chris's suggestion to avoid GIMP, in favour of a
> vector-based application.
Inkscape is free and can directly open .ps files generated by LilyPond :)
http://www.inkscape.org/
Cheers,
Valentin
___
2008/3/6, Zenith <[EMAIL PROTECTED]>:
Greetings,
> 1) Almost all notes the slur is above the dot of staccato, but one note the
> dot insist to stay above the slur, is there a way to correct this?
Can you provide us with an example?
> 2) on staccato, the distance between the dot and the respe
2008/3/6, David Fedoruk <[EMAIL PROTECTED]>:
> Hello:
>
> It seems when ever I use a grouping like this:
>
> \time 2/4 \acciaccatura d8 4 \times 4/5 { d'16[ b af f d] } |
>
> The bar check sees that as 9/20
Perhaps you're refering to LilyPondTool's automatic barcheck
indications... We
2008/3/6, Zenith <[EMAIL PROTECTED]>:
>
> I used the laster version... 1.11.41.
OK. Thanks for having investigated this; having looked at your
indications, I'm not a specialist but I think there's no bug at stake
here.
The thing you marked in blue is explained by what I said about the
inside/out
2008/3/7, Zenith <[EMAIL PROTECTED]>:
>
> Hi Valentin (it sound to be an artistic name), =^D
Well, at least, a French one... :(
> I understood what you said...
>
> Thank you for the suggestion about the title, now, it's really good-looking!
You're welcome.
> well, i just yould like to separ
2008/3/7, luis jure <[EMAIL PROTECTED]>:
> the problem was the clash between a and a-flat in the two voices. by
> default lilypond merges the two noteheads, even if they have different
> accidentals. first i found about force-hshift, and managed to move the
> aes to the right. but only the not
Hi everybody,
As you may already know, I am fond of starting little useless projects
to promote LilyPond (perhaps you remember about some of them).
Here's my last one (i don't know if I'll be able to maintain it, but
it's just fun to launch it anyway): a "short informal, weekly opinion
column abo
2008/3/10, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> Wow, awesome! Thanks for that great promo source.
You're welcome :)
> (I just wish the lilypond.org start page would look a polished/graphically
> designed as that one!)
As a matter of fact, I once wrote a cascading stylesheet for the
LilyP
2008/3/11, Bertalan Fodor (LilyPondTool) <[EMAIL PROTECTED]>:
>
> IMHO the LilyPond documentation lacks mostly a tree view.
Yes, but this is not CSS :)
IIRC, John had an ambitious project for making the documentation (at
least the Snippets pages) look much better, involving JavaScipt etc.
See ht
2008/3/11, Nicolas Sceaux <[EMAIL PROTECTED]>:
> Added to my RSS list! It was lacking a LilyPond related one. Not
> meaning to put pressure on you, you're between http://www.maitre-eolas.fr
> and http://www.xkcd.com
Excellent! I didn't know the last one (the first has been in my
bookmarks for a
2008/3/12, luis jure <[EMAIL PROTECTED]>:
> are the rest of you experiencing this?
Yes; it's a known bug that is (hopefully) gonna be fixed as soon as
Sebastiano the main (and only) LSR developer has a minute to do so.
However, two things:
- the LSR search function is still active (the relevant
Hi everybody,
A new "LilyPond Report" issue is out:
http://valentin.villenave.info/spip.php?article53
%
This week, Till Rettig (from the German LilyPond Forum) will be our
special guest in the Interview of the Week; we are also going to talk
web-design and off-topicness, and you will fi
2008/3/20, Ted Stanion <[EMAIL PROTECTED]>:
> Thank you! That works brilliantly.
LSR, anyone? :)
Cheers,
Valentin
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2008/3/19, Oscar van Eijk <[EMAIL PROTECTED]>:
> I no-one has any suggestions for improvements, this is my final version
> (I'm working with the attached flamenco.ly).
As far as I'm concerned, it's okay for the LSR. Here's what I'd advice to do:
-open an account on the lsr. See
http://lsr.dsi.
Hi Koy,
you seem to have forgotten to include the list in your reply.
2008/3/21, Koy Rehme <[EMAIL PROTECTED]>:
> Yes, I see that now with the slurs -- the following line seems to fix it:
> \set Staff.quotedEventTypes = #'(note-event rest-event slur-event)
> (posted here for posterity)
>
> Howe
2008/3/17, Valentin Villenave <[EMAIL PROTECTED]>:
Greetings everyone,
A new "LilyPond Report" issue is out:
http://valentin.villenave.info/spip.php?article59
%
This week, we are going to raise some questions about Free projects
hosting, to focus on LilyPond's ab
2008/3/24, Reinhold Kainhofer <[EMAIL PROTECTED]>:
> That the lilypond server always forces the German version upon me. Of course,
> I want amazon, ebay, etc. in German, but for the Lilypond docs, German is
> useless, because I mostly don't know the proper German terms.
Have you tried to use a
[transfering to -user-fr]
Bonjour Jean-Gabriel,
hi Joseph and François,
Je vous propose de poursuivre cette discussion en français sur la
liste de discussion spécialement dédiée aux utilisateurs francophones
de lilypond:
http://lists.gnu.org/mailman/listinfo/lilypond-user-fr
Les questions que vo
2008/3/26, Johannes <[EMAIL PROTECTED]>:
> Will there be a Leopard version available soon? I tried to follow the steps
> involved to get LilyPond working but I am a musician not a computer
> programmer -
> LOL! It's too complicated...
Yes, it is complicated. However, it does work...
I am music
2008/3/27, Han-Wen Nienhuys <[EMAIL PROTECTED]>:
> This is only half-true. We are using a pre-release version of
> odcctools to build the mac version under linux. Then Apple changed
> some internals in 10.5, but nobody updated odcctools.
I get it...
> If Apple is to blame, it is for assumin
2008/3/28, George_ <[EMAIL PROTECTED]>:
>
> I play the accordion, and sometimes receive hand-written music, which for
> purposes of legibility and to provide additional copies to scribble all over
> when I am learning, I would like typeset onto a computer and stored
> electronically. This is al
Hi everybody,
There are two features (among others) I appreciate very much In
LilyPond: \box and \filled-box.
Would there be any possibility to somehow mix these two commands?
For instance, is it possible to add an optionnal "blot" argument to
the make-stencil-boxer function? If specified, the c
2008/3/28, Graham Percival <[EMAIL PROTECTED]>:
> On Fri, 28 Mar 2008 08:41:41 -0400
> "Deacon Geoffrey Horton" <[EMAIL PROTECTED]> wrote:
> > Not in any single place that I'm aware of; you have to put it together
> > piece by piece. (I think I found the various pieces in replies to the
> > mai
2008/3/29, Hugo Leonardo Ribeiro <[EMAIL PROTECTED]>:
> I have just created a Lilypond list in Portuguese for those who can't manage
> to read or understand the manual or posts in English. So, I would like to
> invite all those who can write in Portuguese to sign in this group.
Great! I'll mentio
2008/3/30, Damian leGassick <[EMAIL PROTECTED]>:
> anyone throw me a bone?
The dclip thing works fine here. I suspect there's something wrong
with the OSX app...
Can you try compiling the following snippet, for instance?
\layout {
clip-regions
= #(list
(cons
(make-rhythmi
Greetings everybody,
A new issue of the "LilyPond Report" is out:
http://valentin.villenave.info/spip.php?article61
This week, we are going to come back on a few points that were raised
on the last issue, to discuss "real music" snippets and Debussy, to
talk about compatibility issues with recen
2008/3/31, Robert Memering <[EMAIL PROTECTED]>:
> Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar:
>
> > Ok, this is what I have hacked together
If nobody has a better idea, could you consider adding it to the LSR?
We really lack snippets of this kind...
> However, just for the sake of peo
2008/3/31, James E. Bailey <[EMAIL PROTECTED]>:
> I'm wondering if there's an easy way to generate a piano reduction
> from a choral piece but without all of the dynamics. The choir parts
> all have their dynamics, but the piano part shouldn't. And the handy
> snippet I found generates a piano p
2008/3/31, Trevor Daniels <[EMAIL PROTECTED]>:
>
> The Dynamic engraver is in the Voice context, not Staff.
My bad :)
Cheers,
Valentin
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with this issue? If so, the winner will have his solution exposed in a
whole new LSR-snippet, will be mentioned in the LilyPond Report's
"feature of the week" and his name will be glorified forever -- at
least until next week's :)
Valentin
2008/3/28, Valentin Villenave
2008/4/1, Till Rettig <[EMAIL PROTECTED]>:
> About the bug: I thought I would write: this works only with symmetrical
> staff lines. As I understand everything is built around symmetrical staves,
> but when thinking about it there could be a need for having the staves
> positioned on an even numb
2008/4/1, Mats Bengtsson <[EMAIL PROTECTED]>:
>
> Kieren MacMillan wrote:
> > Actually, what I'd *really* prefer is
> >
> > \set Staff.instrumentName = "Violoncello e Basso"
Have you tried
http://lsr.dsi.unimi.it/LSR/Item?id=383 ?
It was written by Nicolas Sceaux; see a demo here:
http://
2008/4/1, Orm Finnendahl <[EMAIL PROTECTED]>:
> on DrumStaffs I get two fermatas on multimeasure rests, normal Staffs
> work as expected (see below and attached pdf).
Hi Orm,
looks like a bug to me. Unless anyone has some additional information
about it, i'll add it to the tracker.
Cheers,
V
2008/4/1, Kieren MacMillan <[EMAIL PROTECTED]>:
> Thanks! And "sorry I didn't check the LSR first"... =\
Actually, I was aware of it only because of the French mailing list... :)
Cheers,
Valentin
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2008/4/1, Mats Bengtsson <[EMAIL PROTECTED]>:
> (If you think it looks strange, the problem was that the engraver was added
> twice and when you do \remove it removes both copies so you have to add
> one back afterwards.)
Wow, impressive! thanks for having been so fast!
I didn't know engraver
2008/4/2, Jed <[EMAIL PROTECTED]>:
> I'm writing a theme and variations on LilyPond, and I've separated the theme
> and
> variations with \break. The trouble I'm having is in creating a title for
> each
> part (Tema, Var I, Var II, etc). Thanks.
\break is not a good solution in such a case.
2008/4/2, Risto Vääräniemi <[EMAIL PROTECTED]>:
> On 02/04/2008, Risto Vääräniemi wrote:
> > On 02/04/2008, Matthew wrote:
> > > Do slurs and tuplet brackets know about each other?
> I made another image of my example but without the ragged-right
> setting. Now LP tries to fit the number und
2008/4/2, Risto Vääräniemi <[EMAIL PROTECTED]>:
> Thanks for the tip, Valentin. I normally use .11, though, and I've
> found out that the behaviour is pretty much the same on both with
> different quirks.
Hmm. Interesting.
Can you have a look at
http://code.google.com/p/lilypond/issues/list?q=
2008/4/2, Risto Vääräniemi <[EMAIL PROTECTED]>:
> The slur may collide with the tuplet number with following conditions:
> -tuplet is beamed
> -the slur is on the same side as the tuplet number
> -the slur starts or ends at the horizontal position of the tuplet number
> (such a tuplet is usu
2008/4/3, Michael Watts <[EMAIL PROTECTED]>:
> >>We also use add9, add11, and occasionally add#4 and others. Are "add"
> chords supported in Lilypond?
>
> Sure.
> \version "2.10.33"
>
> test = \chordmode { c1:3.5.9 c:3.5.11 c:7.11+ } % to use your example
>
> \score {
><<
> \new ChordName
2008/4/1, Till Rettig <[EMAIL PROTECTED]>:
>
> The bar line should go from the uppermost staff line to the downmost staff
> line, but now it gets centered on the middle position, so if the upper or
> lower half of the staff extends more than the other (from the middle
> counted) the bar line is mi
2008/4/3, Trevor Daniels <[EMAIL PROTECTED]>:
> The next step is to revise the second chapter in the Notation Reference -
> NR 2 "Specialist notation". To kick off this process the new suggested
> section headings can be found at
> http://web.uvic.ca/~gperciva/NR2-draft.txt , and we now
> need y
2008/4/3, Graham Percival <[EMAIL PROTECTED]>:
> Maybe add a "Constructs often used by" subsubsection, which gives
> specific examples (of bowing, breathing, etc) along with links to
> the earlier sections?
I think this is the best solution.
> As you all know, I'm not at all fond of duplicat
2008/4/3, Graham Percival <[EMAIL PROTECTED]>:
> And bowing, for string players?
>
> "Bowing may be added to scores like other articulations; for more
> information, see @ref{articulations and ornamentations}. The
> exact names of bowings are described in @ref{List of articulations}."
> ?
>
>
2008/4/4 Mats Bengtsson <[EMAIL PROTECTED]>:
> > 2) If I remove the first d'8 note, the stem direction of the d note
> becomes up, as if the \once did not work well.
> >
> Ugly! Yet another problem with grace notes! Note that the problem remains
> the same even if you
> remove the \once \overrid
2008/4/4 Graham Percival <[EMAIL PROTECTED]>:
> Let's add \arpeggioWavy or something like that for cancelling
> \arpeggioBracket. I'm not enamored of the name, though. Any
> other suggestions?
\arpeggioClassic?
Cheers,
Valentin
___
lilypond-user
2008/4/4 Graham Percival <[EMAIL PROTECTED]>:
> Could I get 15 minutes of work from somebody familiar with the IR?
>
> Take a look at NR 1.1 Pitches. Can you find any other
> internals reference items for the @seealso list?
I'm on it.
Cheers,
Valentin
___
2008/4/4 Graham Percival <[EMAIL PROTECTED]>:
> Ok. In that case, you can commit directly. And when you're
> finished Pitches, do Editorial.
Great.
Do we need to mention exotic things such as Note_performer? If so, where?
Cheers,
Valentin
___
lil
2008/4/4 Graham Percival <[EMAIL PROTECTED]>:
> Ok. In that case, you can commit directly. And when you're
> finished Pitches, do Editorial.
OK, both are in git.
We need to be careful with these references, that can get outdated
very quickly (for instance, the text-balloon-interface has now
Le 5 avril 2008 11:40, labrousse <[EMAIL PROTECTED]> a écrit :
> Bonjour,
> Je ne sais si je dois écrire en anglais,
> je crains que ce ne soit difficile à comprendre.
Bonjour Jean-Marie,
La meilleure solution serait d'écrire en français... à la liste
LilyPond _française_ :)
Plus d'information
2008/4/6 David Bobroff <[EMAIL PROTECTED]>:
> I'd go with \bar "||". That was my knee-jerk reaction butI also checked a
> couple things on hand (etude books) and that's how it was printed there,
> too.
This is precisely the syntax I adopted a week ago in the new "Text
marks" documentation examp
Hi Renato,
I just remembered this (old) mail you sent to the LilyPond mailing
list several weeks ago. Sorry for answering so late.
Can you please check if the behavior you noticed is still happening
with LilyPond latest version, and if so, try to send a minimal example
to [EMAIL PROTECTED] (our b
Greetings everyone,
A new issue of the "LilyPond Report" is out:
http://valentin.villenave.info/spip.php?article62
This week, we are going to mention some recent good and bad news among
the Free world, with Microsoft's OOXML format standardization and
Mozilla's 10th anniversary; we will also hav
2008/4/7 Karl Hammar <[EMAIL PROTECTED]>:
> Hmm, I don't see them as unusual, I see it more like that I bend
> lilypond-book to the way I am used to when developing program and using
> latex.
Yes, I meant "unusual to me" :)
I should have said "ambitious" rather than "unusual". If I understand
2008/4/8 Laura Conrad <[EMAIL PROTECTED]>:
> In my case, it's usually because convert-ly isn't converting something
> important.
Thank you very much for these comments. I do think we need to talk
more about this issue.
In my case, I've been working for almost three years on a same
project, alw
2008/4/8 Graham Percival <[EMAIL PROTECTED]>:
> On Tue, 8 Apr 2008 17:37:16 +0200
> "Valentin Villenave" <[EMAIL PROTECTED]> wrote:
>
> > Thank you very much for these comments. I do think we need to talk
> > more about this issue.
>
> No, we
2008/4/10 Sven Axelsson <[EMAIL PROTECTED]>:
> I can't really package the binaries - this build is only for the
> command line stuff, and the files are left in place in the Lilypond
> source folder, so I don't know what happens (and I don't want to try)
> if you move them.
AFAIK There's also a wa
2008/4/11 Palmer, Ralph <[EMAIL PROTECTED]>:
> Has anyone been able to run LilyPond from/on a memory stick? I have a 16
> Gb stick, and I'd like to run LilyPond from it, but I don't know what
> problems I'm likely to encounter. The computers I plan to use both run
> Windows XP SP2.
>
> The st
2008/4/12 Alexander Kobel <[EMAIL PROTECTED]>:
> Oh, and since I'm typing right now anyway: Here's a slight modification of
> LSR snippet 390 to also modify rest events, laying around here for some
> time...
Thanks, updated.
Cheers,
Valentin
___
lilyp
2008/4/12 Ben Lewis <[EMAIL PROTECTED]>:
> Start > Run > RegEdit? I know it exists in XP, so that should work.
No; the point is, you should have to be able to run LilyPond from the
USB stick *without* modifying the registry at all. Some applications
(look, for instance, at the portable version of
2008/4/12 Matthew <[EMAIL PROTECTED]>:
> Is there a way to have /include keep relative path information?
Currently there isn't (and I find it very much annoying, which is why
I proposed to sponsorize this implementation).
See
http://code.google.com/p/lilypond/issues/detail?id=391
Cheers,
Valent
2008/4/12 Ben Lewis <[EMAIL PROTECTED]>:
> I'm typesetting a concerto, and I want to use the feta14 size for the full
> score. The first time I tried, I placed the #(global-set-staff-size 14), but
> it changed the appearance of all the parts, too. So, I added the \layout {
> #(layout-set-staff-s
2008/4/12 Valentin Villenave <[EMAIL PROTECTED]>:
> \remove "Time_signature_engraver"
Ooops -- this line is (obviously) to be removed in the snippet I just sent.
Cheers,
Valentin
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2008/4/11 Wilbert Berendsen <[EMAIL PROTECTED]>:
> Hi all,
>
> LilyKDE 0.5.0 has been released[1].
Nice -- just in time for the "LilyPond Report"!
Attached is a fr.po localization file. I actually do not use KBabel or
anything, so there will probably some things to edit. But perhaps
you'll be in
2008/4/13 Alain <[EMAIL PROTECTED]>:
> I'm trying to have a timestamp in the footer of every page. nice would
> also be to have subversion revision as metainformation printed.
> I'm quite new to Lilypnd...
Then you have to get used to have a look at the LSR:
http://lsr.dsi.unimi.it/LSR/Search?
Greetings everyone,
A new issue of the "LilyPond Report" is out:
http://valentin.villenave.info/spip.php?article63
Quite a busy week for the Report! We'll have a look at some answers to
last week's questions about old LilyPond versions, but we will also
mention some of these pale imitations of L
2008/4/14 Eric Hedekar <[EMAIL PROTECTED]>:
> Just curious if there's a place to find lilypond templates, particularly one
> for an orchestra score? I'm having too many errors while trying to program
> my own layout with partcombine and staffgroup not getting along with one
> another. Thanks.
Yo
2008/4/15 Matthias Loitsch <[EMAIL PROTECTED]>:
> I just can't figure out how to remove the indentation of the first line on a
> sheet... In fact I'm having trouble with the whole layouting part. Is there a
> good manual where I can get ideas on how to do this?
Indeed there is:
http://kainhofe
2008/4/18 James E. Bailey <[EMAIL PROTECTED]>:
> • Normally without a period, because it isn't a complete sentence.
That's interesting: in French, as in most latin-derived languages,
such "noun sentences" are actually regarded as complete sentences (and
are very commonly used in literature); how
Greetings everyone,
I eventually managed to implement a new command to enclose text within
a rounded box.
Feel free to have a look at commit
c9cb25dee5d1019b325bbc9da6cf080124bcd0b6; comments appreciated.
The shape of the corners can be changed using a #'corner-radius
property that I had to make
2008/4/20 padovani <[EMAIL PROTECTED]>:
> Is there a way to align a postscript markup to the right of a notehead?
There probably is, but I don't know how (it would be easier with a \mark).
The simplest solution would be something like:
\override TextScript #'X-offset = #1.0
> It could be a sche
2008/4/20 Emmanuel Charpentier <[EMAIL PROTECTED]>:
Greetings,
> I am discovering and learning lilypond. I found the lilypond mode for
> emacs extremely useful.
Perhaps you would be interested in subscribing to the French-speaking
LilyPond mailing list as well (I don't remember having seen you
Greetings,
a new issue is out:
http://valentin.villenave.info/spip.php?article65
This week we'll go on bashing commercial music software, discuss how
to make music in the geekest way and see how LilyPond perfectly fits
Mozart's musical forms. We will also mention web stats, fake teeth,
hip-hop, a
2008/4/22 James E. Bailey <[EMAIL PROTECTED]>:
> I wanted to submit a snippet for the LSR, but that didn't work out so well
What problems did you encounter?
Can you provide us with a title and description for your snippet?
Cheers,
Valentin
___
lilypo
2008/4/22 Jonathan Kulp <[EMAIL PROTECTED]>:
> Yea!! Thanks Reinhold, Mats, and Neil. This instantly fixed the problem.
> Oy. I was using a template from somewhere and didn't know what that
> "english.ly" was for but kept it anyway. There ought to be a flashing red
> warning light over that!
B
2008/4/22 James E. Bailey <[EMAIL PROTECTED]>:
> I've often wondered if there's an easy way to change the default language
> (without building from scratch) it would really be nice to not have to
> \include a language file.
Yes, but note that all documentation examples and templates use the
defa
> > % To modify a sequence of notes, it's easiest to use a filter:
This approach seems to differ from
http://lsr.dsi.unimi.it/LSR/Item?id=82
Mats, Reinhold, can you give us some explanations about these
differences? Which one is the best? The simplest? The most reliable?
Should I edit the LSR sni
2008/4/22 Mats Bengtsson <[EMAIL PROTECTED]>:
> The solution in LSR is more or less equivalent to Reinhold's proposal, but
> is divided three separate functions instead of two, whereof two are generic
> and can be used for any articulation.
Yes, it seems more flexible this way.
> The same fix
2008/4/13 Jay Anderson <[EMAIL PROTECTED]>:
> I wrote a function to add the upper octave for me:
> \octaves {c d e f}
Hi Jay,
Sorry for not having reacted earlier but this function is simply
awesome! Could you please consider adding it to the LSR?
If I may suggest a minor improvement, it would
Hi Jonathan, hi Jay,
Jonathan: you need to add notes an octave lower than your voice: just
replace 1+ with 1- in the Scheme code.
Jay: actually, your code has one major downside: is doesn't handle
\relative mode very well. As soon as you add a comma or a single quote
to one of the pitches in the
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