Jean,
With respect, I disagree.
See my attached code for a Mozart Sonata.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jean Abou Samra
Sent: Friday, October 16, 2020 6:51 AM
To: lily...@lionunicorn.co.uk; Lilypond-User Mailing List
Jean,
They are the individual movements.
M
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Friday, October 16, 2020 12:45 PM
To: Mark Stephen Mrotek ; lily...@lionunicorn.co.uk;
'Lilypond-User Mailing List'
Subject: Re: headers, and what include doesn't do
Jean,
My pleasure.
All four files are attached.
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Friday, October 16, 2020 1:23 PM
To: Mark Stephen Mrotek ; 'Lilypond-User Mailing List'
Subject: Re: headers, and what include doesn't do
Hi Mark,
Le 16/
Jean,
I have sent all four files to you.
Mark
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Friday, October 16, 2020 1:12 PM
To: Mark Stephen Mrotek ; lily...@lionunicorn.co.uk;
'Lilypond-User Mailing List'
Subject: Re: headers, and what include doesn't do
Mike,
When I remove the “\break” the empty staff disappears.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Mike Dean
Sent: Saturday, October 24, 2020 5:05 PM
To: lilypond-user@gnu.org
Subject: I ought to have a bar line here...
.
On Sat, Oct 24, 2020 at 5:51 PM Mark Stephen Mrotek mailto:carsonm...@ca.rr.com> > wrote:
Mike,
When I remove the “\break” the empty staff disappears.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark
<mailto:lilypond-user-bounces%2Bcarsonmark> =
Ritchie,
This might be a start
\version "2.20.0"
\repeat volta 2 { a1^\markup {\column
{\italic "first f"
\italic "second p" } }
| a1 | a1 | a1 }
More can be found at
http://lilypond.org/doc/v2.19/Documentation/no
Rita,
I loaded and ran the code.
I could not find a “\break” command.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Rita Composer
Sent: Saturday, November 28, 2020 1:06 PM
To: lilypond-user
Subject: line break doesn't work
Dea
Mike
Any requirement that the marcato to be below the note?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Michael Seifert
Sent: Saturday, December 19, 2020 3:10 PM
To: lilypond-user@gnu.org
Subject: Articulation mark
[mailto:mseif...@gmail.com]
Sent: Sunday, December 20, 2020 7:31 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Articulation mark & slur placement
Well, if we’re doing everything the way Elaine Gould wants us to, then:
- articulation should go generally go next to
Freeman,
http://lilypond.org/doc/v2.19/Documentation/internals/key_005fengraver
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Freeman Gilmore
Sent: Tuesday, December 22, 2020 7:54 AM
To: Lilypond-User Mailing List
Subject: keyAlterat
Hi all,
For "Center text below hairpin dynamics" in the LSR
(http://lsr.di.unimi.it/LSR/Snippet?id=233) I'd like the text to scale
with the staff size for ossia staves. Does anyone have any pointers?
hairpinWithCenteredText =
#(define-music-function (parser location text) (markup?)
#{
\once
Many thanks for this! For my case the hairpin-attached text will have
a different size to other text anyway, so a slight difference is
perfectly fine.
Best,
David
On Wed, 27 Jan 2021 at 22:59, Thomas Morley wrote:
>
> Am Mi., 27. Jan. 2021 um 21:32 Uhr schrieb David Stephen Grant
> :
&
Calvin,
Perhaps using ragged bottom would do it.
https://lilypond.org/doc/v2.21/Documentation/notation/changing-spacing
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Calvin Ransom
Sent: Monday, February 8, 2021 1:51 AM
To: lilypond-u
Richard,
Include
ragged-bottom = ##t
in the paper block
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Richard Shann
Sent: Monday, February 8, 2021 4:09 AM
To: lilypond-user@gnu.org
Subject: page-limit-inter-system-sp
Joe,
The second repeated section starts with a partial measure.
The first alternative is two complete measures.
The two are incompatible.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Joe McCool
Sent: Friday, February 19, 2021 9:19
quarter note = 120. I think you want a dotted
quarter instead.
The source listed is in abc notation. How did you convert it?
Mark
From: Joe McCool [mailto:tangent.gard...@googlemail.com]
Sent: Saturday, February 20, 2021 12:42 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re
Joe,
I have made some minor changes to conform with performance.
See the attached.
The code has a great deal of “stuff” that is not necessary (from the source?).
Mark
From: Joe McCool [mailto:tangent.gard...@googlemail.com]
Sent: Saturday, February 20, 2021 12:42 AM
To: Mark Stephen
Roeland,
Place an \acciacatura s8 before each c4 in the alternatives.
Mark
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Roeland Visscher
Sent: Sunday, March 21, 2021 2:14 PM
To: lilypond-user@gnu.org
Subject: acciaccatura as first element
Understood, thank you.
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, March 21, 2021 2:37 PM
To: Mark Stephen Mrotek
Cc: 'Roeland Visscher' ; lilypond-user@gnu.org
Subject: Re: acciaccatura as first element of alternative
"Mark Stephen
Kenneth,
Look for
Positioning segno and coda (with line break)
At
http://lilypond.org/doc/v2.21/Documentation/snippets/repeats
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Kenneth Wolcott
Sent: Monday, March 29, 202
Welcome!
-Original Message-
From: Kenneth Wolcott [mailto:kennethwolc...@gmail.com]
Sent: Monday, March 29, 2021 8:15 PM
To: Mark Stephen Mrotek
Cc: Lily Pond
Subject: Re: del segno, etc symbols and separate coda questions
Excellent! Thanks, Mark, for the pointer to the snippet.
On
Gabriel,
Perhaps:
\version "2.22.0"
\relative c' {
<<{d4. \acciaccatura f8 e d4. a8_~ \stemDown |
a2}\\
{s1 \stemUp b4 b8. b16}>> s2 |
}
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Gabriel Borin
Sent: Wednesday, Mar
Tom,
Here is the header:
\header {
title = "O for thy spirit, holy John" %centered below dedication
subsubtitle = "(version \date)" %centered below subtitle - used as both
composition date and ascension number for the coposition.
composer = "Flor Peeters" %flush right }
}
Change the two
Robert,
Instead of \repeagtTie use \laissezVibrer.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Mark Probert
Sent: Thursday, April 29, 2021 4:14 PM
To: lilypond-user@gnu.org
Subject: repeatTie question
Hi.
When I
Ahanu,
Where is the “Fine”?
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Ahanu Banerjee
Sent: Saturday, May 1, 2021 3:29 PM
To: lilypond-user@gnu.org
Subject: repeat barline after fine double-barline
Hi,
As per the subject line
Mark,
Is the r8 supposed to be outside of the tuplet?
Do you want the tuplet be bee syncopated?
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Mark Probert
Sent: Tuesday, May 18, 2021 8:16 PM
To: Lilypond-User Mailing
Mario,
Look at
https://lsr.di.unimi.it/LSR/Item?id=574
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Mario Moles
Sent: Saturday, May 22, 2021 1:35 AM
To: lilypond-user@gnu.org
Subject: tempo
Hi lilyponders!
How to m
Mark,
Is this acceptable?
\version "2.22"
tune = \relative c'' {
\clef treble
b2^"A" \tuplet 3/2 {
\tuplet 5/4 { b16 cis cis b \set stemRightBeamCount = #1 d }
\tuplet 5/4 { \set stemLeftBeamCount = #1
f16 a, a bes \set stemRightBeamCount = #1 c }
\tuplet 6/4 { \set stemLef
Hans,
For Webster is a haircut only just a hair cut?
M
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Hans Åberg
Sent: Tuesday, June 15, 2021 9:08 AM
To: Jacques Menu
Cc: lilypond-user
Subject: Re: Terminology question
On 15 Jun 20
David,
Yes, yet what if the level was dynamic, i.e., changing, then dynamic would
operate as an adjective - stating what kind?
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Zelinsky
Sent: Saturday, June 19, 2021 10:
David,
I'll accept the burden.
His plays with dynamic dynamics.
Mark
-Original Message- l
From: David Wright [mailto:lily...@lionunicorn.co.uk]
Sent: Saturday, June 19, 2021 5:38 PM
To: Mark Stephen Mrotek
Cc: 'David Zelinsky' ; lilypond-user@gnu.org
Subject:
things.’"
Through the Looking Glass - Lewis Carrol
M
-Original Message-
From: David Wright [mailto:lily...@lionunicorn.co.uk]
Sent: Monday, June 21, 2021 7:23 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: Terminology question
On Sat 19 Jun 2021 at 18:05:15 (
How more forte is his fortissimo than his forte given that a fortissimo may
not be his forte?
From: Carl Sorensen [mailto:c_soren...@byu.edu]
Sent: Monday, June 21, 2021 10:52 AM
To: lilypond-user@gnu.org; Mark Stephen Mrotek
Subject: Re: Terminology question
His fortissimo varies
Darkijah,
Odd page numbers are on the right and even page numbers are on the left.
M
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
darki...@jesusgod-pope666.info
Sent: Tuesday, June 22, 2021 11:51 AM
To: lilypond-user@gnu.
Rachel,
Beaming command starts after the first note, e.g., d [ a b c ]
See if the attached works.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Rachel Green
Sent: Thursday, August 12, 2021 10:36 AM
To: lilypond-user
Subject: Line br
Dirck,
The two chords are of different duration.
\consists "Span_arpeggio_engraver" is not needed.
Mark
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Dirck Nagy
Sent: Sunday, August 29, 2021 1:32 PM
To: lilypond-user@gnu.org
Subject: Arpeg
Dirck I copied and pasted the code in the body of your e-mail.
Was there a different MWE or attached file?
Mark
From: Dirck Nagy [mailto:dn...@uwlax.edu]
Sent: Sunday, August 29, 2021 4:27 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: Arpeggios across notes in different
Ken,
Perhaps this may give you a start
https://lsr.di.unimi.it/LSR/Search?q=text+in+hairpin
Mark
I am engraving some music that has a "poco rit." embedded inside a hairpin.
See attached image.
How do I do that in Lilypond?
I'm using Lilypond 2.22.0
Thanks,
Ken Wolcott
Knute,
\finger \markup \overtie #"52"
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Knute Snortum
Sent: Thursday, October 21, 2021 9:00 AM
To: lilypond-user@gnu.org
Subject: Changing fingers while holding key down
H
Knute,
Some instructions are here
https://lilypond.org/doc/v2.22/Documentation/notation/inside-the-staff#fingering-instructions
although it refers mainly to stringed instrument.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Be
Hello,
A command/instruction exists to make double slurs between two chords.
What is the search term that I should use?
Thank you for your kind attention.
Mark
exactly do you want. But try to see
examples in the documentation, maybe there is what you are looking for:
http://lilypond.org/doc/v2.22/Documentation/notation/expressive-marks-as-curves#slurs
07.11.2021 19:08, Mark Stephen Mrotek пишет:
Hello,
A command/instruction exists to make double
Reuben,
Exactly!
Thank you.
Masrk
From: Reuben Kagan [mailto:reuben.ka...@gmail.com]
Sent: Sunday, November 7, 2021 8:21 AM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: search term
Hello Mark,
https://lilypond.org/doc/v2.23/Documentation/notation/expressive
Lukas-Fabian,
A new one for me!
Thank you.
Mark
From: Lukas-Fabian Moser [mailto:lukasfabianmo...@googlemail.com] On Behalf
Of Lukas-Fabian Moser
Sent: Sunday, November 7, 2021 9:47 AM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: search term
Am 07.11.21 um 17:08
David,
Even cleaner!
Thank you.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Sunday, November 7, 2021 11:22 AM
To: Lukas-Fabian Moser
Cc: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re: search term
Lukas-Fabian Moser writes:
> Am 07.11.21 um
Hello,
.
A piano piece I am engraving has several sections. Each has different
meters, keys, and number of voices. Each is coded in a separate score for
ease of future editing.
The entire piece is structured
\header {
title = ''title''
composer = ''composer''
opus = ''opus''
}
\in
1e.ly"
\include "Op 13 1f.ly"
No header is to appear in each of the sections.
Eventually the second and third movements shall also be included.
Again thank you for your kind attention.
Mark
-Original Message-
From: David Wright [mailto:lily...@lionunicorn.co.uk]
Sent: T
Valentin,
Thank you for your suggestions.
I shall try them.
Mark
-Original Message-
From: Valentin Petzel [mailto:valen...@petzel.at]
Sent: Tuesday, November 9, 2021 1:01 PM
To: lilypond-user@gnu.org
Cc: Mark Stephen Mrotek
Subject: Re: opus migration
Hello Mark,
Am I right to
: David Wright [mailto:lily...@lionunicorn.co.uk]
Sent: Tuesday, November 9, 2021 12:51 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: opus migration
On Tue 09 Nov 2021 at 11:43:54 (-0800), Mark Stephen Mrotek wrote:
> I did not explain the structure of the piece accurat
Hello,
To get instructions I went to
https://lilypond.org/doc/v2.22/Documentation/notation/expressive-marks-attac
hed-to-notes
And copied the code only modifying pitch and duration.
\version "2.22.1"
\relative c' {
\time 2/4
\key aes \major
ees'4
<<
{ f,8. [(aes3
Jean,
Thank you for your reply.
Outside staff priority has been removed
Attached is a PDF of results.
Mark
-Original Message-
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Wednesday, November 17, 2021 11:25 PM
To: Mark Stephen Mrotek ; lilypond-user@gnu.org
Subject: Re
a de Verdier [mailto:leo.correia.de.verd...@gmail.com]
Sent: Thursday, November 18, 2021 9:05 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: Delayed Turn
The beam appears since you have both the hidden note and the others in the
same voice. Adding the double backslashes is a shorthand for creating a ne
Moser [mailto:lukasfabianmo...@googlemail.com] On Behalf Of
Lukas-Fabian Moser
Sent: Thursday, November 18, 2021 12:31 PM
To: Mark Stephen Mrotek ; 'Leo Correia de Verdier'
Cc: 'lilypond-user'
Subject: Re: Delayed Turn
Correction: Since we're in a throwaway voice anyway, we don&#x
Hello,
Where in Frescobaldi 3.1.2 is the drop down that contains special
characters, e.g., those with accents.
Thank you.
Mark
Knute,
Thank you.
Mine has only articulation, dynamics, spanners, and bar lines.
Letter with accents do not appear.
Mark
-Original Message-
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Friday, November 19, 2021 6:41 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re
Ralph,
Thank you.
Under tools, coding, special characters. Got it!
Mark
From: Ralph Palmer [mailto:palmer.r.vio...@gmail.com]
Sent: Friday, November 19, 2021 8:06 AM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: special characters
I only have 3.0.0, and there it&#
Hi all,
Can individual staves in eg. a StaffGroup with \consists
"Keep_alive_together_engraver" be excluded from keep-alive-together?
I'm aware of VerticalAxisGroup.remove-layer which possibly does what I need it
to, but this morning I can't wrap my head around it in the attached example.
- Em
Paul,
Have a look at
https://lsr.di.unimi.it/LSR/Item?id=538
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Paul Scott
Sent: Monday, December 27, 2021 11:01 AM
To: Lilypond-User Mailing List
Subject: optional cue no
Hello All,
How do I get the slur go from the acciaccatura to the "a"?
Thank you for your kind attention..
\version "2.22.1"
\relative c' {
\acciaccatura b'8 8
}
Mark Stephen Mrotek
Shane,
Thank you for the suggestion, yet it only removes the slur it does not
reposition it.
Mark
From: Shane Brandes [mailto:shane.bran...@gmail.com]
Sent: Sunday, March 6, 2022 9:46 PM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: slur to chord
\version
Kieren,
Thank you, yet the slur still connects with the fis rather than the a.
Mark
-Original Message-
From: Kieren MacMillan [mailto:kieren_macmil...@sympatico.ca]
Sent: Monday, March 7, 2022 7:15 AM
To: Mark Stephen Mrotek
Cc: Shane Brandes ; Lilypond-User Mailing List
Subject: Re
Shane,
Shall inspect context. Perhaps something prior is affecting.
Thank you for your assistance.
Mark
From: Shane Brandes [mailto:shane.bran...@gmail.com]
Sent: Monday, March 7, 2022 7:40 AM
To: Mark Stephen Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: slur to chord
Run
Hello All,
While achieving the desired layout
\once
\override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(staff-bar clef))
produces a warning of unterminated slur event.
Mark
(staff-bar clef))
\clef treble cis''8 a |
}
Thank you for your kind attention.
Mark
-Original Message-
From: Jean Abou Samra [mailto:j...@abou-samra.fr]
Sent: Monday, March 21, 2022 12:02 AM
To: Mark Stephen Mrotek ; &#
Keith,
Please provide a minimum working code of what you want.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 3:22 PM
To: Mark Stephen Mrotek
Subject: RE: Help with ties and accidentals
Thanks Mark. Is there a way to prevent the natural symbol
Keith,
I do not see any difference between Original and Output.
Please check for accuracy.
Flash: In what key is this coded?
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 6:13 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Subject: RE
Keith,
Piece is in C
Every time you want a bes you must write bes.
The same applies with the ges.
Give me a moment to do a code for you.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 6:28 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Keith,
See the attached.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 6:28 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Subject: RE: Help with ties and accidentals
Sorry for the mistake on the links
Original - Music <h
Keith,
Been there, done that.
You are welcome.
Continue to play with Lilypond. It shall reward your efforts.
Mark
From: KEITH LYNN [mailto:klyn...@comcast.net]
Sent: Saturday, March 26, 2022 7:00 PM
To: Mark Stephen Mrotek ; Lilypond-User Mailing List
Subject: RE: Help with ties
Kevin,
Form what I see, the voices are interchanged.
What is in voiceOne should be voiceTwo and vice versa.
See:
https://lilypond.org/doc/v2.22/Documentation/learning/i_0027m-hearing-voices
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@g
Hans,
Without getting into detail, Arnold Dolmetsch contends that
"They (the various indications of a trillo) have no particular shade of
meaning, being only the consequence of his (Bach's) lack of system."
The Interpretation of the Music of the 17th and 18th Centuries, p. 169.
Mark
-Origi
Knute,
In an older version of Lilypond two merge commands were present: "different
dotted" (that you used) and "different headed" (which might be helpful)
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Knute Snortum
Knute,
I did also.
Could it be the result of the scaling? That is the notes, by Lilypond's view,
are in different columns and therefore cannot be merged.
Mark
-Original Message-
From: Knute Snortum [mailto:ksnor...@gmail.com]
Sent: Friday, May 6, 2022 4:29 PM
To: Mark Stephen M
Anahu,
Is this acceptable?
\version "2.22.2"
\relative c
{\tuplet 3/2 { g''8_4 g g } \tuplet 3/2 { c^4 c c } }
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Ahanu Banerjee
Sent: Wednesday, May 18, 2022 8:54 PM
To: Lily Pond
Sub
Eby,
The variables are defined as rhA, rhB, rhC, yet in the part-combine they are
listed as sopranoA, sporanoB, and sopranoC.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Eby
Mani
Sent: Thursday, November 15, 2018 12
Happens,
Not to worry.
-Original Message-
From: Eby Mani [mailto:eby...@yahoo.com]
Sent: Thursday, November 15, 2018 5:23 AM
To: lilypond-user@gnu.org; Mark Stephen Mrotek
Subject: RE: partcombine with 3-4 voices, flags not merged
My mistake while writing to the list, apologies, they
Ethan Sue
Suggestion here
http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-attached-to-notes
Scroll down to “delayed turn.”
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Ethan Sue
Sent: Monday, November 19, 2018
Hello,
Under 2.18 a reminder accidental could be created with an "!" (exclamation
point).
In 2.19 I cannot use the command and cannot find an alternative - except
automatic.
Am I missing something?
Thank you,
Mark
___
lilypond-user maili
Joram,
Thank you. Got it.
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Noeck
Sent: Sunday, November 25, 2018 4:41 PM
To: lilypond-user@gnu.org
Subject: Re: reminder accidental
Hi Mark,
do you have a minimal exampl
Stephen Mrotek wrote:
> Under 2.18 a reminder accidental could be created with an "!"
> (exclamation
> point).
>
> In 2.19 I cannot use the command and cannot find an alternative -
> except automatic.
>
> Am I missing something?
Do you have a MWE? Also would you c
Andrew,
Perhaps the purpose is to indicate the possibility of singing in two difference
keys. Here D major and Db major.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Sent: Thursday, November 29, 2018 5:33 AM
To: lilyp
David,
How about marking the part "ad libitum?"
Or perhaps making it bar-less as in a cadenza?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Sumbler
Sent: Friday, December 07, 2018 9:24 AM
To: lilypond-user@gnu
Brent,
Copied, pasted, ran it.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Brent Annable
Sent: Monday, December 17, 2018 6:39 PM
To: lilypond-user
Subject: Merge_rests_engraver broken?
Hi all,
Is the Merge_rests_engraver b
Hello,
Please see attached snippet.
In measure 3 the two e flats should be tied.
I have looked at using transparent as given in
http://lsr.di.unimi.it/LSR/Snippet?id=8
yet that would "collide" with the quarter rest.
Any suggestions would be greatly appreciated.
Thank you,
Mark
Jay,
Beautiful, and it preserves the voice leading!
Thank you!
Mark
From: Jay Anderson [mailto:horndud...@gmail.com]
Sent: Sunday, December 23, 2018 3:11 PM
To: Mark Stephen Mrotek
Cc: lilypond-user
Subject: Re: tie across voices
On Sun, Dec 23, 2018 at 2:40 PM Mark Stephen
21:35, Mark Stephen Mrotek wrote:
>
> Hello,
>
> Please see attached snippet.
>
> In measure 3 the two e flats should be tied.
>
> I have looked at using transparent as given in
>
> http://lsr.di.unimi.it/LSR/Snippet?id=8
>
> yet that would collide with the qua
Gentlemen:
In France the entrance to a building is on the ground floor. The floor above is
the premier étage – the first floor.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Andrew Bernard
Sent: Tuesday, January 01, 2019 7:43 PM
To:
Aaron,
Thank you for the caveat regarding Gould.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Aaron Hill
Sent: Saturday, January 05, 2019 9:35 AM
To: lilypond-user@gnu.org
Subject: Re: <>
On 2019-01-05 2:40 am, Wols
Urs,
Perhaps
{
\slurUp \stemDown \grace d''4 (c'')
\appoggiatura d'4 c'
}
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Urs Liska
Sent: Monday, January 14, 2019 4:08 AM
To: lilypond-user
Subject: Appoggiatur
Urs,
Forgot something
{
\slurUp \stemDown \grace d''4 (c'')
\stemUp
\appoggiatura d'4 c'
}
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Urs Liska
Sent: Monday, January 14, 2019 4:08 AM
To: lilypond-user
Stig Brautaset:
Something like this from
http://lilypond.org/doc/v2.19/Documentation/notation/long-repeats?
voltaAdLib = \markup { 1. 2. 3... \text \italic { ad lib. } }
\relative {
c''1
\set Score.repeatCommands =
#(list(list 'volta voltaAdLib) 'start-repeat)
c4 b d e
\set Score.rep
Peter,
Does this work?
\version "2.19.81"
<<
\new Staff \relative { c''1 c }
\new Staff \relative { c'1 c }
\new Staff \relative { \clef bass c1 c }
\new Staff \relative { \clef bass c,1 1}
>>
If you want different grouping look at
http://lilypond.org/doc/v2.19/
Joseph,
You could "unattach" the pedal from both parts and put the both in a
\new Dynamics {
}
The pedaling would be attached to "spacers" rather than notes.
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
Joseph Au
Yeko,
I see four lines of code in your word document. Each has some very minor
error/additions
1) remove the braces { }
2) remove the braces { }, change \trill to \startTrillSpan
3) remove the brace, }, after the \afterGrace and the brace, }, at the very end
4) remove the brace, }, after the \
Tim,
You can "insert" a second voice using the << // >> syntax explained here:
http://lilypond.org/doc/v2.19/Documentation/learning/i_0027m-hearing-voices
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Tim
Slattery
S
Trocado,
Which do you want the tuplet brackets all the same or the bracket omitted on
the last three notes?
Mark
-Original Message-
From: lilypond-user
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of
trocado
Sent: Wednesday, March 27, 2019 4:35 PM
To: lilypond-u
Aaron,
Please supply a snippet that encapsulates only the “problem.”
The code you provide has several syntactical errors.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Aaron Feldman
Sent: Saturday, March 30, 2019 3:21 PM
To: lilypond
Strephan,
How about:
\version "2.19.83"
melody = \relative c' {
c4 d e f^\markup {\center-align \bold "Fine"} \bar "||" |
g8 g a f g g g4\fermata^\markup {\right-align \bold "D.C. al Fine"} \bar
"|." }
\score {
\melody
\layout { }
}
Mark
-Original Message-
From: lilypond-user
David
Maybe use bar checks?
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of David Bellows
Sent: Saturday, May 18, 2019 3:59 PM
To: lilypond-user
Subject: Unconventional score and unwanted stray staff lines
Hello ever
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