I am searching your archives and pages for the equivalent of slides in vocal
music.
The appearance of a slide is a short glissando beginning (or ending) at a note
head. I have a SATB two-staff score with several slides and am wondering if
there is any way to coerce these out of the glissando a
How do I produce a png file using Lilypond 2.6.0 for Windows?
Stephen
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For Alternative 1, you should not include the name of the program, just the
path to it, but it does not work for me. Alternative 2 does work. I am using
an XP PC.
Stephen
- Original Message -
From: "Mats Bengtsson" <[EMAIL PROTECTED]>
To: "Stephen" <
el).
CC:d to lilypond-user.
On Saturday 02 July 2005 21.51, Stephen wrote:
> Hi,
>
> Have you heard whether there is a move to eliminate collisions between
> notes and dynamics?
dynamics work the same way as text.
Except that the properties should be set on another layout object
th
major? The answer is
treating the natural the same as the other two accidentals.
This could be written into the accidental engraver as a standard style:
#(set-accidental-style 'atonal)
Stephen
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Well, that solves that problem, do you happen to know why the composer and
opus fields overlap in the header?
When I post to the user group, I have to remember to manually paste in the
lilypond-user address. At least I think I have to.
Stephen
I am not sure what the error message means:
warning: accidental `5' not found
How is '5' an accidental? Of course, since it's not that's why is can't be
found, but how is it that it gets looked for?
Stephen
way, the error messages also stopped once it started to print a key
signature.
Stephen
\version "2.6.0"
atonicKey =
#(def-music-function (parser location) ()
#{ #(ly:export (make-music 'EventChord
'origin $location
ws endings back to
unix style line endings for when I make a patch on the sources.
Stephen
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En englais:
A well-placed
/break
or
/pageBreak
may do it.
I use:
betweensystempadding = -1\mm
bottommargin = 6\mm
or perhaps (peut-etre)
linewidth = 164\mm
to control where page breaks will be placed.
Ne rien,
Stephen
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How does the Embedding TeX commands snippet work in 2.6 - .7?
http://lsr.dsi.unimi.it/LSR/Item?id=107
Stephen
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needs and let the other users see for themselves how that makes Lilypond
more useful for everyone in the long run rather than try to anticpate the
needs of the fictional "general user".
Stephen
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- Original Message -
From: "Nicolas Sceaux" <[EMAIL PROTECTED]>
To: "Stephen" <[EMAIL PROTECTED]>
Cc:
Sent: Sunday, July 31, 2005 9:28 AM
Subject: Re: Staff.alignAboveContext and volta brackets
"Stephen" <[EMAIL PROTECTED]> writes:
- Original Message -
From: "Nicolas Sceaux" <[EMAIL PROTECTED]>
To: "Stephen" <[EMAIL PROTECTED]>
Cc:
Sent: Sunday, July 31, 2005 9:28 AM
Subject: Re: Staff.alignAboveContext and volta brackets
"Stephen" <[EMAIL PROTECTED]> writes:
aving them in effect?
Stephen
Vier.png
Description: PNG image
\version "2.8.0"
\paper {
#(set-paper-size "a5")
indent = 0\mm
}
upper = {
\time 3/8
\key b \minor
<< {fis'4( ~ fis'16 a') | }
\\ {fis'16( \tieUp d' ~ \once \override
From: "Mats Bengtsson" <[EMAIL PROTECTED]>
To: "Stephen" <[EMAIL PROTECTED]>
Cc:
Sent: Thursday, April 20, 2006 12:24 AM
Subject: Re: using oneVoice vs force-hshift in polyphany and alternatives
Quoting Stephen <[EMAIL PROTECTED]>:
Sure, the notes a
From: "Stephen" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, April 19, 2006 10:54 PM
Subject: using oneVoice vs force-hshift in polyphany and alternatives
Sure, the notes are in the right place. The interaction between the
various
parts is baffling though. Using \oneVoice to se
. So the stem length is
calculated differently.
I think the difference in stem-length between stems with different
flag-counts has been revised.
Browsing the documentation, lengths still exists, but has been taken out the
the 'User settable properties' list. It is in the &#
By the way, comparing the output between 2.6 and 2.8, I notice that slurs
are improved.
Stephen
From: "Stephen" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, April 19, 2006 10:54 PM
Subject: using oneVoice vs force-hshift in polyphany and alternatives
Sure, the notes are in the
How do I specifiy a specific Staff?
\remove "Axis_group_engraver" \consists"Hara_kiri_engraver"
I don't want this to apply to the PianoStaff.
Stephen
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- Original Message -
From: "Stephen" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, May 03, 2006 12:14 AM
Subject: Hara_kiri_engraver
How do I specifiy a specific Staff?
I found the answer: use \with to bind a layout command to a specific Staff.
My score block looks li
Why am I getting an attachment with no cover letter? I don't open
attachments unless I know what it is.
Stephen
- Original Message -
From: "Matevz Jekovec" <[EMAIL PROTECTED]>
To:
Sent: Monday, May 08, 2006 6:02 PM
Subject: Re: diff
the notes manually into a chord.
Using: \override NoteColumn #'force-hshift = #0.0 within different
polyphonic lines.
Stephen
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r any help.
Tomas Valusek
Remember that if you add lyrics the lyrics will take its own space and you'd
probably be happy with the default then.
Stephen
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-fonts could still be used with Lilypond, yet I
have not found a way to switch to a font other than truetype or opentype on
Windows.
Stephen
I can use ViewPS (in emacs) of course, so it's not a big problem, but I
was
wondering all the same.
One last thing: When I aired the question
adding = #0.5
\mark "Fine"
I changed the font-size because the default fontsize for \mark is larger
than for \markup. That is one of the only differences besides where they
attach the text.
Stephen
and (b) last time I attached something like that to a R1*8 it looked
rather silly ..
, and how can I do it?
Try using a rehearsal mark left-aligned to the preceeding barline:
\once \override Score.RehearsalMark #'self-alignment-X = #left
\once \override Score.RehearsalMark #'font-size = #0
Stephen
Peter C
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ss
\transposition c''
\transpose c c, { \relative c' {
c d es f
} }
}
\book {
\score {
\staffTrombone
\layout { indent = 0\mm }
\midi { }
}
}
Try compiling the example before making any comments.
Stephen
staffTrombone = {
\key c \major
2.4? Also, which font was that?
Stephen
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From: "Graham Percival" <[EMAIL PROTECTED]>
Sent: Thursday, May 18, 2006 12:29 PM
On 17-May-06, at 8:42 AM, Stephen wrote:
K, I get the error message 'The PostScript backend does not support the
'classic' framework. Use the EPS backend instead,
lilypond
ombone using the treble clef, you
are right in assuming that you will avoid making mistakes if you first use
the treble clef and then switch to the bass clef after you have proof-read
it.
Stephen
Afterwars I wanted to transpose
everything with one command into a bass clef staff with approp
\override Stem
#'flag-style = #'no-flag \tieDown ais, ~ |
ais,8 s } >>
I also used this number:
\override
NoteColumn #'force-hshift = #-0.6484375
Essentially a magic number of some kind that I
found by trial and error.
Stephen
d files in a directory at once, you can type:
convert-ly -e *.ly
Stephen
This will update the syntax of the file. A copy of the original will be
saved
with the name myfile.ly~
/Mats
alanvw wrote:
Hi all,
Would someone kindly give detailed directions on how to use the
"convert-ly&qu
t puts the title as well as instrument on
subsequent
sheets, etc etc).
I can't help you here, but you should attach the piece you are working on so
we can see the details. The header ordinarily will not print on more than
the first page.
Stephen
Cheers,
Wol
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de Stem #'flag-style =
#'no-flag \stemUp \tieUp d, ~ | d,4 } \\ {s8. \override Stem
#'flag-style = #'no-flag \tieDown ais, ~ |
ais,8 s } >> I also used this
number: \override NoteColumn
#'force-hshift = #-0.6484375 Essentially a magic number of som
Belatedly, I remember that (taking a cue from the
definition of \oneVoice) there is way other than
\override NoteColumn #'force-hshift = #0.0 :
\revert NoteColumn
#'horizontal-shift
There is a subtle distinction between the two. But
what is it?
Stephen
- Origin
s that you can
make UTF-8 encoding the default if you use jEdit. I don't think you can
change NotePad's default behavior of saving everything as ANSI initially,
although it respects and preserves whatever text format it is in after you
change it.
Stephen
Cheers,
- Graham
for me), and save it with UTF-8 encoding.
Just to explain further, you can switch the default encoding in jEdit to
UTF-8 by going to Utilities/Global Options/Default character encoding:
second line from the top.
Stephen
2. lilypond your score and voila!
I have been typesetting al kinds o
From: "bears388" <[EMAIL PROTECTED]>
Sent: Wednesday, May 24, 2006 10:00 AM
Dear Both,
Coincidentally found the answer to my problem by reading the maillist
archive and fiddling around! It's very similar to the solution given by
Stephen, to whom many thanks! Here&#x
My first reponse is of course you can have only one mark per barline. Try
combining everything in one \mark statement. Perhaps if you placed each mark
in a separate layer it could work, but Lilypond can't know what priority
each mark gets otherwise.
Stephen
From: "Kieren Richard
the repeat alternative is similiarly required for
every poplular song. Someone must have solved this already. I have to say that
this new example is nicely simplified.
Stephen
- Original Message -
From:
Matthijs Frankena
To: lilypond-user@gnu.org
Sent: Friday, May 26, 2006
One solution (or perhaps the solution) is to use
two scores, but I do not know how to ensure equal spacing between all staves
then.
Stephen
- Original Message -
From:
Matthijs Frankena
To: lilypond-user@gnu.org
Sent: Saturday, May 27, 2006 9:30
AM
Subject: Re
- Original Message -
From: "Graham Percival" <[EMAIL PROTECTED]>
To: "Kieren Richard MacMillan" <[EMAIL PROTECTED]>
Cc: "Stephen" <[EMAIL PROTECTED]>; "User's List LilyPond"
Sent: Friday, May 26, 2006 6:45 PM
Subject: Re
Is it possible to lighten the DynamicText font as well as shrinking it. This
will only shrink it and I would like to 'unbold it' as well:
\override DynamicText #'font-size = #-3
\override DynamicText #'font-series
How do I install 2.4.7 from
http://lilypond.org/download/binaries/cygwin/uploads/lilypond/ ?
Stephen
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- Original Message -
From: "Shamus" <[EMAIL PROTECTED]>
To: "Stephen" <[EMAIL PROTECTED]>
Cc:
Sent: Tuesday, June 06, 2006 9:32 AM
Subject: Re: lilypond-2.4.7-1
Stephen wrote:
How do I install 2.4.7 from
http://lilypond.org/download/binaries/c
e PDF files certainly are
perfectly readable and legible, so therefore, I don't think it is sad or
even undesireable to have the slight aliasing issues you see. After all, 72
dpi will always be inferior to 300 dpi no matter how you slice it. If
Lilypond is optimized for 300 dpi, that is a goo
- Original Message -
From: "Walter Hofmeister" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, June 14, 2006 10:56 AM
Subject: Re: barline problem
On 6/14/06 9:42 AM, "Erik Sandberg" <[EMAIL PROTECTED]> wrote:
On Wednesday 14 June 2006 17:25, Stephe
pening my PDF file and thinking "ick", I
want
them to open it up and think, ah, nice.then if they like it, print it
out.
You have to look very carefully to see what you are talking about. Lilypond
looks very nice in PDF. As already stated, the best way to display a sample
onlin
x27; mean if
you are trying to look at it at 72 dpi?
Stephen
Walter
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you working on that uses figured bass?
Stephen
- Original Message -
From: "Mats Bengtsson" <[EMAIL PROTECTED]>
To: "Julien Salort" <[EMAIL PROTECTED]>
Cc: "lilypond devel" ;
Sent: Wednesday, March 23, 2005 6:11 AM
Subject: Re: Figured bass
k that this would help
me greatly.
Kindest regards,
Stephen
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more
fruitful?
THANK YOU,
Stephen Seifert
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Hello,
I've been using Lilypond regularly for several years now with great
satisfaction. Recently, I've begun using lilypond generated png files in
powerpoint presentations and I'd like to know if there is a way to
generate these files with a transparent (rather than white) background so
I ca
On Mon, 25 Aug 2008 17:00:02 +, Stephen Corey wrote:
> Hello,
>
> I've been using Lilypond regularly for several years now with great
> satisfaction. Recently, I've begun using lilypond generated png files
> in powerpoint presentations and I'd like to know i
On Mon, 13 Oct 2008 18:01:34 +0100, Gerry Prosser wrote:
> when teaching a congregation a new worship song, it would be rather nice
> to project the melody line onto the screen as well as the words. But
> black-on-white is a projection disaster. It really needs to be yellow
> staff/text on a blue
As an American, I have to say that with so many of these
expressions, the meanings can change considerably based on the context.
In this particular instance, the writer wants to be able to apply a single
statement or rule and have the staves appear and disappear on their own
without any further in
cally.
So { c cs cs c } would, when rendered, have a sharps on the two middle
notes, and a natural on the fourth.
It's not the end of the world if I can't do it, but I figured it was worth
asking about.
Cheers,
Stephen
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the ideal would to have the proportions make sense
globally, and not just within individual bars.
Has anybody else here wrestled with this?
Peace,
Stephen
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Ah, I set extraNatural to false (which isn't a detail I mentioned before),
and then (after remembering to put it in each voice) I get exactly what I
want. Fantastic.
Cheers,
Stephen
(sorry if this is the second copy I sent to you dude; I've not used gmail
with mailing lists before
greatly appreciated. Thanks! Especially for all the great work!
Stephen
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bols in this order:
1. Clef
2. Time signature
3. Open repeat
4. The rest of the music.
Thanks for any help you can provide.
Stephen
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EMAIL PROTECTED]]
Sent: Fri 10/21/2005 1:54 PM
To: Mats Bengtsson
Cc: lilypond-user@gnu.org; VSD; Kress, Stephen
Subject: Re: First Measure bar
On 21-Oct-05, at 1:07 AM, Mats Bengtsson wrote:
> I hope you have a good reason to deviate from standard music
> typesetting
> practice. As far as I
syntax but I can't complain. You have
done a wonderful job with this software. I'd be interested in helping
to support getting this Scribus feature up and running. Also, are there
any user groups in the Eastern U.S. or parties interested in perh
roblems before them are still there.
I'm not doning anything complicated at all here so I am at a loss as to why lilypond stops drawing bar lines and stops counting properly (or at least gives the appearance of not counting rignt).
Any help would be very much appreciated. Thanks!
Stephen
rking with the score), then
LilyPond will print a warning every time it finds bar that does
not end where you put the |.
However, here it shouldn't be hard to find the problem anyway, since
the b4 in bar 71 begins an 8th before the bar line.
/Mats
Kress, Stephen wrote:
>
> All,
>
&g
top half of score off the page
-gaps between pages, 7-8 measures missing between pages
This score is handled perfectly in letter format so I'm sure it is just
a matter of getting the right settings for tabloid. If anyone has
already worked through this issue, I'd greatly appreciate your
atter of getting the right settings for tabloid. If anyone has
already worked through this issue, I'd greatly appreciate your input.
Stephen Corey
Richmond, Virginia USA
--- End Message ---
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http:/
input.
Using Lilypond 2.6.3 with jEdit 2.4 on 64 Bit Suse 10.0
Stephen Corey
Richmond, Virginia USA
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ly new user problem so I am
open to advice or being pointed to a FAQ.
Stephen
signature.asc
Description: This is a digitally signed message part
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On Fri, 2005-12-09 at 09:19 +0100, Mats Bengtsson wrote:
> It's certainly not a FAQ, I cannot recall having seen this very problem
> before. However, you can get much more help from the mailing list if you
> - Tell what operating system you use
Gentoo Linux (2005.1)
> - Tell how you installed Lil
m not sure how to properly write out the lyrics yet in lilypond.
Stephen
--
\version "2.6.5"
global= {
\time 2/2
\key a \minor
}
%---
% First guitar (regular)
%--
firstGuitar = \context
context.
> Also, I suggest that you look in the manual about \chordmode
> before you start to use text markup to that effect.
Thanks for the pointer.
Stephen
signature.asc
Description: This is a digitally signed message part
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lilypo
rror message about my lyrics mode line because I believe its
expecting four words or syllables for measure #3. How do I tell lilypond
to be please let 'si' be one count in 2/2 time and 'lience' be for one
count?
Stephen
signature.asc
Description: This is a digitally signed me
x27; a' f |
}
}
}
%-------
% Score
%---
\score {
<< \firstGuitar
\lyricsto "GuitarOne" \new Lyrics \words
\secondGuitar>>
\layout {}
}
Stephen
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o produce guitar music for hymns that don't
have it so I want to try and learn on my own for starters. Thanks.
Stephen
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the thirdVerse variable?
Stephen
---
\version "2.6.5"
global= {
\time 2/2
}
%---
% First guitar (regular)
%--
firstGuitar = \context Staff {
\set Staff.instrument = "Guitar 1 "
\contex
On Tue, 2005-12-13 at 23:43 -0500, Gordon Gilbert wrote:
> Hi Stephen!
>
> I compiled your piece and the only workaround I can see for what you want
> is to type "host-of" to get those two words on the same note -- lily
> thinks a hyphen is simply part of a word (
On Tue, 2005-12-13 at 23:51 -0800, Graham Percival wrote:
> On 13-Dec-05, at 10:30 PM, Stephen Torri wrote:
>
> > It works but its not ideal. If indeed lilypond is trying to engrave
> > music in the right way then I should not need a hyphen to make it put
> > two words
lilypond file (piece.ly) and a instrument file (guitar1.ly).
I can print out the master score using score.ly and an instrument using
guitar1.ly.
Any idea of how to insert the lyrics into the score.ly and guitar1.ly
respectively"?
Stephen
piece.ly
\version "2.6.
rics for guitar 2 but I luck out this time that the
timing is the same but different notes. So I can use the lyrics in
guitar2.ly. Thanks for the information.
Stephen
signature.asc
Description: This is a digitally signed message part
___
lilypond-us
t out chords on sheet music. I don't need the
note only the name. Does this make sense?
Stephen
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syntax to do this. Do I need to put my lilypond doc into a
latex doc and try it that way?
Stephen
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On Mon, 2005-12-19 at 17:14 +0100, Thies Albrecht wrote:
> Hi Stephen!
>
> > Some text is aligned on the
> > left and right side of the page as if the foot note was split into two
> > columns...
> Do mean something like
>
> copyright = \markup \fill-line {{
27; to indicate a half measure and got the results I wanted.
Aside on the slur how do you slur chord names? For example how do I get
away with no repeating the Am chord in the second measure.
Stephen
signature.asc
Description: This is a digitally signed message part
_
event: `TieEvent'
harmonies = \chordmode { g1
~ | g1 | d1 }
Here is my chord line:
harmonies = \chordmode { g1~ | g1 | d1 }
What am I doing wrong?
Stephen
signature.asc
Description: This is a digitally signed me
be inserted so
that the chord name following it would be properly spaced.
Stephen
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Description: This is a digitally signed message part
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something like
>
> \chordmode{ c1*3:dim7 ... }
>
>/Mats
No I did not realize I could use the multiplication symbol '*' to adjust
the duration. Thanks.
Stephen
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Description: This is a digitally signed message part
___
lily
s can pick this up easy but I feel that beginners or people
new to a song do well by having things written down.
So I am looking for a notation that tells me to strum either up or down
for a certain period of time. For example strum down once per beat in a
4/4 time
.asp
Another similar to above
http://www.acousticguitar.com/lessons/Simple_Sync/3.shtml
- example #2 -
This example uses arrows on a Tabulature to denote direction and which
strings are hit by the pick.
http://www.teachguitar.com/content/tmbasi
type of notation
>
>\override NoteHead #'style = #'slash
Thanks. Do you know how I can indicate whether the musician should be
strumming down or up?
Stephen
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e
only group I know that relates to Lilytool in any way. BTW, I love
Lilypond! And just in case anyone has helpful tips, I'd love to try
Denemo but have never been able to satisfy the build requirements on this
machine.
Thanks,
Stephen Corey
Here is the context of a BeanShell Error wi
> Briefly:
> Lilytool, I think the old name was Lilypondtool, version 2.7 is no longer
> on the jEdit website. Version 2.9 requires jdk 5.0 which I downloaded
> from Sun and installed, presumably with no problems.
From: Tim Sawyer <[EMAIL PROTECTED]>
To: Stephen Corey
On Tue, 10 Jan 2006 01:50:25 +0200, Tapio Tuovila wrote:
> Stephen Corey kirjoitti:
>>
>> Tried Tim's suggestions and he is correct and this does at least seem to
>> be the bulk of the problem. I have read that there are still some issues
>> with java and x86_64
t not to be compatable with 2.8) along with it and removing lilypond dit not remove ghostscript. I need to check if guile also has the same issue...
So, if you are on Linux and move from 2.6 to 2.8, make sure your ghostscript (and probably guile) installation is up-to-date.
Stephen
2006-04-07,
Title: RE: LilyPond and OpenDocument
Is there a reason you can't use
lilypond --backend=eps myfile.ly
? This should create an EPS file which OO knows how to import. If you want the ability to edit what LP puts out, this won't give you what you need, though. If you're actually making
the measure.
Attached is the files for the song. I used lilypond 2.8 so you just have
to type 'make' and all will be built. Look at the master.pdf. You will
notice that the fifth lyrics start at the beginning of the piece and not
with the repeat for the 5th time through the piece
On Sat, 2006-05-20 at 00:06 -0500, Stephen Torri wrote:
> I have a piece of music for church which had a key change only for the
> 5th measure.
Never send emails after 10 pm. Go to bed instead. Bah!
I mean to say that the key change occurs when playing the piece for the
5th time. So ke
interesting
results (e.g. partial measure printed on the bottom of the page).
Another is that the PDFs produced have the character 'm' for all the
chord names when printed. The PS files seem to be a bit large as if set
for A4 paper. I have a Samsung 2251N printer.
Attached is my pres
On Sat, 2006-05-20 at 22:59 +0200, Mats Bengtsson wrote:
> Stephen Torri wrote:
>
> >
> >One of my issues now is how to make the number of measures per line the
> >same. I tried to use the \break and \pageBreak but the layout went
> >crazy. Lilypond created pages la
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