Dear lilypond-users,
I wonder, why the stems and beeams are looking so strange in the below
quoted example:
re = { \change Staff = rechts }
li = { \change Staff = links }
%begin%%%
rechts = \relative c'' { \time 6/8 < ees ees'>8 [ r8 \li ] \re < ees
ees'> [ r8 \li ] }
links = { s2. }
\score {
\
Dear Joe,
does it mean, a new update of lilypond is available, that fixes the problem?
2008/5/17 Joe Neeman <[EMAIL PROTECTED]>:
> On Sat, May 17, 2008 at 5:14 PM, Stefan Thomas <
> [EMAIL PROTECTED]> wrote:
>
>> Dear lilypond-users,
>> I wonder, why the stems
Dear lilypond-users,
in the below quoted I example I would like to hide the key signature, but I
want to keep some space between the clef and the time signature.
How can I do it?
% begin
\version "2.11.43"
\markup {Transponiere unten stehenden Ausschnitt nach Es-Dur.
Vergiss
Dear lilypond-users,
after running lilypond-book (I attached the .tex-file to the mail) I got a
very long error message, I don't understand. I'm not able to produce a pdf
or dvi-file. What have I done wrong?
Here is the message:
lilypond-book (GNU LilyPond) 2.11.43
Reading notennamen.tex...
Runnin
Sorry, I forgot the attachment. I 've copied a little snppet of it in the
mail:
\documentclass[a4paper,12pt]{article}
\usepackage[ngerman]{babel}
\usepackage[utf8]{inputenc}
\usepackage[paper=a4paper,left=20mm,right=20mm,top=25mm,bottom=25mm]{geometry}
\begin{document}
\begin{center}
\textbf{Not
Dear lilypondusers,
I have a problem with TimeSig in connection with grace-notes.
I don't understand why the grace notes why the grace-notes in the below
quoted example appear before the time signature.
It must have to do with the TimeSig function. How can I fix the problem?
Here is the example:
%%
x27;Score)
> #(override-auto-beam-setting '(end * * 3 4) 3 4 'Score)
> }
>
> - Original Message - From: "Stefan Thomas" <
> [EMAIL PROTECTED]>
> To: "lilypond-user"
> Sent: Thursday, May 22, 2008 3:29 PM
> Subject: grace notes in Ti
Dear lilypond-users,
in my opinion the tempo-mark-text is to much on the left side. Is there a
possibilitiy to change it?
Here the example:
%% begin %%
tempoMark =
#(define-music-function (parser location prependText notevalue
appendText) (string? string? string?)
#{
Dear lilypond-users,
I have another strange problem:
in the below quoted example, I can't have the notes in the quintuplet under
one beam.
How can I solve the problem?
\version "2.11.43"
\relative {
\time 3/4 r2 \times 2/3 { r8 g b } |
\time 4/4
\times 4/5 { d16 [ b f'8. ] } r4 r2 }
_
Dear Neil,
thanks! I've made a shortcut
quintolbeam = { \once \set beatLength = #(ly:make-moment 1 20) }. I must
say, it's the first time I had this problem with tuplet and beams.
2008/5/24 Neil Puttock <[EMAIL PROTECTED]>:
> Hi Stefan,
>
> 2008/5/24 Stefan Thomas <
Dear Michael,
thanks, it works now!
2008/5/27 Michael Käppler <[EMAIL PROTECTED]>:
> Hi Stefan,
>
>> Dear lilypond-users,
>> I made a strange experience.
>> If I process the following quoted file with lilypond-book in the path "
>> ~/partituren " everything is fine!
>> But if I do the same in " ~
Dear lilypond-users,
is anyone of You experienced with RUMOR? Or with emacs Midi-input mode by
Hans Lubs?
I tried to install these programs from source many times, but without
success!
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Dear lilypond-users,
since I work with lilypond, I've made some libraries with a lots of
user-defined commands. Now I would like to know:
is it possible to include these files automatically in any of my
lilypondfiles, without the "\include"-command?
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Dear NIcholas,
Yes, I'am using (also) Linux on my machine, but I couldn't install RUMOR.
2008/5/29 Nicolas Sceaux <[EMAIL PROTECTED]>:
> Le 29 mai 08 à 00:04, Stefan Thomas a écrit :
>
> Dear lilypond-users,
>> is anyone of You experienced with RUMOR? Or with e
Dear Mats, dear Valentin,
I think I will do the \include, it seems to be more useful!
2008/5/29 Mats Bengtsson <[EMAIL PROTECTED]>:
>
>
> Valentin Villenave wrote:
>
>> 2008/5/29 Stefan Thomas <[EMAIL PROTECTED]>:
>>
>>
>>
>>> since I wo
Dear lilypond-users,
how can I get (on linux) the error-messages that lilypond produces in a
separate text-file, that I can save and read with e.g. kwrite?
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Dear Jay,
today I tried Your great rhythm template function.
I have one quetion about it: does it work only with repetitions of the same
note?
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ost uses though.
>
> -Jay
>
> On Fri, May 30, 2008 at 12:04 PM, Stefan Thomas
> <[EMAIL PROTECTED]> wrote:
> > Dear Jay,
> > today I tried Your great rhythm template function.
> > I have one quetion about it: does it work only with repetitions of the
>
Dear Rune,
months ago You have been so kind texplain me a very useful scheme-fuction,
which can save a lot of type setting. I used it many times, but now there is
something, I don't understand:
Why does the first snippet work quite well, and the second not? Off course,
it must have to do with the
Dear Lilypondusers,
I modified (which was very easy) the addStaccato function to addTenuto,
which also works very fine. But I have one question:
Could it be possible to exclude those notes, that follows the one with the
tie?
I think, this could be also interesting (even a bit more) for the
addStacc
Yeah, great! It excludes the ties and the rests too, that seems to be
perfect for me!
Thanks a lot!!
2008/6/2 Gilles THIBAULT <[EMAIL PROTECTED]>:
>
>
>
> #(define (addTenutoFilterFunction event)
> (let ( (eventname (ly:music-property event 'name)) )
> (if (eq? eventname 'EventChord)
> (l
Dear Gilles,
thanks for Your tipp! But I tried it with an own example, that does not
work, I don't know why:
\include "rhythmen.ly"
sax = #(define-music-function (parser location musicA musicB musicC)
(ly:music? ly:music? ly:music?)
#{
\set tupletSpannerDuration = #(ly:make-mom
Great, it works perfectly!
2008/6/3 Gilles THIBAULT <[EMAIL PROTECTED]>:
>
>
>
> Dear Gilles,
> thanks for Your tipp! But I tried it with an own example, that does not
> work, I don't know why:
> \include "rhythmen.ly"
>
> sax = #(define-music-function (parser location musicA musicB musicC)
>
Hi evverybody,
are there plans to make a debian-package of this tool?
I don't like installing from source, I tried it several times, but without
success!
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Dear Luis,
I had the same problem! But there is a solution (not my idea) available. I
changed Your snippet o the following:
%%% BEGIN %%
\version "2.11.42"
quintolbeam = { \once \set beatLength = #(ly:make-moment 1 20) }
\relative c'
{
\times 4/5 { f8 f16 f16 f16 } r4
\times 4/5 { f16 f
Dear Lilypond-users,
I want to make a substitution with the \movement-command ( look at:
http://lsr.dsi.unimi.it/LSR/Item?id=444).
But unfortunately this doesn't work:
langsamer = { \movement "subito meno mosso" "4" #69 }
How can I change it?
I had another strange experience with the movement-comm
Dear lilypond-users,
how can I change the automatic beams for the triplets in this example?
I would like to beam the triplets in groups of three and I would like to do
it automatically.
Here the example:
\version "2.11.7"
{ \time 2/2 f'' 4 \times 2/3 { a'' 8 g'' f'' } \times 2/3 { e'' d'' c'' }
\t
Dear Lilypond-users,
is there a possibilitie to integrate symbols for percussion-beaters and
sticks in a lilypond-file?
I personally don't use these symbols very often but I know, that they are
sometimes used in percussion scores and parts.
I would like to know it for the grand documentation proje
Dear Lilypond-users,
I would like to make a varibable substitution for stems over two systems.
Before I used (thanks to Wilbert Berendsen)
noFlag = \override Stem #'flag-style = #'no-flag
stemExtend = { \noFlag \autoBeamOff
\override TupletNumber #'transparent = ##t
\override TupletBracket #'brack
Dear Lilypond users,
why are the clefs not shown in the below quoted example?
rechts = { \clef "treble" s1*2 \break s1*2 }
links = { \clef bass s1*4 }
\version "2.11.43"
\score {
\new PianoStaff = "Klavier"
<<
\new Staff= "rechts"
\with { \remove "Time_signature_engraver"
Dear Trevor,
I use version 2.11.47!
2008/6/17 Trevor Daniels <[EMAIL PROTECTED]>:
> Stefan
>
> Which version are you using? When I try it clefs appear as expected in
> both 2.11.49 and 2.11.43-2.
>
> Trevor
>
> - Original Message - From: "Stefan
Dear Lilypondusers,
I don't know, what could be wrong with this snippet:
\version "2.11.49"
\relative { \compressMusic #' (1 . 2 ) {c4 c g' g a a g2 } }
Is it a bug of the version 2.11.49?
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Hi Kieren, with the help of the german sidux-forum I succeded with:
find . -iname '*.ly' -exec perl -pi -e 's/compressMusic/scaleDurations/g' {}
\;
Hope it can help other users.
2008/6/29 Kieren MacMillan <[EMAIL PROTECTED]>:
> Hi Stefan,
>
>
> I don't know, what could be wrong with this snippet
Dear Lilypondusers,
when the syntax changes (like it has happened with compressMusic), do I have
the possibilite to change the word list in jedit/lilypondtool? I think it
doesn't now scaleDurations now, does it?
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Oh, I didn't think of it! How stupid!
2008/6/30 Graham Percival <[EMAIL PROTECTED]>:
> Or you could just run convert-ly: the tool that's *designed* to do
> these updates.
>
> Cheers,
> - Graham
>
>
> On Mon, 30 Jun 2008 21:53:25 +0200
> "Stefan Th
Dear hhpmusic,
I've already started with some of the "funktionsbezeichnungen". I think, it
will be a lot of work to make a library with all the necessary sympols. But
maybee we can share the work.
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http:
Dear Lilypondusers,
is it possible to make an ascending or descending line in a textspanner?
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Dear lilypond-users,
in the below quoted emxample, in my ponion, the stem from the b flat to the
d should end at a little higher position. But I don't know, how to change
it.
Here the example:
schiefrunter = { \once\override Stem #'extra-offset = #'(-1.1 . 0.75)
\once\override Stem #'rotation =
Dear Lilypond users,
in the below quoted example, the positions of the accidentals are not
convincing, in my opinion. Is there a possibilitie to change this generally?
%% begin %%
\relative { \time 3/4 8-> r r2 \time 4/4 8->
r r4 r2 }
% end %%%
_
Dear lilypondusers,
how can I achieve the end of the TextSpanner together with the last
shorter-rest in the below quoted example:
%% begin %%%
\version "2.11.49"
pedal = { \once \override TextSpanner #'outside-staff-priority = #500
\textSpannerDown
\once \override TextSpanner #'bound
(5.5 . 0)
\once\override NoteColumn #'force-hshift = #3.85 bes} >> r16 r8 }
\new Staff
\relative { \akkord r4 r2 \transpose c f { \akkord } r4 r2 }
END
2008/7/6 Stefan Thomas <[EMAIL PROTECTED]>:
> Dear lilypond-users,
> in the below quoted emxample, in my poni
Dear Valentine,
as far as I can remember, I removed the bar-engraver for a special reason, I
think it was for pedagogical purposes and it was a longer example.
2008/7/20 Valentin Villenave <[EMAIL PROTECTED]>:
> 2008/6/17 Stefan Thomas <[EMAIL PROTECTED]>:
> > why are the c
Dear Lilypond-users,
I have in mind an input like:
\relative { \brokenoctaves {c d e f g }}
and the desired output is:
\relative { c c' d d' e e' f f' g g' }
Can this be done automatically?
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try it, but I´m not
> too experienced in such things.
>
> Dominic
>
>
> 2008/7/25 Stefan Thomas <[EMAIL PROTECTED]>:
> > Dear Lilypond-users,
> > I have in mind an input like:
> > \relative { \brokenoctaves {c d e f g }}
> > and
Dear Jay,
many thanks for Your very nice plugin! I think it will be a very useful
thing for me.
But I have one question:
I would be interested in having other plugins for other intervalls, or even
for small sequences of notes. If I want to change the Interval from an
ovtave to, lets say, a fifth,
Dear Jay,
many thanks for Your very nice plugin! I think it will be a very useful
thing for me.
But I have one question:
I would be interested in having other plugins for other intervalls, or even
for small sequences of notes. If I want to change the Interval from an
ovtave to, lets say, a fifth,
#x27;t have to fear
voice-leading teachers (and I think broken fifths have never been
forbidden)!
2008/7/27 Jay Anderson <[EMAIL PROTECTED]>
> On Sun, Jul 27, 2008 at 9:46 AM, Stefan Thomas
> <[EMAIL PROTECTED]> wrote:
> > Dear Jay,
> > many thanks for Your ve
Dear Luis,
on linux, there is the program pdf-edit available. You can add there simple
graphice. And as far as I know, You can export lilypond files to other
graphic formats, like png. You can read it in the manual. But You can also
add graphics with the markup command, at least eps-files.
with the "\quintrauf"-command, but,
it is not much faster then just typing the notes.
I desire a function, where You can type just once "\quintrauf", and all the
following notes will be changed. I think it must be possible.
2008/7/29 Jay Anderson <[EMAIL PROTECTED]>
>
Dear Lilypond users,
how can I revert these "webernAccidentals"to normal style?
%%% begin %%%
\version "2.10.0"
webernAccidentals = {
% the 5s are just "a value different from any accidental"
\set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5)
Dear lilypond-users,
I have a problem with ties in connection with automatic note splitting. I
don't understand why the ties in the below quoted example look so strange:
Is it a bug?
\score {
\new Staff {
\new Voice \with {
\remove "Note_heads_engraver"
\consists "Completion_heads_e
Dear Lilypond-users,
with my actual version (2.11.49), the very nice addStaccato (or in this case
addTenuto) function doens't work as it did before.
In the quoted example, the note after the tie has a tenuto too (and I don't
want it) and the accent above the tenuto looks strange, it should be below
Dear lilypond-users,
I have a quesetion concerning the file drumpitch-init.ly.
I know it is on a linux machine normally at:
/usr/local/lilypond/usr/share/lilypond/current/ly
But could someone please tell me, where I can find this file on a windows
and on a macintosh machine?
I need to know it for t
Dear Lilypond users,
in the below quoted example I get two staves, although I would like to have
one!
What could be wrong?
\version "2.11.49"
global = { \time 4/4 s1 }
drumsA = {
\context Voice << { \global } { \drummode { tamb4 tamb tamb tamb } }
>> }
\new DrumStaff
{ \drumsA }
__
Dear Lilypond,
when calculating a large score I get an error message: "nicht genügend
Arbeitsspeicher" (not enough main storage).
Is there a possibilitie to solve this problem?
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Dear Valentin,
unfortunately I can't reach the link anymore! I would like to add the
example to the documentation of percussion instruments!
2008/6/16 Valentin Villenave <[EMAIL PROTECTED]>
> 2008/6/16 Stefan Thomas <[EMAIL PROTECTED]>:
>
> > is there a possibil
a big think, I guess. Could it bee, that there is
something wrong with my system?
2008/8/11 Bertalan Fodor (LilyPondTool) <[EMAIL PROTECTED]>
> Then I'm not sure. Try:
> export LILYPOND_GC_YIELD=20
> or ask it on lilypond-user.
>
>
> Stefan Thomas wrote:
>
> Dea
Dear Valentin,
but how can I open this file? Where do I find it?
I don't have the source-code of the documentation and I don't know how to
compile it.
2008/8/14 Valentin Villenave <[EMAIL PROTECTED]>
> 2008/8/11 Stefan Thomas <[EMAIL PROTECTED]>:
>
> > un
Dear Lilypondusers,
how can I switch on textLentgthOn for more than one word?
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Dear lilypond-users,
I have a collision between the note and the text of the TimeSig in the below
quoted example.
Is there any possibility to avoid this?
Thanks for help,
Stefan
noten = { c''1 }
tempotakt = { s 1 ^\markup { \column { \upright "subito piu mosso" \line {
"(" \note # "4" #0.75 "= 1
Hi,
I'm searching for a live Cd with lilypond. I know, there is Musix, but it
has a very old version. And UBUNTU Studio, as far as I know, is not a live
CD, or is it?
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Dear Valentin,
many thanks for Your tips!
You are right, nimblex looks great,it would be a good thing, if there could
be included Lilypond!
2008/8/22 Valentin Villenave <[EMAIL PROTECTED]>
> 2008/8/22 Stefan Thomas <[EMAIL PROTECTED]>:
>
> > I'm searching for a
Dear lilypondusers,
I have read the article in
http://lilypond.org/doc/v2.10/Documentation/user/lilypond/Invoking-lilypond
but I still don't know, how I can chance the LILYPOND_GC_YIELD to e.g. 60.
When I type lilypond LILYPOND_GC_YIELD 60 I get an error message.
I should mention I use lilypond 2.1
re of the same kind.
2008/8/23 Mats Bengtsson <[EMAIL PROTECTED]>
> Read any general Linux instruction on how to set environment
> variables. If you use bash as your shell, then it should work to
> do
> export LILYPOND_GC_YIELD=60
> lilypond ...
>
> /Mats
>
> Stefan
Dear lilypond-users,
I have a question concerniung the paper size. When I print a pdf-file with
lpr, the top off the page is cut off. I think, the defualt paper size is not
a4. But the same thing happens, when I include the line "
#(set-default-paper-size "a4")" in the ly-file.
Does someone know, h
Dear Alexander,
the default paper size in my pdf program is a4. But I have to set there the
margins to 1.27 cm, 1.27 cm, 1.57 cm and 1.57 cm. Otherwise the lilypond
generated pdf file would be too large for a a4 paper.
2008/8/25 Alexander Kobel <[EMAIL PROTECTED]>
> Stefan Thomas wrote:
Hi,
unfortunately I don't know anything about Slackware, but a live CD with the
latest stable version of lilypond would be great!
2008/8/29 Wilbert Berendsen <[EMAIL PROTECTED]>
> Op donderdag 28 augustus 2008, schreef Valentin Villenave:
> > the Nimblex guys seem to be ready to include LilyPond
Dear lilypond-users,
I have had an (maybee studpid) idea in the last days. You know that there
are some programs available, that run in the internet, like e.g. the google
office. Do You think
it could be possible to make an internet-based version of lilypond?
___
Yes, that looks very promising!
2008/8/30 Kieren MacMillan <[EMAIL PROTECTED]>
> Hi all you server-side 'Ponder-ers!
>
> I think a few of us are convinced LilyPond can have a
>> future as a client+server application
>>
>
> For the record, I eventually want to set up a server for my musical theat
Dear lilypond-users,
I found out (with the help of the manual), that with the following tweak I
can get longer hairpins.
\version "2.11.49"
\relative { \override Voice.Hairpin #'minimum-length = #10 \time 3/4 e 4
\p\< e \ff e }
But how can I change it for the whole score? Is it possible to wri
Dear Kieren,
thanks for Your very nice snippet.
\override Score.Hairpin #'minimum-length = #10
works very well, but
\layout { \context { \Score \override Hairpin #'minimum-length = #10
} }
does not work in my score.
Maybee it has to do with the cirumstance, that I use "\new Score" at the
be
Dear Lilypond-users,
in the below quoted example I can't see the "crescendo" and I don't know
why. Does someone know a solution?
\version "2.11.49"
{
\set crescendoSpanner = #'text
\override DynamicTextSpanner #'dash-period = #-1.0
a'2\< a a a\mf }
Dear Kieren,
thanks for Your advice.
But what can I do with my version of the program?
2008/9/7 Kieren MacMillan <[EMAIL PROTECTED]>
> Hi Stefan,
>
> in the below quoted example I can't see the "crescendo"
>> and I don't know why. Does someone know a solution?
>>
>
> At least with version 2.11.5
ailey <[EMAIL PROTECTED]>
> Then you need \setTextCresc. You may want to download the documentation for
> version 2.11.49.
> http://download.linuxaudio.org/lilypond/binaries/documentation/lilypond-2.11.49-1.documentation.tar.bz2
> Am 08.09.2008 um 08:59 schrieb Stefan Thomas:
>
>
Yes, I understand it is not possible in the way I tried.
But the problem is: I have already defined a "\pcresc" command and I would
like to change it once for the whole score, if possible.
2008/9/8 James E. Bailey <[EMAIL PROTECTED]>
>
> On 08.09.2008, at 13:46, Stefan T
eriod = #-1.0 s 1*0\p \< \setHairpinCresc } >>
#})
\version "2.11.49"
{
\pcresc c' d' e' f' g' 1 \f
c' 4\p \< d' e' f' g' 1 \f
}
But I would prefer to write the \pcresc command after (and not before) the
note. Is it possible to organ
Dear Lilypond-users,
in the below quoted example the position of the "rit" is ver high.
Does somebody know the reason for this?
Sorry, the example is a bit long.
\version "2.11.49"
\layout{
\context {
\type "Engraver_group"
\consists "Text_spanner_engraver"
\consists "Text_engrav
Dear Lilypond-users,
a friend of mine (he uses finale and he can be very stressing with
note-typing things) is of the opinion, that the bass-clef in lilypond is to
small.
Is it possible to change the size of the bass clef?
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Dear Gilles,
I need the TimeSig, becauses I have written a larger, so called "french"
score. In the score as well in the parts the exrpessions like "rit.", "piu
mosso", etc. shall be shown always on top, in all parts and in the score. Or
do You know another way to do this without the timeSig?
2008
Dear lilypond-users,
in the below quoted example the inclination of the beam is, in my opinion, a
bit extreme.
Is there a possibilitie to change the maximum inclination of beams in
general, for a whole score?
Here the short example:
\relative { \times 4/5 { c16 c' g' c e } g2. }
___
Dear lilypond-users,
in the below quoted example the position "Trompete in B" should be higher
than "con sord.". How can I change it?
changeInstrument =
#(define-music-function (parser location string) (string?)
(make-music
'TextScriptEvent
'direction UP
Dear James,
thanks for Your help. But what can I do, if I only want to change the size
of the bassclef and if I have an instrument like piano, where the clefs are
changing constantly?
2008/9/10 James E. Bailey <[EMAIL PROTECTED]>
>
> On 10.09.2008, at 18:05, Stefan Thomas wro
Dear lilypond users,
since a couple of day I don't get the dayly summary of the user-group any
more. Is it a problem I share with others?
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Dear lilypond-users,
in the below quoted example the positions of the tuplet numbers are very
strange. Is it possible, to have the tuplet numbers automatically near to
the beams?
\version "2.11.49"
re = { \change Staff = rechts }
li = { \change Staff = links }
rechts = { \clef bass s 4. }
links =
Dear lilypond-users,
I found out, that fingerings work much better than tuplet-numbers in
connection with cross-staff beams.
My problem is:
how can I make the fingerings look like the tuplet-numbers?
Here a short example:
\version "2.11.49"
ohnezahl = { \override TupletNumber #'stencil = ##f }
re
Dear lilypond users,
could it be possible, that \textLengthOn does not work in a TimeSig context?
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Dear Kieren,
it worked well so far. But let me ask one more question:
How could I change the alignment of the tempo-text (e.g. "Subito Piu Mosso"
) to the left side of the multimeasure bar?
2008/9/15 Kieren MacMillan <[EMAIL PROTECTED]>
> Hi Stefan,
>
> thanks for Your fast answer. Do You mean w
Dear Kieren,
the problem here is of a different kind. In this multi-measure Rest the
"TimeTextAn"-command doens't help, unfortunately.
The example is very long, sorry!
#(define ((make-format-movement-markup-function text) duration count
context)
(markup #:huge #:bold text #:hspace 1
"("
Dear Kieren,
thanks for Your fast answer. Do You mean with "blabla" the actual markup
command, like "Piu mosso"?
2008/9/15 Kieren MacMillan <[EMAIL PROTECTED]>
> Hi Stefan
>
> could it be possible, that \textLengthOn does not work in a TimeSig
>> context?
>>
>
> Sure… if it's defined as, e.g.,
>
Dear Lilypond users,
how can I move a text (it is a tempoMark text) in a TimeSig to the left?
Unfortunately
\override TimeSig.TextScript #'extra-offset = #'(-1.6 .0 )
\movement "meno mosso" "4" #76
doesn't help!
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0)
\override TimeSig.TextScript #'infinite-spacing-height = ##t
}
I will see if it works, when I suistitute TimesSig with Score and
TextScxript with MetronomeMark.
2008/9/15 Neil Puttock <[EMAIL PROTECTED]>
> Hi Stefan,
>
> 2008/9/15 Stefan Thomas <[EMAIL PROTECTED]>:
> > Dear L
'(0 . 0)
\override Score.MetronomeMark #'infinite-spacing-height = ##t
}
Hope this works to!
2008/9/16 Stefan Thomas <[EMAIL PROTECTED]>
> Dear Neil, thanks for Your help. It worked now!
> But if I want to have more space in the TimeSig for the Tempomark-Text, how
> can I
Dear lilypond-users,
I have troubles with showing and hiding staves.
I tried:
zeigsmir = {
\set Staff.keepAliveInterfaces = #'(
rhythmic-grob-interface
multi-measure-rest-interface
lyric-interface
stanza-number-interface
percent-repeat-interface)
}
wegdamit = \unset Staff.kee
Dear Lilypond-Users,
I use very often the very nice \inst-Plugin:
changeInstrument =
#(define-music-function (parser location string) (string?)
(make-music
'TextScriptEvent
'direction UP
'text (markup #:bold (#:box string
inst = #changeIn
Dear Lilypond-users,
I want to hide some notes. But, in the below quoted example, the rests go
down, if it where a second voice.
Does somebody know the reason?
Thanks for Your help!
Stefan
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Dear Gilles,
here is the example:
{ <<
{ \oneVoice
gis 8\f\laissezVibrer ^\markup { \small { \italic { \column { "(mit
Holzschlägel schlagen" "gleichzeitig mit weichem Schägel abdämpfen)" } } }
} r r4 r2 \rest } \\
{\oneVoice s8 \hideNotes \repeat "unfold" 14 { c''16 } } >> | %schlageins
ta
Wow! Thanks!
But there is one thing I don't understand:
\once \override MultiMeasureRest #'transparent = ##t
Could you be so kind to give me an explanation of this?
Thanks,
Stefan
2008/9/16 Kieren MacMillan <[EMAIL PROTECTED]>
> Hi Stefan,
>
> here is the example:
>>
>
> My suggestion for h
Dear Lilypond-users,
is there any reason, why in the below quoted example the tuplet bracket is
hidden?
I couldn't find a way to make it visible!
{\clef bass r2
4 r r \times 2/3 { r8 4 } r4 r \times 2/3 { r4 8 } r4 r
r }
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Hello,
off course I tried my example, I only forgot to add the version number,
which is 2.11.49
I suppose a newer version to solve the problem, but I will try Your
suggestions!
2008/9/17 Robin Bannister <[EMAIL PROTECTED]>
>
> One way to keep it longer would be to make the tuplet contents wider,
Thank You!
I succeeded with \once \set tupletFullLength = ##t !
2008/9/17 Stefan Thomas <[EMAIL PROTECTED]>
> Hello,
> off course I tried my example, I only forgot to add the version number,
> which is 2.11.49
> I suppose a newer version to solve the problem, but I will try
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