leadsheet with intro an lyrics

2008-09-22 Thread Sebastian Menge
Hi all I'm writing a leadsheet with chords and lyrics. How can I let the lyrics start after 4 bars of "intro"? At the moment my score looks like that: \score { { << \chords { ... } \relative c' { ... } >> << \chords { ... } \relative c' { ... } \addlyrics { ... } >> } \header { ...

Re: leadsheet with intro an lyrics

2008-09-22 Thread Sebastian Menge
Am Mon, 22 Sep 2008 21:53:02 +0200 schrieb "Robin Bannister" <[EMAIL PROTECTED]>: > To see how, search (twice) for "Skips in lyric mode" in the vocal > snippets: > > http://lilypond.org/doc/v2.11/input/lsr/lilypond-snippets/Vocal-music Thanks, exactly what I was looking for. I just RTF 2.10 manu

Re: Documentation Review

2008-09-22 Thread Sebastian Menge
2.2 Keyboard instruments > 2.4 Fretted string instruments > 2.5 Percussion > 2.7 Chord notation > > Many thanks for your help > > Trevor > > > > > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > http://lists.gnu.org/mailman/listinfo/lilyp

increase space between multiple songs

2008-09-23 Thread Sebastian Menge
Hello Im writing a small songbook at the moment. It consists of multiple \scores I include. Each has a header as follows: \header { title = "" arranger = "" subtitle = "title of the song" } The whole book has a "normal" header with title and arranger set and a section " \paper{ printallhe

Re: Documentation Review

2008-09-24 Thread Sebastian Menge
Am Wed, 24 Sep 2008 10:14:00 +0200 schrieb Jan Nieuwenhuizen <[EMAIL PROTECTED]>: > On di, 2008-09-23 at 23:16 +0200, Valentin Villenave wrote: > > 2008/9/23 Mats Bengtsson <[EMAIL PROTECTED]>: > > > > > We have one on the main page of lilypond.org, but unfortunately > > > it often finds hits in

Re: increase space between multiple songs

2008-09-24 Thread Sebastian Menge
Am Tue, 23 Sep 2008 11:56:17 +0200 schrieb Mats Bengtsson <[EMAIL PROTECTED]>: > > Is this the right way to do it? > There's no single right or wrong solution, but if you go to LSR Thanks, then i'm ok with my approach ... But how about the vertical spacing: See here how ugly my music looks with

Searching the docs (was: Re: Documentation Review)

2008-09-24 Thread Sebastian Menge
Am Wed, 24 Sep 2008 11:05:59 +0200 schrieb Sebastian Menge <[EMAIL PROTECTED]>: > http://www.google.com/search?hl=en&q=site%3Alilypond.org+inurl%3Av2.11+blah Another refinement: Add "intitle:Manual" or "intitle:Reference" to search only the manual o

chords above piano staff

2008-09-30 Thread Sebastian Menge
Hi all I have a piece with a written out piano intro directly followed by a leadsheet with lyrics. The lower staff is only needed for the intro. Now the chords appear below both staffs in the intro, but stay there, when the leadsheet/with lyrics starts. Then the chords are between melody and lyri

Re: chords above piano staff

2008-09-30 Thread Sebastian Menge
Am Tue, 30 Sep 2008 13:40:44 +0200 schrieb Gilles Sadowski <[EMAIL PROTECTED]>: > Please send a minimal but *compilable* example: It's a waste of time Sorry, I thought advanced users could imagine the output. Here we go: \new PianoStaff << \chords { c1 g } \new Staff = "upper" {

height of volta brackets

2008-09-30 Thread Sebastian Menge
And here goes another one: http://i37.tinypic.com/xekg9v.png How can I make both brackets to be at the same height? Or is this considered "good looking"? Seb. BTW: Is it better to post such binary snippets inline the mail, so everyone can (and has to) see it? Or is a link to external image-host

generating pdf and png but no ps

2008-10-03 Thread Sebastian Menge
Hi How can I generate pdf and png but no ps? Can I adjust resolution of the png? I just need thumbnails. Is there a simple way to see (e.g. from the shell or an external programming language) how many png-pages lilypond produced? Thanks, Sebastian.

Re: generating pdf and png but no ps

2008-10-03 Thread Sebastian Menge
Am Fri, 3 Oct 2008 14:38:39 +0200 schrieb Sebastian Menge <[EMAIL PROTECTED]>: > How can I generate pdf and png but no ps? > > Can I adjust resolution of the png? I just need thumbnails. > > Is there a simple way to see (e.g. from the shell or an external > programmin

Re: generating pdf and png but no ps

2008-10-03 Thread Sebastian Menge
Am Fri, 3 Oct 2008 16:31:08 +0300 schrieb "Dmytro O. Redchuk" <[EMAIL PROTECTED]>: > 2008/10/3 Gilles Sadowski <[EMAIL PROTECTED]>: > > Hi. > > >> Can I adjust resolution of the png? I just need thumbnails. > > > > $ convert file.png -resize 120 file_resized.png > Probably, lilypond -dresolution

Re: generating pdf and png but no ps

2008-10-03 Thread Sebastian Menge
Am Fri, 3 Oct 2008 15:56:05 +0200 schrieb "Gilles THIBAULT" <[EMAIL PROTECTED]>: > > How can I generate pdf and png but no ps? > Try > #(ly:set-option 'delete-intermediate-files #t) Yeah. that's exactly what I was looking for: lilypond -d delete-intermediate-files=#t test.ly does the job

Re: generating pdf and png but no ps

2008-10-03 Thread Sebastian Menge
Am Fri, 03 Oct 2008 16:13:30 +0200 schrieb Alexander Kobel <[EMAIL PROTECTED]>: > > Is there a simple way to see (e.g. from the shell or an external > > programming language) how many png-pages lilypond produced? > Well, three things come into my mind. > > > --png produces file-page1.png file-pag

Re: WANTED: Design for documentation (Photoshop power users!)

2008-10-06 Thread Sebastian Menge
Am Fri, 26 Sep 2008 17:47:56 +0200 schrieb Alexander Kobel <[EMAIL PROTECTED]>: > However, one suggestion: Have you talked about the size of the > navigation sidebar? On my 13" MacBook (1280x800), there is /plenty/ of > space wasted (default font settings in Firefox 3, haven't changed > anything).

Re: Headword for unfretted-strings

2008-10-07 Thread Sebastian Menge
Am Tue, 7 Oct 2008 09:20:41 +0200 schrieb "Valentin Villenave" <[EMAIL PROTECTED]>: > But six bars of Ravel won't hurt. What would hurt? Does anyone have experiences with publishing leadsheets of jazz standards? E.g. like the famous realbooks? Would that hurt the copyright owners? Seb. __

\mark, chords and notes collide

2008-10-07 Thread Sebastian Menge
Hi In the following example the \mark collides with chords and notes. << \chords { c1 c } \new PianoStaff << \new Staff = "upper" { \relative c'' { c16 \mark \markup \bold "Test" g a b r2. \mark \markup \bold "LongTest" c16 g a b r2. } \addlyrics { la l

Re: \mark, chords and notes collide

2008-10-09 Thread Sebastian Menge
Am Thu, 9 Oct 2008 15:04:23 +0300 schrieb "Dmytro O. Redchuk" <[EMAIL PROTECTED]>: > "Real mark" will appear above chords (you wish them to be in > between?), so you may try text marks look like "real mark". > > I have no collisions with 2.11.42. > > Try to change #'minimum-Y-extent for chords?

Re: \mark, chords and notes collide

2008-10-09 Thread Sebastian Menge
Am Wed, 08 Oct 2008 20:06:27 -0700 schrieb Patrick Horgan <[EMAIL PROTECTED]>: > \paper { annotate-spacing = ##t } Wow, that's impressing. To be honest, lilypond is one of the strongest OSS projects i've seen in the last years. Kudos to everyone involved! But my original issue is still open: >

Re: \mark, chords and notes collide

2008-10-09 Thread Sebastian Menge
Am Thu, 9 Oct 2008 14:36:11 +0300 schrieb "Dmytro O. Redchuk" <[EMAIL PROTECTED]>: > Use ^\markup {} instead of \mark \markup ... Had that before, looks even uglier (collides also). And it is a real \mark: There should be written "Intro" or "Verse". So I think thats the way to go, I just have to

Re: \mark, chords and notes collide

2008-10-09 Thread Sebastian Menge
Am Thu, 9 Oct 2008 16:41:02 +0200 schrieb "Valentin Villenave" <[EMAIL PROTECTED]>: > 2008/10/9 Sebastian Menge <[EMAIL PROTECTED]>: > > > Ah, ok. I'm using 2.10.33 . I'll try the change you propose. > > Hi Sebastian, > > Most of t

Re: rolled chords

2008-10-11 Thread Sebastian Menge
Am Fri, 10 Oct 2008 11:21:54 -0700 schrieb "Danny Sosa" <[EMAIL PROTECTED]>: > ... less than 8 minutes and you already solved my problem... The amazing thing is: less than 10 minutes and *3* ppl helped ! Never saw such a helpful community! (well, besides [EMAIL PROTECTED] ;-) ) Seb. _

Re: GDP NR 1.6 Staff notation ready for public review

2008-10-13 Thread Sebastian Menge
Am Mon, 13 Oct 2008 11:33:10 +0100 schrieb "Trevor Daniels" <[EMAIL PROTECTED]>: > and post any comments, corrections or criticism to this list. Thanks. Very well done. I only skimmed the text, but understood a lot of things I only imitated before. Certainly an important section. The only thing

Re: square note heads for cluster

2008-10-14 Thread Sebastian Menge
Am Mon, 13 Oct 2008 20:24:37 +0200 schrieb [EMAIL PROTECTED]: > I need to notate some clusters using squared rhythmic note-heads, > something along the lines of this figure: I was recently looking for that kind of clusters too. It is really standard in some contemporary music. If someone knows h

lilypond-book and latex

2007-05-11 Thread Sebastian Menge
Hi I want to write a report using lily and latex. Is there a way of using lilypond such that i dont have to interrupt my normal editing process? Normally i write tex documents with my preferred editor (vim with latexsuite) with completion, syntax highlighting, have previews, quickfix, etc. If i

Re: lilypond-book and latex

2007-05-13 Thread Sebastian Menge
Am Freitag, den 11.05.2007, 18:07 -0400 schrieb Laura Conrad: > >>>>> "Sebastian" == Sebastian Menge <[EMAIL PROTECTED]> writes: > > Sebastian> Does anyone have an idea how to manage that in a clever > Sebastian> way? > > It

same font in stanzas and latex.

2007-06-12 Thread Sebastian Menge
Hi Im still a newbie in lilypond, though i've type set about 5 pieces. but anyway... I want to make a small booklet for my marriage with all the hymns and songs and additional text (title, preface, program, thankyous etc) We (actually my wife) have typeset the songs, as you can see in the attach

indent of eps files with lilypond-book

2007-06-13 Thread Sebastian Menge
hi how can i set the indent of eps files to zero with lilypondbook and latex? music fragment options "noindent" or "indent=0" dont work. option --padding=0 of lilypond-book is not supported by 2.10.5 (though the docs say so ...) (I'm using ubuntu feisty) To make things more clear: the indent is

Re: indent of eps files with lilypond-book

2007-06-13 Thread Sebastian Menge
Am Mittwoch, den 13.06.2007, 23:27 +0200 schrieb Dominic Neumann: > have a look at marcus brinkmanns project he published recently. > > He creates an environment called "song" which does the job for you. > > \newenvironment{song} Great, you saved my day :-) Do you have a reference to that proje

vim for lilypond

2007-06-13 Thread Sebastian Menge
hi all I just found the "vim" directory under /usr/share/lilypond ... Is there any documentation on the vim integration ? Seb. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Again Fontsizes in stanzas

2007-06-16 Thread Sebastian Menge
Hi I'm still looking for a way to fit latex fonts with lilypond fonts for stanzas. So heres what I do: include a lilypond snippet in my latex file, add more stanzas below it with latex. Someone here suggested to use newcent as latex font. I do that and the fonts seem to to be the same, but not

Re: Again Fontsizes in stanzas

2007-06-16 Thread Sebastian Menge
On Sun, 17 Jun 2007, Mats Bengtsson wrote: However, it's easy to adjust the font size used for Lyrics in LilyPond, for example adding \layout{ \context{ \Lyrics \override LyricText #'font-size = #+3.5 } } Then, you can use trial and error to match the size to your document. Thanks for your

fret-diagram for button accordion and/or free bass accordion

2018-01-09 Thread Sebastian Menge
Hi I play the accordion and occasionally arrange some pieces with lilypond. The systems of the buttons on the right hand (button accordion) and free bass (left hand) are organised chromatic in three rows. Therefore the fingerings for scales and chords can be shifted by a minor third. Depending on

How can I reuse an outline in a score

2024-09-05 Thread Sebastian Menge
Hi I am writing arrangements for accordion and create the score and the individual voices using \book. To save effort and give some structure / consistency I want to reuse certain things like - time signatures - \marks I used an "\outline" consisting of silence and the time signatures and marks

long sequence of 8th trioles without many \tuplets

2024-09-07 Thread Sebastian Menge
Hi I have this sequence of tuplets (and there will be many more) %% \tuplet 3/2 {f8 es f} \tuplet 3/2 {as as g} \tuplet 3/2 {f g f} \tuplet 3/2 {bes bes as} \tuplet 3/2 {f f es} \tuplet 3/2 {f f g} \tuplet 3/2 {as as g} \tuplet 3/2 {f es f} %% I would like to use something like this to save typi

Re: crescendo stops at \time

2024-10-14 Thread Sebastian Menge
That works well, thank you! Is there a way to set this for the whole piece? Or at least all de/crescendi? My piece often changes time and also keys - I have many wide gaps for the crescs. -- Sebastian. On Mon, Oct 14, 2024 at 8:42 PM David Kastrup wrote: > Sebastian Menge writes: >

again struggling with simultanous / stacking voices

2024-10-15 Thread Sebastian Menge
Hi I have a (organ) piece with different "voices"(?) stacking up to chords. Since this is rather homophonic, I'd not use individual voices - the slurs look ugly then. I came up with the following (hardly minimal) example. Lily gives me many warnings, so I wonder if I could make it better - and e

v-position of \note in \markup

2024-10-19 Thread Sebastian Menge
Hi I am using a tempo markup like this \bold \smaller "Animato (" \tiny \note {4} #1 \smaller"= 132)" } The "note" seems to me too low - it seems to be below the baseline of the text. I'd expect it roughly to be at the height of the lower half of an "e". (If I use the same font-size it looks eve

Bug in module accreg (accordion registers) ?

2024-10-19 Thread Sebastian Menge
Hope it is OK to post this here... The output of the following snippet looks wrong: \version "2.24.3" #(use-modules (lily accreg)) { \discant "10" c'2. \fermata } I'd expect the fermata on top of the note, and the register on top of the staff. -- Sebastian

crescendo stops at \time

2024-10-14 Thread Sebastian Menge
Hi folks, this does not look good to me: \version "2.24.3" { c'1\pp\<\time 3/4 g'2.\ff } IMHO the crescendo should span the time signature and reach until the next note starts in \ff Should I get used to it, or should /could this be "tweaked" somehow? Thanks, Sebastian.

Re: How do you insert measures into scores with many parts?

2024-09-28 Thread Sebastian Menge
I am not an expert in lilypond, but as a language it does not have the proper semantics/structures to do that - it is not XML or Json or so. Other Notation programs have internal data structures that make it easy to implement that. So the editor has to overcome it. And the editor then needs hints,